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Journal Article
New German Critique (2013) 40 (3 (120)): 137–170.
Published: 01 November 2013
...Adrian Daub Since the 1970s the German filmmaker Hans-Jürgen Syberberg has produced a series of highly unusual essay films and written lengthy diatribes promoting and defending them. This article reads Syberberg's essayistic output across media as a project of calculated self-delegitimation, which...
Journal Article
New German Critique (2017) 44 (3 (132)): 105–121.
Published: 01 November 2017
...Paul Fleming This article explores the fate of Hans Blumenberg's work to date in the English-speaking world and asks whether this “missed encounter” is simply contingent—that is, might have been otherwise—or if there is something about his thought, method, and materials that makes his transfer from...
Journal Article
New German Critique (2017) 44 (3 (132)): 123–144.
Published: 01 November 2017
...Martin Jay In the various texts posthumously published in translation in 2017 as The Rigorism of Truth , Hans Blumenberg audaciously compared Sigmund Freud's Moses and Monotheism and Hannah Arendt's Eichmann in Jerusalem as efforts to debunk founding myths of Jewish identity. He accused both...
Journal Article
New German Critique (2016) 43 (2 (128)): 83–104.
Published: 01 August 2016
...Hannes Bergthaller Scholars in the environmental humanities frequently argue that a clear understanding of humanity's ecological embeddedness is sufficient to dismantle the anthropocentric biases of traditional humanism. Following Hans Blumenberg's interpretation of the Copernican turn...
Journal Article
New German Critique (2010) 37 (3 (111)): 149–171.
Published: 01 November 2010
...? The debate between Carl Schmitt and Hans Blumenberg concerning the conceptual status of secularization as an explanatory category for the emergence of modernity provides us with a paradigmatic case that sheds light on those questions. With the recent publication of the correspondence between Schmitt...
Image
Published: 01 November 2019
Figure 2. A portrait of a woman in a kitchen in Good News . Hans Selikovsky Filmproduktion. Figure 2. A portrait of a woman in a kitchen in Good News. Hans Selikovsky Filmproduktion. More
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Published: 01 November 2019
Figure 1. The opening shot of Good News (1990). Hans Selikovsky Filmproduktion. Figure 1. The opening shot of Good News (1990). Hans Selikovsky Filmproduktion. More
Image
Published: 01 November 2019
Figure 7. Hans Hollein, Mobiles Büro (1969). Architecture, Installation PVC-foil, pneumatic, electric blower (or vacuum cleaner), typewriter (Hermes Baby), telephone, drawing board, pencil, rubber, thumbtacks, floor piece synthetic turf, 225×120 cm. Generali Foundation Collection—Permanent Loan More
Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
... renewal. The ideas and work of a group of architects residing in the Silesian capital city, Breslau, between 1918 and 1932 demonstrate one response to the Kultur - Zivilisation dichotomy. The group included such internationally renowned architects as Max Berg, Ernst May, Hans Poelzig, Hans Scharoun...
Journal Article
New German Critique (2013) 40 (3 (120)): 41–64.
Published: 01 November 2013
...Anjeana K. Hans This article examines Artur Robison's 1923 film Schatten: Eine nächtliche Halluzination ( Warning Shadows ). Read against the backdrop of a cultural moment in which gender roles were rapidly changing, Warning Shadows functions as a response to the anxieties, fears, and desires...
Journal Article
New German Critique (2015) 42 (1 (124)): 99–128.
Published: 01 February 2015
... of an aesthetics of “failure” that observes das Bilderverbot , veils a messianic vision of justice. Benjamin's gnostic picture of modernity as a bureaucratic prison house reflects Josef K.'s victimized view of his situation in The Trial . Hans Blumenberg's therapeutic account of myth suggests a view of Kafka's...
Journal Article
New German Critique (2019) 46 (1 (136)): 71–101.
Published: 01 February 2019
... that it will illuminate the contemporary discussion. This article contends that such an endeavor would first require a critical reinvestigation of this debate to correct two widespread misinterpretations: that Hans Blumenberg “decisively refuted” Karl Löwith and that their positions are more similar than their polemic...
Journal Article
New German Critique (2015) 42 (3 (126)): 41–67.
Published: 01 November 2015
... possibilities and, more often than not, limit them. The article ties together a German Jewish discourse of emergency, on the one hand, and the politics of etatism (mamlachtiut) and Hans Kelsen's Basic Norm , on the other hand. Seven decades later, the legal system still shows the same hesitation of the first...
Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
... of Weimar horror and violence (e.g., of Nosferatu or M ) in several important 1950s films, including Peter Lorre's Der Verlorene , Hans König's Rosen blühen auf dem Heidegrab , and Robert Siodmak's Nachts, wenn der Teufel kam . It is telling that none of these films could be considered an outright horror...
Journal Article
New German Critique (2008) 35 (2 (104)): 191–205.
Published: 01 August 2008
...K. Daniel Cho Hans Blumenberg, in his Legitimacy of the Modern Age, argues that curiosity played the central role in the emergence of the modern age. In his account, Blumenberg cites Sigmund Freud as a contributor to curiosity's rise to prominence. This essay takes issue with Blumenberg's reception...
Journal Article
New German Critique (2008) 35 (3 (105)): 121–141.
Published: 01 November 2008
... for determining the linguistic conditions of political theology. He demonstrates the curse's ineluctable role in the theopolitical programs of Carl Schmitt, Martin Buber, and Erik Peterson and argues that the complications of secularization—famously debated between Schmitt and Hans Blumenberg—are best understood...
Journal Article
New German Critique (2010) 37 (2 (110)): 9–30.
Published: 01 August 2010
..., argues Gertrud Koch, the Trümmerfilm seeks to foster reconstruction by reinstilling a work ethic and reaffirming dili- 2. Wolfgang Schivelbusch, Vor dem Vorhang: Das geistige Berlin, 1945–1948 (Munich: Han- ser, 1995), 15. 3. Ibid., 28–29. 4. See Bettina Greffrath, Gesellschaftsbilder...
Journal Article
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
... to Italian neorealism of the 1940s. The locales and fi lm sets are externalizations of the protagonists’ interior worlds. Generally fi lmed using low shots and backlighting, the landscape of ruined houses refl ects the frag- mentary remains of the main male character’s identity. Hans Mertens, a sur...
Journal Article
New German Critique (2017) 44 (3 (132)): 5–20.
Published: 01 November 2017
.... Bock Michael Homann Harald Tenbruck Friedrich H. , 247 – 311 . Frankfurt am Main : Campus . Bickenbach Matthias . 1999 . Von den Möglichkeiten einer “inneren” Geschichte des Lesens . Tübingen : Niemeyer . Blumenberg Hans . 2015 . The Laughter of the Thracian Woman...
Journal Article
New German Critique (2007) 34 (2 (101)): 95–114.
Published: 01 August 2007
...Hans Rudolf Vaget New German Critique, Inc. 2007 Wagnerian Self-Fashioning: The Case of Adolf Hitler Hans Rudolf Vaget Of all the concatenations of art and politics in modern history, none has been more challenging and frightening...