...Andrés Mario Zervigón This essay investigates the little-known early film work of the German photomontagist John Heartfield (born Helmut Herzfeld in 1891). A firm opponent of World War I and an early member of Berlin's rambunctious Dada movement, Heartfield nonetheless agreed to produce...

...Sabine Kriebel Because photomontage is based on the structural principle of pictorial rupture and reassembly, the medium is understood in scholarly literature as the symbolic register of the shocks and disjunctures of modern life. Yet most of John Heartfield's photomontages for the communist...

...Maria Gough Drawing on archival and recently published documents, this essay examines the historical encounter of two major communist photomonteurs in Moscow in 1931—John Heartfield, visiting from Weimar Germany under the auspices of the Comintern, and Gustavs Klucis, a Latvian resident of the city...

...Cristina Cuevas-Wolf This essay posits that the tactical alliance in the mid-1920s between Willi Münzenberg and John Heartfield shaped the imagery of a united political front for the Communist International (Comintern). The collaboration between the Comintern's minister of propaganda for western...

...Cristina Cuevas-Wolf The German photomontagist John Heartfield visualized Willi Münzenberg's antifascist position in the Communist Party as early as 1932 and became famous for antifascist photomontages, published exclusively in the Arbeiter-Illustrierte-Zeitung (AIZ) from 1929 to 1938. Heartfield...

...Misa Nikolic Apart from the work of Eduard Fuchs, there has been little Marxist scholarship on caricature and satire. This is a glaring omission, especially in light of the work of John Heartfield, whose photomontages were viewed across the political spectrum as well as across class boundaries...

... historian and anti-utopian ideologue à la François Furet or , more narrowly, as a Begriffshistoriker , that is, historian of concepts à la John Pocock and Quentin Skinner, or as a metahistorian à la Hayden White. Of course, Koselleck repeatedly insisted that all these interests belong together. Yet only...

...Codruţa Morari Abstract The classical film western enacts the myth of American manifest destiny, codifying and promulgating stories of the conquest of the West. Subsequent so-called revisionist westerns, of which John Ford’s The Searchers (1956) is the preeminent example, call this triumphal master...

...John Hoffmeyer The controversial issue of Martin Heidegger’s Nazism has posed hermeneutic challenges since well before the philosopher’s death. This essay approaches the political-philosophical conflict of Heidegger’s early work not through consideration of explicitly problematic statements...

...John E. Davidson New German Critique, Inc. 2006 Cleavage: Sex in the Total Cinema of the Third Reich John E. Davidson Long-standing wisdom holds that the National Socialists were ingenious at enlisting support for their cause by using...

...John Brenkman Just as Jürgen Habermas's dialogue with Cardinal Ratzinger shifted critical theory's stance toward religion, the dialogue between Gianni Vattimo and René Girard reveals tensions within philosophy's critical appropriations of Christianity. Vattimo draws on Heidegger and hermeneutics...

...John Griffith Urang This reading of Alexander Kluge's Abschied von gestern (Anita G.) ( Yesterday Girl , 1966) highlights the central themes of pregnancy and childbirth in the film. Through Hannah Arendt's concept of natality, Urang suggests points of connection between the film's scenario...

...John Zilcosky Hermann Hesse's readers associate him with the “East” yet generally ignore his earliest writing on the topic: the mixed-genre masterpiece about India, Robert Aghion (1913). I argue that Aghion is a sophisticated critique of colonialism in which no one is innocent, not even...

... Struwwelpeter”? John Heartfi eld’s Early Film Animation and the Crisis of Photographic Representation . . . . . . . . . . . . . 5 Andrés Mario Zervigón Manufacturing Discontent: John Heartfi eld’s Mass Medium . . . . . . . . . . 53 Sabine Kriebel A “Schooling of the Senses”: Post-Dada Visual...

....” Current Comments , no. 3 : 3 – 10 . Geulen Eva . 2015 . “Begriffsgeschichten Go Global (or Try To).” Merkur , no. 3 : 38 – 48 . Groden Michael Kreiswirth Martin Szeman Imre , eds. 2005 . The Johns Hopkins Guide to Literary Theory and Criticism . 2nd ed. Baltimore, MD...

... Robert , eds. 1987 . The Literary Guide to the Bible . Cambridge, MA : Harvard University Press . Kilgallen John J. 1992 . A Brief Commentary on the Gospel of Matthew . Lewiston, ME : Mellen . Mendonça José Tolentino . 2004 . A construção de Jesus . Lisbon : Assírio e...

... A. Shepherd, From Bohemia to the Barricades: Erich Mühsam and the Development of a Revolution- ary Drama (New York: Lang, 1993); Walter Fähnders, “Anarchism and Homosexuality in Wil- helmine Germany: Senna Hoy, Erich Mühsam, John Henry Mackay,” in Gay Men and the Sexual History of the Political Left, ed...

... from Nietzsche to Habermas , edited by McCormick John P. , 163 – 91 . Durham, NC : Duke University Press . Ernst Wolfgang . 2013 . Digital Memory and the Archive , edited by Parikka Jussi . Minneapolis : University of Minnesota Press . ———. 2016 . Chronopoetics...

..., mediated by signs, are supposed to have already gained a foothold in nature prior to the emergence of human beings. Setting a precedent for John Dewey’s Experience and Nature , 8 which appeared a good decade later, Peirce thought it both reasonable and correct to understand natural development...

... Can Save Us,” 99 . 69. Trawny, Heidegger und der Mythos , 37 . 70. Trawny, Heidegger und der Mythos , 89–91 . 71. Wolin, Heidegger’s Children , 83 . References Abromeit John . 2004 . “ Herbert Marcuse’s Critical Encounter with Martin Heidegger, 1927–1933...