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Journal Article
New German Critique (2021) 48 (2 (143)): 5–21.
Published: 01 August 2021
...Eva Geulen Abstract The article assesses Theodor W. Adorno’s relevance today by engaging contemporary interests in form that have led to a surprising renaissance of his thought in recent years (in Tilo Wesche and Josh Robinson, among others). Comparing and contrasting this most recent focus...
Journal Article
New German Critique (2023) 50 (2 (149)): 1–8.
Published: 01 August 2023
... exploration of Lukács inaugurated by New German Critique in 1987—albeit, this time, connecting the different strands of Lukács’s reception to his own notion of form. Today Lukács is mostly perceived as a theoretician of form. Less recognized is the fact that, for Lukács, form is always both aesthetic...
Journal Article
New German Critique (2023) 50 (2 (149)): 153–180.
Published: 01 August 2023
.... Finally, it shows how Blumenberg arrives at a preliminary yet operative model of political polytheism that goes beyond conceptions of the liberal democratic consensus and reveals a political form of resistance to power. 5. Schmitt, Political Romanticism , 160 : “Political romanticism...
Journal Article
New German Critique (2023) 50 (2 (149)): 9–35.
Published: 01 August 2023
... of comparison for his later and better-known works, especially in Soul and Form (1911), The Theory of the Novel (1916), and History and Class Consciousness (1923). This framework can reconnect Lukács’s early theory of literary genres to contemporary debates on form in literature, epistemology, and political...
Journal Article
New German Critique (2010) 37 (1 (109)): 119–145.
Published: 01 February 2010
..., this article argues that Simmel formulated three, not two, forms of individualism, although the third one appears only in his later writings. This third variant is a certain radicalization of qualitative individualism, though it is a radicalization that transcends separate individuality and moves toward...
Journal Article
New German Critique (2018) 45 (2 (134)): 1–32.
Published: 01 August 2018
... by Smith A. M. Sheridan . New York : Vintage . Foucault Michel . 1976 . Histoire de la sexualité . Vol. 1 . Paris : Gallimard . Gailus Andreas . 2006 . “ Form and Chance: The German Novella .” In The Novel , edited by Moretti Franco , 1053 – 1123 . Princeton, NJ...
Journal Article
New German Critique (2018) 45 (2 (134)): 133–153.
Published: 01 August 2018
... literary form, as a nonindexical linguistic device to resist the harm and violence brought about through a language used for classification and delineation, and as a poetic figure to write an impossible conversation into existence. Copyright © 2018 by New German Critique, Inc. 2018 Paul Celan...
Journal Article
New German Critique (2023) 50 (2 (149)): 37–48.
Published: 01 August 2023
... convictions. For example, his criticism of mixing genres disappears in his identification of Faust ’s peculiar form as an “epic-dramatic form” said to approximate the elusive epical poem. But as such, it is also the paradoxical manifestation of a singular form without predecessors or followers. The essay...
Journal Article
New German Critique (2022) 49 (3 (147)): 113–133.
Published: 01 November 2022
...Richard Langston Peter Weiss made no secret of the importance of form for his magnum opus The Aesthetics of Resistance . “Again and again [I’ve made] new attempts at finding a form for the book,” he wrote early on in its conception. This authorial search is, in fact, far more complicated than...
FIGURES
Journal Article
New German Critique (2023) 50 (2 (149)): 49–70.
Published: 01 August 2023
...Rüdiger Campe Georg Lukács’s argument of form and formation is traced from The Theory of the Novel to History and Class Consciousness , especially “Reification and the Consciousness of the Proletariat.” The concept of form in The Theory of the Novel is compared to the contemporary philosophy...
Journal Article
New German Critique (2009) 36 (3 (108)): 73–83.
Published: 01 November 2009
.... Adorno's more than skeptical position toward film relies on notions of self-reflexivity usually on reserve for high art. When Stanley Cavell situates film as a reflective form of skepticism that binds camera, spectator, and image together, it comes neatly to this position. Adorno at this point does...
Journal Article
New German Critique (2018) 45 (3 (135)): 175–203.
Published: 01 November 2018
... defined position within the totality of consciousness, an account of consciousness that closely parallels Alois Riegl’s theory of the spectator as a formally defined component of works of art. Both Lukács and Riegl incorporate notions of agency and active involvement in the forms of representation...
Journal Article
New German Critique (2016) 43 (3 (129)): 113–137.
Published: 01 November 2016
...Daniel K. L. Chua Theodor W. Adorno's “theory of the symphony” is modeled on Beethoven's heroic symphonies; these works form the basis for Adorno's arguments against the broadcast of symphonies on radio. A “radio symphony,” he claims, is not the same as the real thing and fails to deliver the true...
Journal Article
New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
... form of criticism as an intervention into the Methodenstreit (methodological debate) and the field of social energetics, two crucial discussions around 1900 on the future of the humanities. The article also shows that Worringer's new criticism, which takes the form of the Denkbild (thought-image...
Journal Article
New German Critique (2008) 35 (2 (104)): 207–227.
Published: 01 August 2008
.... This essay confronts Horkheimer and Adorno's argument with the less-celebrated work of the German philosopher Ernst Cassirer, whose functionalistic concept of myth as a symbolic form enables him to give detailed philosophical analyses of myth as a long-established form of life and as an artificial weapon...
Journal Article
New German Critique (2012) 39 (1 (115)): 49–66.
Published: 01 February 2012
... disaster orchestrated by the citizens of Santiago themselves. Three cognitive schemes play a role for how Kleist—and his fictional characters—imagines the vulnerability of human society: the theodicy, the sublime, and the state of emergency. These three symbolic forms are part of the surprisingly small...
Journal Article
New German Critique (2013) 40 (3 (120)): 65–84.
Published: 01 November 2013
...-testimonials by Weimar Eintänzer and raises awareness about this fascinating form of male employment and its role in the development of a spectrum of modern masculinities. The Eintänzer Wilder is interested in fashion and good looks but controls his possible interest in sexual encounters with clients. Most...
Journal Article
New German Critique (2015) 42 (2 (125)): 115–135.
Published: 01 August 2015
...Simon Ward Berlin's material past remains obstinately visible despite the predictions of urban theorists about the “overexposed” city. What is “remembering well” in contemporary Berlin: the preservation of a particular form of the city (Berlin's Planwerk Innenstadt ) or the remembering of one...
Journal Article
New German Critique (2019) 46 (3 (138)): 103–124.
Published: 01 November 2019
...Olivia Landry Abstract Spurred by the search for the identity of a colonial soldier captured in Germany during World War I, who left his trace in the form of a story in the sound archive in Berlin, Philip Scheffner’s documentary film The Halfmoon Files (2007) is an excavation of an obscured moment...
Journal Article
New German Critique (2020) 47 (1 (139)): 25–56.
Published: 01 February 2020
... with Oskar Negt, this article analyzes not only various forms of questions posed in these genres but also the epistemological dimension of questioning. This perspective reveals how a Marxian model of writing becomes the point of departure for Kluge’s work on artistic method. It demonstrates that his...
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