Search Results for ghetto

... by New German Critique, Inc. 2014 The Warsaw Ghetto, Seen from the Screening Room: The Images That Dominate A Film Unfinished Brad Prager The 2010 documentary A Film Unfinished, by the Israeli filmmaker Yael...

...Sven-Erik Rose This article traces the vexed reception of one document from the Oyneg Shabes archive, the vast underground archive assembled in the Warsaw Ghetto under Emanuel Ringelblum's leadership and largely recovered after World War II. Yehoshue Perle's Khurbn Varshe ( Destruction of Warsaw...

.... Similarly, Blacks in the United States had the support of the Third World. “Not so the Jew in the Nazi-German ghetto,” he wrote. Even Polish or Ukrainian partisans did not help Jewish rebels. At best they ignored them. The Allied forces, he insisted, were not free of antisemitism and promised their people...

... repatriates arrived in Łódź, Radom, Cracow, and Warsaw, the few survivors of ghettos, camps, hiding, and partisan units “turned out to welcome the repatri- ates and gape. They came not to stare at rags and pinched faces—any Jew who survived the Nazis inside Poland was familiar enough with these things...

... “diasporic dwelling in Germany,” meaning that the diaspora is a concept not of transit but of staying. 27 But even more specifically, it reflects what staying and dwelling in Emmertsgrund can mean. The videos share a visual vocabulary that embraces the “concrete ghetto” trope but defies its barrenness...

... and David Bathrick and Sven-Erik Rose  7 the ongoing project of attempting to capture . . . visual vignettes of the new conflict in the offing.” Sven-Erik Rose’s article traces the vexed reception of one document from the vast underground Oyneg Shabes archive assembled in the Warsaw Ghetto...

...” (TO, 2). In an unpublished manuscript from 1900, Loos makes another hyperbolic associa- tion between ornament and the Jewish ghetto. Every friend of Jewish eman- cipation and every opponent of the ghetto must be pained, Loos writes, when emancipated Jews adopt secessionist designs, which he...

... over emancipation from the late eighteenth to the late nineteenth century, most Jews who wanted to leave the ghetto and join European society on equal footing with Christians vehemently denied the existence of “inalienable” Jewish traits. Instead, they sought to ally with liberals...

... the Jewish one. Police ordinances were issued for that purpose, which referred to the Jews’ residency rights: “The Jew, who crawled forth from the dark quarters of the ghetto into the surrounding neighborhoods of the Ger- mans, who ate his way into the other Volkskörper like the maggot into liver, has...

... to concentration camp victims (replete with the Star of David), a subject rarely addressed at the time anywhere in Germany. Only Lea Grun- dig, Hans’s Jewish wife, rendered the death camps and the Eastern European ghettos, in several series of drawings from the mid- to late 1940s (Never Again, Ghetto...

... and the officials of the imagined ghetto of Metropoli, Ka-Tzetnik writes: Adolf Hitler stood, full-blown, on the wall, and at his feet, in black uniform, sat Dreyer: grey-eyed, aquiline face, his speech unhurried, flexible, polite, a true son of the Third Reich. “I have invited you here—uh, do be seated...

... the ghettos and deportations. I knew enough to understand that we should not go when they wanted us to go. I told that to myself after March 19, 3 and I told my mother that we should not go because they are going to kill us. I do not know how I knew that, maybe that was the instinct of a young girl...

... living word.” The interview material for Sobibor—the extermination camp where prisoners organized the only armed insurrection against the Germans apart from the Warsaw Ghetto uprising—dates from 1979. Lanzmann engages with the wit- ness, Yehuda Lerner, in the familiar and somewhat demanding style...

... condition of exile. He wrote the narrator’s text himself in English, combining elements of stories he had heard from various camp and ghetto survivors into a fictitious first-person account of events in the Warsaw Ghetto. The English is rather idiosyncratic, indicative of Schoenberg’s acquisition...

... lm material of the Holocaust. In the invasive montage cuts, juxtaposing the horror of the Warsaw ghetto with the triumph of the forty-four-year-old Hitler in Nuremberg bor- ders on the absurd. The documentary shots expose how misplaced the fi c- tional imitation is, even...

... in the Warsaw ghetto. Hersonski shows and comments on the material, edits in audio of a staged interview with the cinematographer, and presents the filmed sequences to ghetto survivors.7 Among these films, which, like Farocki’s, consist mainly of documentary footage, Respite distinguishes itself...

... Life.” The series explicitly mentions the construction of concentration camps, the transport of Jews in livestock wagons, ghettos, and the agonizing deaths of “non-Aryans” (WV, 286). A section titled “Means and Methods of the War” addresses Hitler’s decision to bomb civilians and to target...

... endured by Jewish prisoners in the Warsaw ghetto, was met with irritation. It seemed to me that the students resented the film to a greater degree than they would have resented a particu- larly dull exemplar of New German Cinema or the French New Wave. Why were they, they wondered aloud, required...

...-specific jargon—there has been only a trickle of research on the “language situation” (Sprachsituation) in KZs, in Nazi-ruled ghettos, and in the pathways of transnational trafficking on which people were deported, under duress or death sentence. As Taterka, Oschlies, and Aschenberg note, normative...

... misconstrued. Rather than refer directly to the fate that awaits the Silbersteins, specifically, their likely death in one of the Aktion Reinhard death camps, in a Polish or Baltic ghetto, or in Auschwitz, the film alludes to it indirectly in the characters’ affective responses 3. Quotations...