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in The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
> New German Critique
Published: 01 November 2020
Figure 11. Portrait of Siegfried Kracauer, 1964, photograph by Lili Kracauer in their New York City apartment (“interior photo”), from a negative scan. Courtesy Deutsches Literaturarchiv Marbach.
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Journal Article
New German Critique (2016) 43 (1 (127)): 1–35.
Published: 01 February 2016
...Harry T. Craver Despite their opposed cultural agendas, the critic and journalist Siegfried Kracauer and the poet Gottfried Benn pursued similar projects of undermining traditional conceptions of the self. Kracauer, a leftist who was never aligned with a party, sought to push aside older notions...
Journal Article
New German Critique (2017) 44 (3 (132)): 83–103.
Published: 01 November 2017
...Johannes von Moltke This article investigates the role of names, naming, and anonymity in the career and reception history of Siegfried Kracauer. A signature motif of his life and writings, the notion of anonymity is ambivalent, signaling both invisibility and success. The article traces this motif...
Journal Article
New German Critique (2019) 46 (1 (136)): 167–196.
Published: 01 February 2019
...Tyler Schroeder Abstract This article examines how the activity of writing mediates among the private, the public, and the transcendent in the work of Siegfried Kracauer and Ernst Jünger. For each, the task of modern criticism requires personal, embodied, and agonistic participation...
Journal Article
New German Critique (2020) 47 (1 (139)): 141–172.
Published: 01 February 2020
...Frederic Ponten Abstract This article details the brief collaboration between Siegfried Kracauer and Gregory Bateson in the Film Library of the Museum of Modern Art during World War II as an intriguing episode in intellectual history, touching on film and media studies, anthropology, and German...
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in The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
> New German Critique
Published: 01 November 2020
Figure 10. Paris demolition site (with Siegfried Kracauer standing in front?), 1934–35, photograph by Lili Kracauer, paper print. Courtesy Deutsches Literaturarchiv Marbach.
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Journal Article
New German Critique (2010) 37 (1 (109)): 99–118.
Published: 01 February 2010
...Christian Sieg This article traces Siegfried Kracauer's ethnologically inflected observations of ordinary practices and argues that his lifelong attention to the quotidian, from his newspaper articles of the 1920s to his last book, History: The Last Things before the Last , throws into relief...
Journal Article
New German Critique (2013) 40 (3 (120)): 85–110.
Published: 01 November 2013
... film criticism and a way for domestic writers to conceive of and position developments in their own national cinema. © 2013 by New German Critique, Inc. 2013 Filmkritik, with and without Italics:
Kracauerism and Its Limits
in Postwar German Film Criticism...
Journal Article
New German Critique (2020) 47 (3 (141)): 99–140.
Published: 01 November 2020
...Figure 11. Portrait of Siegfried Kracauer, 1964, photograph by Lili Kracauer in their New York City apartment (“interior photo”), from a negative scan. Courtesy Deutsches Literaturarchiv Marbach. ...
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in Tremor, Tick, and Trance: Siegfried Kracauer and Gregory Bateson in the Film Library of the Museum of Modern Art
> New German Critique
Published: 01 February 2020
Figure 1. Kracauer’s note of Bateson’s translation ( Von Caligari zu Hitler [Vorarbeiten], Kapitel 16–21, Ma 7 T1, Siegfried Kracauer Nachlass). Courtesy of Suhrkamp Verlag.
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in The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
> New German Critique
Published: 01 November 2020
Figure 6. Siegfried Kracauer’s sketch for a memorial cemetery in Frankfurt am Main, 1916, pencil on paper. Courtesy Deutsches Literaturarchiv Marbach.
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Journal Article
New German Critique (2014) 41 (2 (122)): 9–11.
Published: 01 August 2014
... and Experience exemplifies Miriam Hansen’s lifelong endeavor to
historicize theory and theorize history. An inspiring model for historical work
in film theory, her book revisits canonical texts by Siegfried Kracauer, Walter
Benjamin, and Theodor W. Adorno in light of the present. How do their writ-
ings...
Journal Article
New German Critique (2014) 41 (2 (122)): 189–202.
Published: 01 August 2014
..., which itself is seen as a legacy of the Frankfurt School. Such an intellectual and methodological promiscuity becomes particularly important in attempts to grasp modern urbanity, explored here via Siegfried Kracauer's visits to the city of Marseille. And it may help with methodological concerns...
Journal Article
New German Critique (2020) 47 (3 (141)): 73–91.
Published: 01 November 2020
...Johannes von Moltke Abstract Ten film reviews by Siegfried Kracauer from the 1920s and early 1930s are translated here for the first time, with a brief introduction by the translator. Leaving aside reviews that have already been translated elsewhere, and focusing almost exclusively on the silent...
Journal Article
New German Critique (2014) 41 (2 (122)): 20–28.
Published: 01 August 2014
... and political crisis?
Note
1. Miriam Hansen, Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and The-
odor W. Adorno (Berkeley: University of California Press, 2012). All page citations refer to this
edition.
Cinema and the Legacies of Critical Theory:
Roundtable Discussion...
Journal Article
New German Critique (2014) 41 (2 (122)): 17–20.
Published: 01 August 2014
... remarkable feature of Miriam Hansen’s Cinema and Experience is the
subtle ways that it enables the past to address the present. In the preface Mir-
iam points out the relevance for today of the questions and ideas that preoc-
cupied Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno...
Journal Article
New German Critique (2014) 41 (2 (122)): 159–169.
Published: 01 August 2014
...,
collectively titled “The Little Shopgirls Go to the Movies,” Siegfried Kracauer
fleshed out his claim that “stupid and unreal film fantasies are thedaydreams
of society, in which its actual reality comes to the fore and its otherwise
repressed wishes take on form.”1 Each film vignette that he examined...
Journal Article
New German Critique (2014) 41 (2 (122)): 3–6.
Published: 01 August 2014
... considerably as it evolved.
“The Other Frankfurt School” was its initial working title. Its topic was
the introduction, even mediation (Vermittlung), of the film-theoretical
approaches and perspectives of Siegfried Kracauer, Walter Benjamin, and
Theodor W. Adorno into the context of US film studies...
Journal Article
New German Critique (2014) 41 (2 (122)): 12–14.
Published: 01 August 2014
... the twenty-five years I knew Miriam, for her it was
always Kracauer, Benjamin, and Adorno. The idea that her book Cinema
and Experience would include an autobiographical dimension (a me) and
chart her response to their work was probably not one with which she ever
was truly comfortable. My sense...
Journal Article
New German Critique (2014) 41 (2 (122)): 14–16.
Published: 01 August 2014
... related thread that winds through
her readings of Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
in intriguing and provocative ways.
I am thinking here of Miriam’s deeply original account of what might be
called the dynamic and disintegrated subject as a phenomenological...
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