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Journal Article
New German Critique (2006) 33 (2 (98)): 15–47.
Published: 01 August 2006
...Loren Kruger Positive Heroes and Abject Bodies in Heiner Müllerʼs Production Plays Loren Kruger Optimistic embellishment and prettifi cation are the worst enemies not only of beauty but also...
Journal Article
New German Critique (2006) 33 (2 (98)): 49–64.
Published: 01 August 2006
...Jonathan Kalb Germania 3: Gespenster am toten Mann: Heiner Müller and the Art of Posthumous Provocation Jonathan Kalb Germania 3: Gespenster am Toten Mann, or Germania 3: Ghosts at the Dead Man, is Heiner Müllerʼs posthumously published...
Journal Article
New German Critique (2006) 33 (2 (98)): 65–76.
Published: 01 August 2006
...David Bathrick New German Critique, Inc. 2006 Robert Wilson, Heiner Müller, and the Preideological David Bathrick Heiner Müller and Robert Wilson came from very different social and aes- thetic worlds: the one a Marxist dialectician from...
Journal Article
New German Critique (2006) 33 (2 (98)): 77–100.
Published: 01 August 2006
...Michael D. Richardson New German Critique, Inc. 2006 Allegories and Ends: Heiner Müllerʼs Ham letmaschine Michael D. Richardson When the Deutsches Theater Berlin reopened on September 7, 1945, its selec- tion for its premiere was signifi cant...
Journal Article
New German Critique (2013) 40 (2 (119)): 167–184.
Published: 01 August 2013
...Thomas Freeland Heiner Müller's dramatic poem Mommsen's Block (1993) presents an image of the great classical historian stymied, as Müller reports, by the “depravity of the later Caesars,” unable to finish the projected fourth volume of his Roman History . This case of an author unable to write...
Journal Article
New German Critique (2010) 37 (2 (110)): 125–152.
Published: 01 August 2010
...Devin Fore This essay looks at the role of myth in Cement , an early 1970s play written by the East German playwright Heiner Müller in the wake of the New Economic System of Plan and Control. By “updating” myths of labor (e.g., the myths of Prometheus and Hercules), Müller explores the dialectic...
Journal Article
New German Critique (2006) 33 (2 (98)): 1–14.
Published: 01 August 2006
...Frank Hörnigk Müllerʼs Memory Work Frank Hörnigk To quote Heiner Müller in conversation with Sylvère Lotringer in 1981: “To banish the ghoul of history, one must fi rst concede the very existence of his- tory. One must know history. Otherwise...
Journal Article
New German Critique (2012) 39 (2 (116)): 103–118.
Published: 01 August 2012
... the need to forget.7 As Heiner Müller put it, “The dead is not dead in history.”8 In the context of post-1989 Germany, this manifests itself particularly in the troubled legacy of the fascist past, which is also of course compounded by the second truncated past of the GDR. Notable...
Journal Article
New German Critique (2020) 47 (3 (141)): 21–31.
Published: 01 November 2020
... Grafe’s “Filmtips” also registered passing fads and under-the-radar works according to her editors Fritz Göttler and Heiner Gassen, who invoke Antonin Artaud’s “caca de mouches” in describing her collected reviews in their book-length publication. 3 To my mind, Göttler and Gassen’s characterization...
Journal Article
New German Critique (2023) 50 (2 (149)): iii.
Published: 01 August 2023
... to the late 1980s. She initiated the journal’s projects on Bertolt Brecht and Heiner Müller and translated some of Müller’s most important plays. Helen was instrumental in editing NGC ’s first special feminist issue (no. 13) and also contributed essays on Christa Wolf and Ingeborg Bachmann. At The Ohio State...
Journal Article
New German Critique (2020) 47 (3 (141)): iii–xiv.
Published: 01 November 2020
... player in it. Early issues of NGC dealt with the playwright Heiner Müller, a close friend of David, and the poet Wolf Biermann, whose expulsion from the GDR joined the topic of repressive Berufsverbote in West Germany in the wake of Baader-Meinhof terrorism. Biermann in particular raised the issue...
Journal Article
New German Critique (2015) 42 (2 (125)): 1–29.
Published: 01 August 2015
... Democratic Republic (GDR). Work by prominent writers such as Heiner Müller, Volker Braun, and Christa Wolf has returned repeatedly to the collapse of the state and the end of history implied in its demise. With that rupture has come a widely documented Sinnkrise (crisis of meaning) and the sense...
Journal Article
New German Critique (2022) 49 (3 (147)): 215–229.
Published: 01 November 2022
.... Heiner Müller later wrote about Weiss’s “naiveté” regarding the conditions in East Germany ( Krieg ohne Schlacht , 222 ). 44. Schmitt, “Die geschichtliche Struktur.” On katechon and Schmitt’s theology of empire, see Hell, Conquest of Ruins , 403–30 ; on Paul, Tertullian, and the original...
Journal Article
New German Critique (2010) 37 (2 (110)): 1–7.
Published: 01 August 2010
... to the past rather than to the future for utopian think- ing and imagination, Devin Fore offers an insightful reading of Heiner Müller’s rewrites of the classics from antiquity (Oedipus Rex, Philoctetes, and Pro- metheus) as “myths of labor” and “myth as labor.” This interpretation argues against...
Journal Article
New German Critique (2020) 47 (2 (140)): 217–246.
Published: 01 August 2020
... the winged figure can still maintain this protective flight. Heiner Müller’s “Hapless Angel” depicts its angel as buried beneath the falling debris of history that Benjamin’s angel observed from above. Like Kiefer’s art, Müller’s poetry is an attempt to reckon with the specific cultural and historical trauma...
Journal Article
New German Critique (2007) 34 (1 (100)): 165–187.
Published: 01 February 2007
... Though the bourgeois proprietor stamps every object with his or her mark, he or she conceals these traces from others. The bourgeois private sphere is therefore a fortress against the interference of public life. Heiner Weidmann notes that “the keeping of the trace is at the same time also its...
Journal Article
New German Critique (2023) 50 (3 (150)): 205–215.
Published: 01 November 2023
... Magnus Enzensberger even before German reunification. 18 The last fires of creativity blew out with the extinction of an extraordinary generation of Eastern German writers such as Christa Wolf, Stefan Heym, and Heiner Müller (Christoph Hein is its most significant survivor). In the new era...
Journal Article
New German Critique (2015) 42 (2 (125)): 81–95.
Published: 01 August 2015
... of the camouflage colors of a large warship. Nowhere the hint of an affect, the mirroring of a strange aesthetic. No afterimage of the picture. No connotations. Nameless” (JO, 10). In a short accompanying essay, Heiner Bas- tian claims that Wenders’s images of Onomichi mirror Ozu’s refusal to aggran- dize...
Journal Article
New German Critique (2016) 43 (2 (128)): 127–151.
Published: 01 August 2016
..., Heiner. 1965. “Symbolische Ortsbezogenheit—eine soziologische Untersuchung zum Heimatproblem.” Kölner Zeitschrift für Soziologie und Sozialpsychologie 17, no. 1: 73–97 (pt. 1); no. 2: 254–97 (pt. 2). Trost, Karl. 1990. “Heimat in der Literatur.” In Heimat: Analysen, Themen, Perspektiven...
Journal Article
New German Critique (2007) 34 (2 (101)): 143–155.
Published: 01 August 2007
... and with no connection to the West. And you always have to differentiate as to 152 A Conversation with Ingo Schulze which time you are talking about: whether you are talking about the 1950s, 1960s, or 1970s. Writers like Heiner Müller, whose plays for a while were per- formed only in the West, would have never...