Skip Nav Destination
Close Modal
/10.1215_0094033X-7727455/4/s_ngc7727455figure1.png?Expires=1699293631&Signature=zAWI5jhUuDLdeD34ImjzvUVrDSESgg4LgI5s8lWPN1wNeD-92S63wzLFHeZarUb5SalbTOE3WH7r9-5eEjQyV1Tw8iEJpa7HUP2L9vz7zi0WNwXWHK4gJ-a6RWP6aMqMKHsUtHGCk4Lru2uqItlp9dSqgEkv2Eoe2mBV9iCqYmjdvCFmqMX5ZGvGnKTyiDesRhda6VsURQIiFZr7ykgzqzhePgFF4ivVsCn9LK0I4xI4-E9skVrymb~IW8JjjHdNj3wR7ONzdKHinmfMdM16sbFu5eYb~NH5FQsjJQVPOVF3f-K40kL4X-LTBXosFWbmdEBFj5QgmMirFMs8GSTVww__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-7727455/4/s_ngc7727455figure2.png?Expires=1699293631&Signature=SKkqkCeSjs19M34L9oQutDnPFiUJGc6bnY2FxRwoI2PRv-MSueI4RREO3rJrRbnA4-8wp8m9RcRgLTlUDB-uc6mtKMn4MeXo85qRy2HM7Z-s8LKU5j5X-if7PldqK7KGPGgr0o7d01k6m1nXI4gzY79zwYWibXiZ1A2WeOT4A10BDThwJ4aKnIHKsmzb7iTczxOekX4~RU6fV-BfdBThkpwPs-brMU30nKX35Wq1SKokqSaZQ4eoZrq1bgDQFKpzVMi9BuDulVwnebsOzUqVFZo9HB9oBRsoO4bgpc4cSC2H3PUGfEzOt5EfIjHeLe-jDIuuEwk0gWxcyj5lX6sK7A__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-7727455/4/s_ngc7727455figure3.png?Expires=1699293631&Signature=g07yKUjgOJZR-X-rFU7FbXad9t3zAqYWfJ5Gj~7fZGnU0iqQoQZsSNKIglreg9FwAkpq7Br6ldqRuqKKM-YF3XVty3dnY8HUGqOMlg~I69qhja8U~A9WorOsUw68VSkFC5d2C8HLrHamFiJpqmSc7aBogNCu4IRUm0iE5Yyonxtx84~1vubmhIyGzbFHLMT9fVZEd5gwfBATkDqeHna6HKeNLKgmgpSRdj7bhiyDnjTggvkj-gKKB8UlJZ0YmTi2M3oW1zGoKzmFjxNnK7PzWYxgTWlM~MtPQsPrryobfbZVwyoricKE1U5VDSPOBiUpy3UGRDJczXAV5rQ0AOCCPA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
1-20 of 248 Search Results for
industry
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
New German Critique (2017) 44 (3 (132)): 39–60.
Published: 01 November 2017
...Joe Paul Kroll This article explores the difficulties involved in theory transfer in the humanities from Germany to the English-speaking countries as they appear from the perspective of the publishing industry. Drawing on interviews with publishing professionals in Germany, the United States...
Journal Article
New German Critique (2013) 40 (1 (118)): 43–64.
Published: 01 February 2013
... Schoenberg's approach to music itself. But it was more than a purely aesthetic issue. Each of these intellectuals claims that the Bilderverbot was central to the contemporary political struggles. In Adorno's mind, not only had the Nazis violated the ban against graven images, but Hollywood's “culture industry...
Journal Article
New German Critique (2009) 36 (3 (108)): 73–83.
Published: 01 November 2009
... not ascribe to film as film negative qualities, possibly diminishing his reflective capacities. The dispute about the difference between mass art and high art is taken back to the emergence of the notion of culture industry as replacement for mass art in the frame of social theory. Comparing the different...
Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... both expressionist artists who struck a noncommercial pose and cultural reformers who argued for a synthesis of art and industry. © 2017 by New German Critique, Inc. 2017 Tristan Tzara Richard Huelsenbeck Raoul Hausmann marketing publicity References Anonymous . 1919...
Journal Article
New German Critique (2016) 43 (3 (129)): 91–112.
Published: 01 November 2016
...Brian Kane The publication of Current of Music affords a reassessment of Theodor W. Adorno's years at the Princeton Radio Research Project. Although his encounter with the culture industry was made vivid and palpable during these years, this article reads Current of Music as a prolongation of his...
Journal Article
A Natural History of Modernity: Bernhard Grzimek and the Globalization of Environmental Kulturkritik
New German Critique (2016) 43 (2 (128)): 55–82.
Published: 01 August 2016
... ruminations about human aggression and environmental destruction. Grzimek portrayed both the zoo and the national park as compensation for a “great extinction” that linked the industrialized slaughterhouse in Europe to trophy hunting in Africa. This natural history of modernity envisioned a global nature...
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
... of constructivism. Analyzing in detail for the first time his contribution to the photo-illustrated propaganda magazine USSR in Construction —on the reconstruction of Moscow and the Soviet oil industry—the essay probes the relation of Heartfield's production to that of Klucis. It concludes with a brief...
Journal Article
New German Critique (2020) 47 (2 (140)): 45–80.
Published: 01 August 2020
... of political and economic thought: labor, work, slavery, consumption, industrialization, and automation. Such interests, which were passed through the philosophical canon from Aristotle to Marx, would serve as the theoretical basis for many of the distinctions that define The Human Condition . When set within...
Journal Article
New German Critique (2021) 48 (2 (143)): 147–175.
Published: 01 August 2021
...Ricardo Samaniego de la Fuente Abstract Rejecting a reading of Theodor W. Adorno as a critic of the culture industry who could not conceive of film’s critical potential, many commentators have argued that for Adorno, film can become autonomous and thus a medium for social critique. This article...
Journal Article
New German Critique (2007) 34 (1 (100)): 141–163.
Published: 01 February 2007
... Benjamin, The Author as Producer
To characterize Adorno as mirthless may seem a simple task. Photos show a
stout, grimacing, bald man who once famously declared he had no hobbies.1
The “culture industry” arises menacingly from Adorno’s writings as an oppres-
sive mechanism to stifl e individuality...
Journal Article
New German Critique (2013) 40 (1 (118)): 149–174.
Published: 01 February 2013
... contribution made by the editors of the journal, which
has uncompromisingly, intelligently, and critically argued for a more balanced and refined under -
standing of Adorno. On the important distinctions between “popular culture,” “mass culture,” and the
“culture industry” in Adorno (and Horkheimer), see...
Journal Article
New German Critique (2012) 39 (2 (116)): 87–102.
Published: 01 August 2012
...
the need to recycle waste materials, both industrial and domestic, occupied a
prominent place in the socialist agenda.8
The destruction wrought by the war had already exposed the double-
edged nature of waste as a resource and a problem. In the 1970s and 1980s it
became evident that heavy...
Journal Article
New German Critique (2018) 45 (3 (135)): 1–38.
Published: 01 November 2018
... to economic, aesthetic, social, and technological questions.” 1 In this debate one side advocated using modern industrial methods to create recognizable German types of architecture and industrial design, while the other side argued that architects and designers should master industrial methods...
Journal Article
New German Critique (2010) 37 (2 (110)): 180–207.
Published: 01 August 2010
... of
present-day, postindustrial society in which photography operates. The news
photograph, for instance, is said to be “preprogrammed” by the whole struc-
ture of the illustrated newspaper business—or “industry,” as Flusser also calls
it—where it not only illustrates reportage but also incorporates...
Journal Article
New German Critique (2019) 46 (3 (138)): 125–155.
Published: 01 November 2019
...—with its vanishing points, horizon lines, and perpendicular movement along the frontal plane—draws attention to specific buildings and particular borders. Unser täglich Brot ( Our Daily Bread , 2005) thematizes the food industry in Europe, from chicken farms to tomato greenhouses and abattoirs...
FIGURES
| View All (9)
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
... largely
given way, in Germany as elsewhere, to a revived modernism, one, moreover,
that fuses expressionist transparency and acute angles to the industrial aes-
thetic espoused by Gropius in 1923 and closely associated with Bauhaus
design ever since. (This is true even in Berlin, where...
Journal Article
New German Critique (2010) 37 (2 (110)): 125–152.
Published: 01 August 2010
... the NES’s shiny cybernetic and
fully automated future, Müller’s insertion of figural myth into modern pro-
duction processes insists on the ineradicable human component of work. At
issue in Müller’s surrealistic encounters between industrial machine and myth-
ical hero is the relationship between...
Journal Article
New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
.... This is a familiar kind of argument. Because cinema is a
technology that arose amid modernization and industrialization, it is necessar-
ily caught up in those trends and therefore is automatically modernist (in this
way) because of its technological base. If that is the case, however, it leads...
Journal Article
New German Critique (2013) 40 (1 (118)): 65–92.
Published: 01 February 2013
...
valued about as much as yesteryear’s technologies or yesterday’s news. There
is nothing extraordinary about this point coming from Adorno, infamous for
how little faith he has in the forms of subjectivity that the culture industry
manufactures as systematically as it spits out formulaic films...
Journal Article
New German Critique (2022) 49 (3 (147)): 231–235.
Published: 01 November 2022
... often, and that can lead to the arrogant view that we belong to a “rich world,” must be abandoned. For a West German author, for example, there exists the possibility of examining how far the infiltration of the large industry and military interests of his own state into the oppressed countries has...
1
