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Journal Article
A Natural History of Modernity: Bernhard Grzimek and the Globalization of Environmental Kulturkritik
New German Critique (2016) 43 (2 (128)): 55–82.
Published: 01 August 2016
... ruminations about human aggression and environmental destruction. Grzimek portrayed both the zoo and the national park as compensation for a “great extinction” that linked the industrialized slaughterhouse in Europe to trophy hunting in Africa. This natural history of modernity envisioned a global nature...
Journal Article
New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
... Press . Donahue Neil H. , ed. 1995 . Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer . University Park : Pennsylvania State University Press . Geulen Eva . 2002 . Das Ende der Kunst: Lesarten eines Gerüchts nach Hegel . Frankfurt am Main : Suhrkamp...
Journal Article
New German Critique (2007) 34 (2 (101)): 1–26.
Published: 01 August 2007
...Jamie H. Trnka New German Critique, Inc. 2007 “The Struggle Is Over, the Wounds
Are Open”: Cinematic Tropes, History,
and the RAF in Recent German Film
Jamie H. Trnka
Recent German films have taken up questions of terrorist violence...
Journal Article
New German Critique (2007) 34 (3 (102)): 17–44.
Published: 01 November 2007
...Johannes von Moltke New German Critique, Inc. 2007 Sympathy for the Devil: Cinema, History,
and the Politics of Emotion
Johannes von Moltke
Die Psychologie der Bunker ist ein unerforschter...
Journal Article
New German Critique (2008) 35 (1 (103)): 83–95.
Published: 01 February 2008
...Michael Hagemeister New German Critique, Inc. 2008 The Protocols of the Elders of Zion:
Between History and Fiction
Michael Hagemeister
In the autumn of 1999 a sensation swept through the international press: “Author
of ‘Zion Protocols...
Journal Article
New German Critique (2012) 39 (3 (117)): 135–153.
Published: 01 November 2012
... Reconfiguring Postwar Antifascism:
Reflections on the History of Ideology
Clara M. Oberle
This article, on the reconfiguration of postwar German antifascism, speaks to
a field of inquiry that the founders ofNew German Critique and its contribu-
tors have...
Journal Article
New German Critique (2015) 42 (1 (124)): 23–44.
Published: 01 February 2015
...Konstantinos Kavoulakos Georg Lukács's first major work, Evolutionary History of the Modern Drama , raises the question of the possibility of a “great drama” in modern society. Lukács analyzes the modern drama by constructing an ideal type of dramatic form and inherently connecting it to specific...
Journal Article
New German Critique (2014) 41 (2 (122)): 3–6.
Published: 01 August 2014
... Schlüpmann, Susan Buck-Morss, Anton Kaes, Edward Dimendberg, D. N. Rodowick, and Laura Mulvey. © 2014 by New German Critique, Inc. 2014 Dossier on Cinema and Experience
History: From “The Other Frankfurt School”
to Cinema and Experience
Heide...
Journal Article
New German Critique (2017) 44 (3 (132)): 5–20.
Published: 01 November 2017
... Europe.” Journal of the History of Ideas 72 , no. 3 : 613 – 36 . Moretti Franco . 2013 . Distant Reading . New York : Verso . N.N. 1966 . “Wißbar wohin: Philosophie.” Der Spiegel , July 11 , 76 . Paris Heidi Gente Peter . 1981 . “Editorial Note...
Journal Article
New German Critique (2017) 44 (3 (132)): 145–165.
Published: 01 November 2017
... – 541 . Brandel Julius . 1949 . “Das Diktat der Menschenverachtung.” Aufbau 15 , no. 3 : 19 . Brown Norman O. 1959 . Life against Death: The Psychoanalytical Meaning of History . Middletown, CT : Wesleyan University Press . Danto Elizabeth Ann . 2012 . “‘Have...
Journal Article
New German Critique (2019) 46 (1 (136)): 167–196.
Published: 01 February 2019
... of immanent and gradual change and defers any envisioning of a different order to history’s inevitable cataclysmic break” ( CE , 21). I take Hansen’s characterization of the “undercurrent” to suggest not only a pervasive intrinsic characteristic of Kracauer’s Weimar writings but also a possibility...
Journal Article
New German Critique (2019) 46 (1 (136)): 103–126.
Published: 01 February 2019
... this article seeks to help rectify. There is, in fact, a degree of parallelism that characterizes Fromm’s and Adorno’s contributions to intellectual life. In particular, I contend that they may be compared through a series of shared axial positions : cognate concerns that stem from their shared history...
Journal Article
New German Critique (2020) 47 (3 (141)): 1–5.
Published: 01 November 2020
... to be revisited or freshly discovered by critics, scholars, and students in the twenty-first century. It is indeed an opportune moment—when film criticism and theory are facing new challenges in a rapidly evolving media landscape—to reflect on the impact and legacy of this rich and extensive history...
Journal Article
New German Critique (2021) 48 (2 (143)): 23–41.
Published: 01 August 2021
...Max Pensky Abstract Theodor W. Adorno’s claim in Aesthetic Theory that artworks have a truth content, and that this truth content in turn depends on philosophical interpretation, is among the work’s most challenging and obscure claims. This article argues that “The Idea of Natural History...
Journal Article
New German Critique (2023) 50 (2 (149)): 49–70.
Published: 01 August 2023
...Rüdiger Campe Georg Lukács’s argument of form and formation is traced from The Theory of the Novel to History and Class Consciousness , especially “Reification and the Consciousness of the Proletariat.” The concept of form in The Theory of the Novel is compared to the contemporary philosophy...
Journal Article
New German Critique (2023) 50 (2 (149)): 71–99.
Published: 01 August 2023
...Jette Gindner Georg Lukács’s essay collection History and Class Consciousness (1923) remains a foundational text of Western Marxism and a vital influence on contemporary German studies, not least by way of the Frankfurt School. Yet Lukács’s positing of the proletariat as the historical agent...
Journal Article
New German Critique (2022) 49 (2 (146)): 133–160.
Published: 01 August 2022
... as the periodization of film history. 2. Jacobsen, Kaes, and Prinzler, Geschichte des deutschen Films , 7 ; my translation. 3. Fisher and Smith, “Transnational Cinemas.” 4. Kontje, Imperial Fictions , 7 . 5. Hake, German National Cinema , 1 . 54. Melnyk, One Hundred Years...
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Journal Article
New German Critique (2010) 37 (2 (110)): 49–72.
Published: 01 August 2010
... over the years and his profound influence on the direction of my own urban imaginings. In fact, I can trace it to the moment when he introduced me to Walter Benjamin's essays on Berlin at a time long before I understood the virtue of getting lost. A Supernatural History of Destruction;
or, Thomas...
Journal Article
New German Critique (2011) 38 (1 (112)): 65–84.
Published: 01 February 2011
... of this televisuality for critical approaches to history and film, the article argues that the docudramas are engaged in rewriting the old generational contract, which until recently was tacitly bound by the guilt-and-shame paradigm, and in creating democratic mythologies and the ethos of reconciliation. © 2011...
Journal Article
New German Critique (2011) 38 (1 (112)): 85–113.
Published: 01 February 2011
..., but by “citing” such images, the film continues to link to the powerful discourse of victimhood that has found its expression in Dresden rubble photography. © 2011 by New German Critique, Inc. 2011 The Ruined Picture Postcard:
Dresden’s Visually Encoded History
and the Television Drama Dresden...
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