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Journal Article
At Home with Hitler: Janet Flanner's Führer Profiles for the New Yorker
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New German Critique (2007) 34 (3 (102)): 101–126.
Published: 01 November 2007
...Annalisa Zox-Weaver New German Critique, Inc. 2007 At Home with Hitler: Janet Flanner’s
Führer Profi les for the New Yorker
Annalisa Zox-Weaver
Reporting on Hermann Göring’s appearance in court at the Nuremberg war-
crimes trials, Janet Flanner...
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Published: 01 November 2022
Figure 6. Edvard Munch, Workers Returning Home (1913–14). Oil on canvas, 227 × 201 cm. Munch Museum, Oslo. Public domain via Wikimedia Commons.
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Published: 01 November 2023
Figures 1–2. Frank Walter. Left: Antigua Is My Home (n.d.). Oil on cardboard, 8.6 × 13.9 cm. Right: Antigua für Sonne und Meer (n.d.). Graphite and watercolor on gypsum on cardboard, 10.2 × 12.7 cm. Photographs by Kenneth Milton. Reproduced with permission from the Frank Walter Family.
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Image
Published: 01 November 2023
Figures 1–2. Frank Walter. Left: Antigua Is My Home (n.d.). Oil on cardboard, 8.6 × 13.9 cm. Right: Antigua für Sonne und Meer (n.d.). Graphite and watercolor on gypsum on cardboard, 10.2 × 12.7 cm. Photographs by Kenneth Milton. Reproduced with permission from the Frank Walter Family.
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Interior photos of the family home in Rheda illustrating Andreas Meyer’s me...
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in Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism
> New German Critique
Published: 01 February 2024
Figure 14. Interior photos of the family home in Rheda illustrating Andreas Meyer’s memoir, 1993. Courtesy of the Meyer family.
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Journal Article
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism
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New German Critique (2024) 51 (1 (151)): 109–142.
Published: 01 February 2024
...Figure 14. Interior photos of the family home in Rheda illustrating Andreas Meyer’s memoir, 1993. Courtesy of the Meyer family. ...
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Journal Article
European Auteurs Revisit the Western: Thomas Bidegain’s Les Cowboys and Valeska Grisebach’s Western
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New German Critique (2019) 46 (3 (138)): 11–34.
Published: 01 November 2019
... such as community and home in an age of transnationalism and globalism. Focusing on two productions that self-consciously redeploy the western’s legacy, Thomas Bidegain’s Les Cowboys (2015) and Valeska Grisebach’s Western (2017), as well as some related examples, this article scrutinizes the myths of the genre...
Journal Article
Ephemeral Spaces and Pneumatic Architecture: The Films of Nikolaus Geyrhalter
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New German Critique (2019) 46 (3 (138)): 125–155.
Published: 01 November 2019
... images” home in on the fleeting relation of part to whole, revealing the difficulty of understanding large concepts such as the West or the human species through such supposedly objective images. This article also discusses the connection between Geyrhalter’s photographic mode and sophisticated...
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Journal Article
Heimat as Nonplace and Terrain Vague in Jenny Erpenbeck's Heimsuchung and Julia Schoch's Mit der Geschwindigkeit des Sommers
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New German Critique (2012) 39 (2 (116)): 63–86.
Published: 01 August 2012
...Mary Cosgrove This article examines the troubling image of postunification Germany as a terrain vague —a potentially unbounded, hostile space continually exposed to the vicissitudes of history—in Jenny Erpenbeck's Heimsuchung ( Haunted by Home , 2008) and Julia Schoch's Mit der Geschwindigkeit des...
Journal Article
The Life of a Nomad and a World Citizen: Alexander von Humboldt, Nomadic Knowledge, and the Global Landscapes of Theory
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New German Critique (2016) 43 (2 (128)): 33–53.
Published: 01 August 2016
... a translingual écriture that connects epistemological modes between ethics and aesthetics. His multirelational research agenda is inspired by movement that aims at creating “polytopia,” a scholarly field reflected from various stand-points. Humboldt's writing habits on the move as well as at home have created...
Journal Article
Heimat and the Place of Humans in the World: Jenny Erpenbeck's Heimsuchung in Ecocritical Perspective
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New German Critique (2016) 43 (2 (128)): 127–151.
Published: 01 August 2016
... into Erpenbeck's account of efforts to make the place described a home and of its function as homeland. © 2016 by New German Critique, Inc. 2016 homeland dwelling nature aesthetics material ecocriticism References Anderson William . 1990 . Green Man: The Archetype of Our Oneness...
Journal Article
The End of Art and the Future of Criticism in Wilhelm Worringer's Art History
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New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
...), attempts to fuse the discursive with the sensuous and visual. It thereby aims to reverse a modern trend toward increasingly abstract or conceptual thought. Criticism should instead rely on empathy for historical artworks, whose appreciation is meant to foster the public's feeling of being at home...
Journal Article
Berlin in Pictures: Weimar City and the Loss of Landscape
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New German Critique (2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
... image of modern Berlin promoted in the daily press, in films, and in advertising during the Weimar Republic. This was done to display the German capital as a “human” city in which the urban dweller could feel at home. Although the late 1920s are mostly considered a period of medium optimism, Stone's...
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in Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism
> New German Critique
Published: 01 February 2024
Figure 9. (left) The fourth photo in the album dedicated to Gerda von der Porten. (right) Gerda von der Porten in the family home, 1931.
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Journal Article
The Non- Heimat Heimat : Jewish Filmmakers and German Nationality from Weimar to the GDR
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New German Critique (2015) 42 (3 (126)): 115–143.
Published: 01 November 2015
.... Johannes von Moltke, No Place Like Home: Locations of Heimat in German Cinema (Berke-
ley: University of California Press, 2005). See also Fehrenbach, Cinema in Democratizing Germany,
150; Oskar Kalbus, Der deutsche Lehrfilm in der Wissenschaft und im Unterricht (Berlin: Heymann,
1922); Bernadette...
Journal Article
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement
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New German Critique (2021) 48 (3 (144)): 199–218.
Published: 01 November 2021
... used a “sentimental narrative” of disability to mobilize support. Then I analyze the limitations of both narratives based on archival materials and verbatim transcripts of Dutschke’s appeal against the home secretary’s decision to expel him from the United Kingdom. I introduce passing as a theoretical...
View articletitled, The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement
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Journal Article
The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
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New German Critique (2020) 47 (3 (141)): 99–140.
Published: 01 November 2020
..., it is not the inhabitants who sit enthroned in the center of these scenes but the things with which they surround themselves. In his 1930 socioethnographic study The Salaried Masses ( Die Angestellten ), Kracauer describes what dwelling means to him, namely, a mishmash of furnishings and everyday practices: “Home...
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View articletitled, The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
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for article titled, The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
Journal Article
Critical Approaches to Heimat and the “Spatial Turn”
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New German Critique (2012) 39 (1 (115)): 27–48.
Published: 01 February 2012
...; Regional Loyalties and
National Identity in German Culture, 1890–1990 (2000); Peter Blickle’s Hei
mat: A Critical Theory of the German Idea of Homeland (2002); and Johannes
von Moltke’s No Place like Home: Locations of Heimat in German Cinema
(2005). All three studies address the conservative...
Journal Article
Zafer Şenocak’s “Turkish Turn”: Acts of Crosslinguistic Remembrance in Köşk ( The Pavilion )
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New German Critique (2018) 45 (2 (134)): 179–200.
Published: 01 August 2018
... of poetry as a Flaschenpost (message in a bottle), it envisions a poetic language en route to the openness of an as-yet-unknown encounter. Şenocak reformulates this idea in his depiction of language as a compass for locating home ( Kompass der Heimatfindung ) that nevertheless unsettles what it means both...
Journal Article
Statelessness, Refugees, and Hospitality: Reading Arendt and Kant in the Twenty-First Century
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New German Critique (2019) 46 (1 (136)): 15–40.
Published: 01 February 2019
...: “We lost our home, which means the familiarity of daily life. We lost our occupation, which means the confidence that we are of some use in this world. We lost our language, which means the naturalness of reactions, the simplicity of gestures, the unaffected expression of feelings.” 13 From being...
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