... available by the publisher. It may not be redistributed or altered. All rights reserved. Peter Weiss hallucinatory realism avant-garde Edward Said poetics of reception Decades apart, the initial receptions of The Aesthetics of Resistance in Germany and the United States are marked...

... . Bosch and Bruegel: From Enemy Painting to Everyday Life . Princeton, NJ : Princeton University Press , 2010 . Lindner Burkhardt . “ Hallucinatory Realism: Peter Weiss’ Aesthetics of Resistance , Notebooks , and the Death Zones of Art .” New German Critique , no. 30 ( 1983 ): 127 – 56...

... . “ Hallucinatory Realism: Peter Weiss’ Aesthetics of Resistance , Notebooks , and the Death Zone of Art .” New German Critique , no. 30 ( 1983 ): 127 – 56 . Marin Louis . “ On Reading Pictures: Poussin’s Letter on Manna .” Comparative Criticism 4 ( 1982 ): 3 – 18 . Marin Louis...

... weaves us into its hallucinatory exten- sion of reality. The beholding AIZ subject would recognize the beheld as distinctly other; between the papers he reads and the uniform he wears— purportedly the Reichsbanner Schwarz-Rot-Gold, though probably laborer’s attire—Cabbagehead is coded...

... image and its reception with a regressive hallucinatory experience, it does raise the question of cinema’s uncanny power to mime a perception of a world outside claims of indexical realism. The testing power Benjamin claims that cinema exerts over the reality that it films certainly does...

... to use as materials for his writing, resulting in what Burkhardt Lindner has called a “hallucinatory realism [which] seeks to achieve a dream-analogous authenticity [versus] the dogmatism of experienced reality [and] suffuses the political discourse of the novel when visions and dreams are linked...

... Realism,” Harvard Design Magazine, no. 22 (2005): 104–9. 66 Architecture and Postmodernism, Again Tafuriʼs Jefferson can be read as a cipher for the betrayal, by capitalist unrea- son, of modernismʼs revolutionary dialectic of destruction and construction. Doomed from the start, the aesthetic...

.... 95 96 Wolfgang Koeppen’s Cold War Travels sometimes seems to us today as far removed from our own as the “What now, little man?” approach of German postwar literature in the 1920s and the early 1930s, with its critical realism, new objectivism, and documentarism. The “reunification...

... themselves in this other—hallucinatory—space. Instead, “each of these texts . . . will begin anew with an epic situation that is relatively comprehensible to the reader . . . only to then problematize this ‘realistic’ setting. Throughout, Rönne is under the observation of the narrator and, as a doctor...