Skip Nav Destination
Close Modal
1-20 of 272 Search Results for
industry
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
New German Critique (2017) 44 (3 (132)): 39–60.
Published: 01 November 2017
...Joe Paul Kroll This article explores the difficulties involved in theory transfer in the humanities from Germany to the English-speaking countries as they appear from the perspective of the publishing industry. Drawing on interviews with publishing professionals in Germany, the United States...
Journal Article
New German Critique (2013) 40 (1 (118)): 43–64.
Published: 01 February 2013
... Schoenberg's approach to music itself. But it was more than a purely aesthetic issue. Each of these intellectuals claims that the Bilderverbot was central to the contemporary political struggles. In Adorno's mind, not only had the Nazis violated the ban against graven images, but Hollywood's “culture industry...
Journal Article
New German Critique (2009) 36 (3 (108)): 73–83.
Published: 01 November 2009
... not ascribe to film as film negative qualities, possibly diminishing his reflective capacities. The dispute about the difference between mass art and high art is taken back to the emergence of the notion of culture industry as replacement for mass art in the frame of social theory. Comparing the different...
Journal Article
New German Critique (2016) 43 (3 (129)): 91–112.
Published: 01 November 2016
...Brian Kane The publication of Current of Music affords a reassessment of Theodor W. Adorno's years at the Princeton Radio Research Project. Although his encounter with the culture industry was made vivid and palpable during these years, this article reads Current of Music as a prolongation of his...
Journal Article
A Natural History of Modernity: Bernhard Grzimek and the Globalization of Environmental Kulturkritik
New German Critique (2016) 43 (2 (128)): 55–82.
Published: 01 August 2016
... ruminations about human aggression and environmental destruction. Grzimek portrayed both the zoo and the national park as compensation for a “great extinction” that linked the industrialized slaughterhouse in Europe to trophy hunting in Africa. This natural history of modernity envisioned a global nature...
Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... both expressionist artists who struck a noncommercial pose and cultural reformers who argued for a synthesis of art and industry. © 2017 by New German Critique, Inc. 2017 Tristan Tzara Richard Huelsenbeck Raoul Hausmann marketing publicity References Anonymous . 1919...
Journal Article
New German Critique (2020) 47 (2 (140)): 45–80.
Published: 01 August 2020
... of political and economic thought: labor, work, slavery, consumption, industrialization, and automation. Such interests, which were passed through the philosophical canon from Aristotle to Marx, would serve as the theoretical basis for many of the distinctions that define The Human Condition . When set within...
Journal Article
New German Critique (2021) 48 (2 (143)): 147–175.
Published: 01 August 2021
...Ricardo Samaniego de la Fuente Abstract Rejecting a reading of Theodor W. Adorno as a critic of the culture industry who could not conceive of film’s critical potential, many commentators have argued that for Adorno, film can become autonomous and thus a medium for social critique. This article...
Journal Article
New German Critique (2024) 51 (1 (151)): 143–171.
Published: 01 February 2024
...Daniel H. Magilow In The Nazis (1998) and its sequel, Real Nazis (2017), the Polish American artist Piotr Uklański creates glossy photographic assemblages of real and fictional Nazis, which critics have generally interpreted by turns as critiquing or participating in the culture industry’s...
FIGURES
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
... of constructivism. Analyzing in detail for the first time his contribution to the photo-illustrated propaganda magazine USSR in Construction —on the reconstruction of Moscow and the Soviet oil industry—the essay probes the relation of Heartfield's production to that of Klucis. It concludes with a brief...
Image
Published: 01 November 2023
Figures 3–4. Left: Poster for Anatomy of a Murder (1959) for the US market. Right: Poster for Anatomie eines Mordes (1959) for the German market. Anatomy of a Murder © 1959, renewed 1987 Otto Preminger Films, Ltd., and Columbia Pictures Industries, Inc. All rights reserved. Reproduced
More
Image
Published: 01 November 2023
Figures 3–4. Left: Poster for Anatomy of a Murder (1959) for the US market. Right: Poster for Anatomie eines Mordes (1959) for the German market. Anatomy of a Murder © 1959, renewed 1987 Otto Preminger Films, Ltd., and Columbia Pictures Industries, Inc. All rights reserved. Reproduced
More
Journal Article
New German Critique (2007) 34 (1 (100)): 141–163.
Published: 01 February 2007
... Benjamin, The Author as Producer
To characterize Adorno as mirthless may seem a simple task. Photos show a
stout, grimacing, bald man who once famously declared he had no hobbies.1
The “culture industry” arises menacingly from Adorno’s writings as an oppres-
sive mechanism to stifl e individuality...
Journal Article
New German Critique (2013) 40 (1 (118)): 149–174.
Published: 01 February 2013
... contribution made by the editors of the journal, which
has uncompromisingly, intelligently, and critically argued for a more balanced and refined under -
standing of Adorno. On the important distinctions between “popular culture,” “mass culture,” and the
“culture industry” in Adorno (and Horkheimer), see...
Journal Article
New German Critique (2012) 39 (2 (116)): 87–102.
Published: 01 August 2012
..., 1966], 35).
Gillian Pye 89
the need to recycle waste materials, both industrial and domestic, occupied a
prominent place in the socialist agenda.8
The destruction wrought by the war had already exposed the double-
edged nature of waste...
Journal Article
New German Critique (2018) 45 (3 (135)): 1–38.
Published: 01 November 2018
... light, and creating problematic public-health conditions. 27 According to planners like Baumeister, the Industrial Revolution had created new urban populations, especially the proletariat, which created social conflict and caused moral decline. The planners argued that industrial technology...
Journal Article
New German Critique (2010) 37 (2 (110)): 180–207.
Published: 01 August 2010
... cultural context of
present-day, postindustrial society in which photography operates. The news
photograph, for instance, is said to be “preprogrammed” by the whole struc-
ture of the illustrated newspaper business—or “industry,” as Flusser also calls
it—where it not only illustrates reportage...
Journal Article
New German Critique (2019) 46 (3 (138)): 125–155.
Published: 01 November 2019
... without Words,” 361–62 . 68. See, for instance, Bernd Becher and Hilla Becher, Gas Tanks (1993), Mineheads (1997) , Water Towers (1998), Grain Elevators (2006) , Framework Houses of the Siegen Industrial Region (2001), Industrial Landscapes (2002) , Stonework and Lime Kilns (2013...
FIGURES
| View All (9)
Journal Article
New German Critique (2024) 51 (2 (152)): 1–26.
Published: 01 August 2024
..., as it does in Soviet cinema generally and in silent-film industries worldwide: women editors in Russia were known as Montazhnitsy (montagesses); 3 in Hollywood, as editors or cutters; and in Germany, as Kleberinnen (female gluers) or Cutterinnen (female cutters). The sequences that depict...
FIGURES
| View All (6)
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
... positions
it was created in part to support. Enthusiasm for postmodernism has largely
given way, in Germany as elsewhere, to a revived modernism, one, moreover,
that fuses expressionist transparency and acute angles to the industrial aes-
thetic espoused by Gropius in 1923 and closely associated...
1
