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han
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Journal Article
New German Critique (2016) 43 (2 (128)): 83–104.
Published: 01 August 2016
...Hannes Bergthaller Scholars in the environmental humanities frequently argue that a clear understanding of humanity's ecological embeddedness is sufficient to dismantle the anthropocentric biases of traditional humanism. Following Hans Blumenberg's interpretation of the Copernican turn...
Journal Article
New German Critique (2013) 40 (3 (120)): 137–170.
Published: 01 November 2013
...Adrian Daub Since the 1970s the German filmmaker Hans-Jürgen Syberberg has produced a series of highly unusual essay films and written lengthy diatribes promoting and defending them. This article reads Syberberg's essayistic output across media as a project of calculated self-delegitimation, which...
Journal Article
New German Critique (2017) 44 (3 (132)): 105–121.
Published: 01 November 2017
...Paul Fleming This article explores the fate of Hans Blumenberg's work to date in the English-speaking world and asks whether this “missed encounter” is simply contingent—that is, might have been otherwise—or if there is something about his thought, method, and materials that makes his transfer from...
Journal Article
New German Critique (2017) 44 (3 (132)): 123–144.
Published: 01 November 2017
...Martin Jay In the various texts posthumously published in translation in 2017 as The Rigorism of Truth , Hans Blumenberg audaciously compared Sigmund Freud's Moses and Monotheism and Hannah Arendt's Eichmann in Jerusalem as efforts to debunk founding myths of Jewish identity. He accused both...
Journal Article
New German Critique (2022) 49 (1 (145)): 67–96.
Published: 01 February 2022
...Johannes Endres Hans Blumenberg’s, frequently oblique, reflections on art rank among the most erudite in twentieth-century theories of art. The following investigations focus especially on his views on the visual arts as they unfold from his critical reception of Leonardo da Vinci’s art and science...
Journal Article
New German Critique (2022) 49 (1 (145)): 185–213.
Published: 01 February 2022
...Daniela K. Helbig Hans Blumenberg is known as much for his theoretical focus on unsayability as he is for his ostentatious reclusiveness. This article argues that Blumenberg’s figure of the spectator connects these two elements. Blumenberg’s social and theoretical retreat to a spectatorial position...
Journal Article
New German Critique (2022) 49 (1 (145)): 225–235.
Published: 01 February 2022
...Odo Marquard; Hannes Bajohr First delivered as a short laudatory speech on the occasion of Hans Blumenberg receiving the Sigmund Freud Prize for Academic Prose in 1980, this essay by the German philosopher Odo Marquard served as a eulogy at a memorial event for Blumenberg after his death in 1996...
Journal Article
New German Critique (2022) 49 (1 (145)): 131–161.
Published: 01 February 2022
...Hannes Bajohr While many interpreters of Hans Blumenberg have searched The Legitimacy of the Modern Age or Work on Myth for hints of a political theory, there is still no in-depth discussion of the only essay published during his lifetime that deals directly with political theory, “The Concept...
Journal Article
New German Critique (2022) 49 (1 (145)): 1–9.
Published: 01 February 2022
... of the Novel” ; Blumenberg, “Concept of Reality and the Theory of the State.” 13. Blumenberg, “Pensiveness.” 14. Brague, “La galaxie Blumenberg.” References Attanucci Timothy , and Breuer Ulrich , eds. Leistungsbeschreibung: Literarische Strategien bei Hans Blumenberg...
Journal Article
New German Critique (2022) 49 (3 (147)): 215–229.
Published: 01 November 2022
...Julia Hell This introduction situates the 1966 essays by Peter Weiss and Hans Magnus Enzensberger in the context of decolonization, taking into account Gary Wilder’s and Michael Rothberg’s reframing of the immediate postwar decades. More precisely, the introduction discusses Weiss’s...
Journal Article
New German Critique (2022) 49 (1 (145)): 11–39.
Published: 01 February 2022
...Leif Weatherby Hans Blumenberg’s only known treatment of the topic of artificial intelligence comes in the form of a fragmentary meditation on the first chatbot, Joseph Weizenbaum’s ELIZA. Blumenberg compares this program to the philosophy of Edmund Husserl, arguing that both AI and phenomenology...
FIGURES
Journal Article
New German Critique (2010) 37 (3 (111)): 149–171.
Published: 01 November 2010
...? The debate between Carl Schmitt and Hans Blumenberg concerning the conceptual status of secularization as an explanatory category for the emergence of modernity provides us with a paradigmatic case that sheds light on those questions. With the recent publication of the correspondence between Schmitt...
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in Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims
> New German Critique
Published: 01 February 2024
Figure 3. Hans Richter, Rhythm 21 (1923). Frame enlargement.
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Published: 01 November 2019
Figure 1. The opening shot of Good News (1990). Hans Selikovsky Filmproduktion.
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Published: 01 November 2019
Figure 2. A portrait of a woman in a kitchen in Good News . Hans Selikovsky Filmproduktion.
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in Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949
> New German Critique
Published: 01 February 2024
Figure 4. Hans Schwippert, Parliament Bonn, 1949. Architecture Museum of the Technical University of Munich, Schwi-92-29.
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in Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims
> New German Critique
Published: 01 February 2024
Figure 9. Hans Poelzig’s Deutsches Lichtspieltheater in Breslau, interior, in Die Form 2, no. 5 (1927): 154, 156.
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in Ephemeral Spaces and Pneumatic Architecture: The Films of Nikolaus Geyrhalter
> New German Critique
Published: 01 November 2019
Figure 7. Hans Hollein, Mobiles Büro (1969). Architecture, Installation PVC-foil, pneumatic, electric blower (or vacuum cleaner), typewriter (Hermes Baby), telephone, drawing board, pencil, rubber, thumbtacks, floor piece synthetic turf, 225×120 cm. Generali Foundation Collection—Permanent Loan
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Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
... renewal. The ideas and work of a group of architects residing in the Silesian capital city, Breslau, between 1918 and 1932 demonstrate one response to the Kultur - Zivilisation dichotomy. The group included such internationally renowned architects as Max Berg, Ernst May, Hans Poelzig, Hans Scharoun...
Journal Article
New German Critique (2013) 40 (3 (120)): 41–64.
Published: 01 November 2013
...Anjeana K. Hans This article examines Artur Robison's 1923 film Schatten: Eine nächtliche Halluzination ( Warning Shadows ). Read against the backdrop of a cultural moment in which gender roles were rapidly changing, Warning Shadows functions as a response to the anxieties, fears, and desires...
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