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graphic art

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Journal Article
New German Critique (2018) 45 (1 (133)): 207–245.
Published: 01 February 2018
... graphic art References Allen Roy F . 1983 . Literary Life in German Expressionism in the Berlin Circles . Ann Arbor : UMI Research Press . Baedeker Karl . 1927 . Baedekers Berlin und Umgebung . Leipzig : Baedeker . Baranowski Shelley . 2004 . Strength through Joy...
Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... between the wars;39 the showcasing of his poster Five Fingers Has the Hand in the article “Affi ches electorales allemandes,” translated by Frenzel for the French graphic arts mag- azine Art et métier graphique (1928); Franz Roh and Jan Tschichold’s Foto- Auge (catalog of the FIFO exhibition...
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
... effectively branded itself in discus- sions that examine graphic art’s purpose rather than only celebrate its abstract- ness.23 A comprehensive examination of Gropius’s talent as a publicist, his effective deployment of branding, and his less successful attempts to commer- cialize what had been a state...
Journal Article
New German Critique (2017) 44 (1 (130)): 87–107.
Published: 01 February 2017
... regime. Also, it was not only paintings, sculptures, and decorative and graphic arts swept up by the Nazis from prewar collections but also historic armaments, tapestries, and libraries. Far more difficult to identify, many of those objects remain in the hands of unsuspecting collectors...
Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... in the Dada movement. After demonstrating similarities between the Dadaists' advertising strategies and those advocated by advertising theorists and practitioners of the time, the article shows how Dadaists used advertising to intervene in ongoing debates about art and commerce, pitting themselves against...
Journal Article
New German Critique (2019) 46 (2 (137)): 35–63.
Published: 01 August 2019
... Wehrmachtsausgaben deutscher Verlage von 1939–1945 .” Archiv für Geschichte des Buchwesens 50 ( 1998 ): 251 – 90 . Campbell Joan . The German Werkbund: The Politics of Reform in the Applied Arts . Princeton, NJ : Princeton University Press , 1978 . Conradt Sandra . “ ‘Die Blauen Bücher...
Journal Article
New German Critique (2017) 44 (1 (130)): 169–203.
Published: 01 February 2017
... from American pop’s strategies is problematic, as it denies the emer- gence of a homegrown appropriative pop aesthetic. Either way, it seems clear that there were many artists—particularly those working in graphic design,   9. See Mensch, Modern Art at the Berlin Wall, 147. Glöckner’s first...
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
...-ranging in the practices it supported, the October association promoted especially those arts that shared with modern industrial production its primary condition of technological reproducibility, such as graphic design, photomontage, photography, and cinema. These it regarded as more fully con...
Journal Article
New German Critique (2021) 48 (2 (143)): 23–41.
Published: 01 August 2021
...,” Adorno’s lecture dating to 1932, offers important resources for interpreting the claim of art’s truth content. Reading the lecture’s core idea of transience, the article proposes that the form of philosophical interpretation Adorno develops there illuminates one way to clarify what Adorno means...
Journal Article
New German Critique (2008) 35 (2 (104)): 1–31.
Published: 01 August 2008
... Blind Mice” as endemic of a global epidemic: a positivistic reductionism found not only in philosophy and music but also in culture and society at large. Three Blind Mice: Goodman, McLuhan, and Adorno on the Art of Music and Listening in the Age of Global Transmission...
Journal Article
New German Critique (2006) 33 (3 (99)): 121–149.
Published: 01 November 2006
... and transcendent. Because the aperture of the photographic apparatus Rilke describes never closes, there can be no duration of the image. And for Rilke this is in confl ict with his understanding of the function of art, described in the context of his admira- tion for the sculptor Auguste Rodinʼs work...
Journal Article
New German Critique (2018) 45 (1 (133)): 49–78.
Published: 01 February 2018
... . Benjamin Walter . 2003 . “ On Some Motifs in Baudelaire .” In Selected Writings , vol. 4 . 1 , translated by Eiland Howard Jennings Michael , 313 – 55 . Cambridge, MA : Belknap Press of Harvard University Press . Benjamin Walter . 2003 . “ The Work of Art in the Age...
Journal Article
New German Critique (2018) 45 (2 (134)): 99–132.
Published: 01 August 2018
... Herr Keuner stories, in which the “thinking man” asserts that love itself consists in “the art of producing something with the other’s talents.” For this, Herr K. insists, “one requires the other’s respect and affection.” 61 For Brecht and Steffin, the cocreation of plays and poems that promoted...
Journal Article
New German Critique (2012) 39 (1 (115)): 27–48.
Published: 01 February 2012
... (Reinbek: Rowohlt, 2006), 301–2. For a different approach to the “spatial” and “topo- graphical” turns on both sides of the Atlantic, see Sigrid Weigel, “Zum ‘topographical turn’: Kartog- raphie, Topographie und Raumkonzepte in den Kulturwissenschaften,” KulturPoetik 2, no. 2 (2002): 151–53. Weigel...
Journal Article
New German Critique (2017) 44 (1 (130)): 9–33.
Published: 01 February 2017
... exhibition a year than exhibit such crap. . . . He is in a complete rage.”28 Hitler himself remarked in his opening speech—in which he tellingly had to emphasize the quality of the graphic works submitted—that the development of a new German art would be a long process: “And when sacred...
Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
... “archival art” but also as an effort to come to terms with an “archive” already present in the 1920s: namely, the proliferation of photo- graphic and filmic images of the world. The appeal of such cross-sectional montage, I argue, lay in its status as a model of ordering, one that promised...
Journal Article
New German Critique (2011) 38 (1 (112)): 155–180.
Published: 01 February 2011
... of the Cold War—is one such place. In this article I examine how a photo- graphic journey along the iron curtain circa 1959 mobilizes visual legacies 13. Dieter Felbick, Schlagwörter der Nachkriegszeit, 1945–1949 (Berlin: de Gruyter, 2003), 356. 14. Ibid. 15. For examples of their synonymous use...
Journal Article
New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
... (Handwriting and Character, 1917), where he proposes that handwriting not be read rationally, that is, as meaningful language, but vitally, as the graphic 9. That Worringer’s cultural diagnosis disguises a nationalist polemic is unsurprising given the enduring historical entwinement of end-of-art...
Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
.... But their aggressive poetry and manifesto missives struck with a comparable impact. Richard Huelsenbeck, cofounder of Zurich Dada, began the evening by shouting his manifesto for a new art driven by the authentic torment and violence of the moment.3 The poet Else Hadwiger then read her translated excerpts...
Journal Article
New German Critique (2006) 33 (2 (98)): 65–76.
Published: 01 August 2006
... the rubble of World War II to immerse himself in the cultural politics of a major communist state; the other a politically naive and dedi- cated individualist from Waco, Texas, of the 1950s, committed to the com- mercial success of his art and career. What drew them together was a pro- found disdain...