Skip Nav Destination
Close Modal
/10.1215_0094033X-7727399/4/s_ngc7727399figure1.png?Expires=1682815887&Signature=lWaOarnINMo9kkAXRDkk9FnbovL5N5ecnPEWYG5t8T3SdTvkXOjlLgmcmf2nqwPvF5g1oLCcQ63Mcx4RfrAKjaHGK7yRjKPf1iFT9JRdP2MkMfts0f7EgYyi28MZQKrO69Gby9f1GezgfCKj3VD~IddJ~huxc16-OGseWt9DW-i08DDF9yE9phh8LM1Rp4AnAIvMy-bomh5OS-9UCiGCkeqLqK0uE9fXFaqRTcfvGlFCm8eFAF7EAQB-l7rSqCmE4zRtive0e7wP3r0pia3~PUk78gtXs-cCpyqWF0NLFELbdowkyuMekuYlkQjhmLJ8YQsxZIMzy45ZrrEPW6JSOw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-7727399/4/s_ngc7727399figure2.png?Expires=1682815887&Signature=nhdYmhswDzp0j5XW6HgM3tGETvfTzrRw8ObGimLVqlnXiCXWV~efpxWRjN0v0hQTbEFQ6FsQ6vEwi5TP7~815KUxPEM3MPWTrLSy4PoXiJTB-z1Opf8QC9q91HPBHyriuSnqsBXYs69D164Vn-V79ZnD3QUglXgMBxivD11GNMUhRxgwCbFJIqB7u5bo9K-4LSl8c3U81zNQ3GJUhEs5IU5VRpfIWTSJnZa50ozyFnvrcvQwCIGRsFBGfXMKNVNzWy-wy2qBw9NwcRPFrYdCxd56AZX6d3eiNaBO57r4SNTZVDFB9udepJZS7HT2B~BNFk5dyts2dA-33CLDQbaglA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-7727399/4/s_ngc7727399figure3.png?Expires=1682815887&Signature=MEo0PiX0v6V1cqZWT410QG2nRfA1RRYyeI7VUvBx~InEP8HUWyUq0YMIFNUZVjgvEJCC3Pn2FCtui4exHOeMzbGcVFngzoeJUJNJA7OQTpaR2Ijap-olKGS-zEXCuuBGOrwOS9-TGGbJN3mMclESkMB676oZ2OncD1xvQpMAWFXZx~IwSM1sEpDZ-8z1rCrQj97j3WHDmj-zZMAS7ap4gwvaH~FOiR56rq0tIZ2PJCOKaXRZeUo0qq8UUvf17k6619eO3~xxNJHeHUXutELUougQY9C8G3cs9XnE6QC8jAq4zGG2WxVSTzlI8NG3drXHC~RwdgPiy62kmn1SJ2FOOg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-9965318/1/s_ngc9965318figure1.png?Expires=1682815887&Signature=49NdZkGEULVP634~A-9YQ-4PGma2WjrI3wylXQaE4Ln20At82QEuf~nwt70f5lQBPw6sW8gbFFLwntxINARX6Za-DLIXS1MtOZpGwsdZ~nINa~9nNPy3-GDzK5LHjh0pr46Dm93z5ynk2B96tGSF2XxPpJtOw3Zepn~yocEXETDIHBF~nvdSOlJ6QBKtCBejU~iQsdoJ9GiziMnMhxKKZGrtU3EhapaVIz7em8hIeTMA9LgnuA7g3OWqGWZiXllDNMzZysJbusRYYl7WgHj9zHM2cSb17GeGBk7CKXd7kqPDLz1vJ698QYpr0NXK-8Hy0WzRmOsAtNbn9PQ2jE3Qzg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-9965318/1/s_ngc9965318figure2.png?Expires=1682815887&Signature=jf-l5FPhB2TPiD7ObI9GP8qTiOVRAxly~rRKJebUJhPQAnFkmJhFkkxnmw2A8-Vr-psgPb-4wQqHgRoT3d8mlHWCioXMiGcyJaJc~ijd4k5OmneDKpj~pF4fSEVd6yDdFZh34EOKbU9-0G~7qaOmO0inSgWSC3a~aKwrypDroVFMYvPFB-P0q0nwFnsyfVBxbSFl~f5sxfaWoOr-UZ9PAcq5SBkLktCrcNyU6M43XcjjKFGsRIuD31HrSl6AEYdmCMG-Ld4UEnrVOfUWEklCS28cVK6IlBP2tQog2brNvnAISgBGlyhhCC~zuoSu63sq2jy1BD~kRCzjsabvjQPEHQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-9965318/1/s_ngc9965318figure3.png?Expires=1682815887&Signature=VI1S5CMyLXqybmLSn221~XF0H0u1aLpIXJlzfPIAdcSpV8cueq2pwSpd9nT1xLyMiRI07NNJEF9skX-azzqirDyZ4E1tWi6HXPPWfJLud8a9mUTqikKEDLRlyu8pqiSG~p5vIe8a16NXgGINQRW4Il0PPSP8NOedwBm97VEefmodRJHSCB9XSJyYddi-mYemifzJDh8G0iqHeS2P60xqIOmT8deve05K8TiokFvvtEl1iZtlj2MfrFjE5fo4-Ky5ZbJG1RayogrgBu8TrFDQkd5TciwRnkBkHUCB9y6ro4duiIkfQWn9GA8iuik--SP-E0s6Xpwf47SmbdHGx4qsDw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Search Results for
father
Update search
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 180 Search Results for
father
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Image
/10.1215_0094033X-7908420/7/s_ngc7908420figure4.png?Expires=2147483647&Signature=CfPVWz~0e-LoBwUb9UuDLtpC95NE2yXdZ8OmsOaduSbk~g1AUesXp5clvvT6tbM1B1Hg2cwP2-zLXgC0jgPzRjTrwsqBP9KAvWG0mFuPXZWpHHhhNthpmB0HiZDurjfZWRL8riAC8PcVteY7espodvqITbHgbbvHC15M49fbp5uLkoU~LlgJRr3~H0~muecbVzps8a~zSNN2p-7A0YV~USEnKrXoRIl~jXkYiK4x~LAd3~UYaPP1akww7WYbx8sePZYlAc3geXSZI2-UBmPaVRxNtJ6yIfmeRRVroEElhobeNl7rMhgwK2BzQjfHTpjN-q2IUXRcWX324yN0EZ-2ug__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Tremor, Tick, and Trance: Siegfried Kracauer and Gregory Bateson in the Film Library of the Museum of Modern Art
> New German Critique
Published: 01 February 2020
Figure 4. Bateson’s diagrammatic analysis of Hitlerjunge Quex : double father (4), triple mother (2, 3, 5).
More
Journal Article
New German Critique (2010) 37 (3 (111)): 173–198.
Published: 01 November 2010
... of Thomas Hobbes and Baruch Spinoza's critique of religion were two modern targets of Strauss's criticism. Hobbes was identified as the father of modern civilization who broke violently with the tradition of philosophy and established the foundations of liberalism. As Nazism took hold and Germany faded from...
Journal Article
New German Critique (2013) 40 (2 (119)): 53–75.
Published: 01 August 2013
... interpreted both as a theory of the psyche and as a theory of society and, as for the latter alternative, as a theory of fascism and of social cohesion in general. Freud's definition of the mass seemingly serves as a definition of not only totalitarian rule, the protofascist order of the primal father...
Journal Article
New German Critique (2018) 45 (1 (133)): 23–47.
Published: 01 February 2018
...Helena M. Tomko In October 1931 Walter Benjamin published a “shattering review” of Virgil, Father of the West , by Theodor Haecker, a Catholic cultural critic. Though most critical interest in this review has seen it as a footnote to Benjamin’s intellectual development, the present article argues...
Journal Article
New German Critique (2022) 49 (3 (147)): 187–214.
Published: 01 November 2022
... is precipitated by his self-Orientalizing gaze, leading him to doubt his commitment to communism. The article relates this to Weiss’s own biographical experience as a left-wing intellectual who belatedly discovered that his father was Jewish and had kept this fact a secret to evade the Nazis. However...
Journal Article
New German Critique (2011) 38 (1 (112)): 115–134.
Published: 01 February 2011
.... 2011 Filming Familial Secrets: Approaching and
Avoiding Legacies of Nazi Perpetration
Susanne Luhmann
“It is my right to see my father the way I want to see him.” Malte Ludin’s
documentary 2 or 3 Things I Know about Him (2...
Journal Article
New German Critique (2014) 41 (3 (123)): 95–112.
Published: 01 November 2014
... with twentieth-century atrocities.
Killing the Father: History and Identity after the Shoah
Glawogger’s filmDas Vaterspiel (Kill Daddy Goodnight, 2009), which was—
among other honors—shown in the Special Panorama series at the 2009 Berlin
Film Festival and was named Best Film at the Austrian...
Journal Article
New German Critique (2020) 47 (1 (139)): 197–215.
Published: 01 February 2020
... of killing and of extreme violence are recurring. Many of her dream images seem to relate explicitly to the memories of the father and the grandmother. In general, dreams play a rather important role in the narrative, mirroring the characters’ psyche and in particular their horrific memories. The mother...
Journal Article
New German Critique (2015) 42 (2 (125)): 137–153.
Published: 01 August 2015
... of a legacy of trauma or guilt and a burden of
memory or, conversely, repressed or absent memory.
For those Germans who are descendants of perpetrators, family history
is a place where the personal and the political overlap. To them, the guilt of the
fathers is a concrete inherited reality...
Journal Article
New German Critique (2019) 46 (3 (138)): 35–51.
Published: 01 November 2019
... . The latter film’s tragicomic this and that owes itself chiefly to its two main characters, Ines and her father, Winfried (Peter Simonischek), who are characterized by relentless ambivalence in the sense articulated by Sigmund Freud. As is well known, Freud refigures the term ambivalence , originally...
FIGURES
Journal Article
New German Critique (2017) 44 (3 (132)): 145–165.
Published: 01 November 2017
... . ———. 1993 . Foreword to Alexander Mitscherlich , Society without the Father: A Contribution to Social Psychology , xiii – xxi . New York : HarperPerennial . Bowlby John . 1963 . “Pathological Mourning and Childhood Mourning.” Journal of the American Psychoanalytic Association 11 : 500...
Journal Article
New German Critique (2022) 49 (2 (146)): 107–132.
Published: 01 August 2022
...), 4 a sympathetic “Murderess” who hacks her husband to death because he is lazy ( SW , 5:100–101). There is mention of a father who sexually abused his daughter with no signs of remorse ( SW , 9:270) and another father who shoots his son out of mere envy ( MG , 1:493). A woman asks her stepdaughter...
Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
... that, to varying degrees,
characterizes all the family documentaries discussed here.
In 2 or 3 Things I Know about Him, Ludin portrays his father, Hanns
Ludin, a notorious Nazi perpetrator, whom Hitler appointed as ambassador to
occupied Slovakia in 1941 and who was executed for war crimes...
Journal Article
New German Critique (2007) 34 (3 (102)): 61–74.
Published: 01 November 2007
... footage shot by Eva Braun, Albert junior makes fun of his father’s
paunch and explains that he found Hitler a very likable person back then and
that he felt good in his company. Hilde Schramm in her interview examines
why she has completely suppressed her memories of the Berghof. Arnold does...
Journal Article
New German Critique (2019) 46 (3 (138)): 11–34.
Published: 01 November 2019
.... Parental concern prompts a protracted search that will become the site of obsession; the desperate father Alain (François Damiens) will enlist his son, Kid (Finnegan Oldfield), as a fellow searcher. Although Bidegain engages with the conventions of the western, with its patterns, landmarks, tropes...
Journal Article
New German Critique (2007) 34 (1 (100)): 111–139.
Published: 01 February 2007
... Rautenberg (1882–1960), the business partner of Adorno’s father;
she had emigrated with the family.
120 Adorno and Mann’s Californian Exile
from which he can even venture a certain reproach to his actual parents. In his
fi rst letter of the new year Adorno writes:
Moreover, Thomas Mann...
Journal Article
New German Critique (2017) 44 (1 (130)): 35–55.
Published: 01 February 2017
... movement, and his father, Cornelius Gustav Gurlitt (1850–1938), pro-
fessor of architecture at the Royal Saxon Technical University, played a cru-
cial role in it. Through his father Hildebrand came into early contact with
modern fine art as well.
Even as a child, he met a few of the Brücke...
Journal Article
New German Critique (2008) 35 (3 (105)): 57–69.
Published: 01 November 2008
... to this transformation:
The word of the Lord came to me again: “What do you mean by repeating
this proverb concerning the land of Israel, ‘The fathers have eaten sour
grapes and the children’s teeth are set on edge’? As I live, says the Lord
God, this proverb shall no more be used by you...
Journal Article
New German Critique (2022) 49 (3 (147)): 65–91.
Published: 01 November 2022
... our own demands into them. In order to come to ourselves, . . . we have to re-create not only culture but also all science and scholarship by relating them to our concerns” ( AR1 , 33–34). At the end of the first volume, this idea reappears, now expressed by the narrator’s father. Years of studies...
FIGURES
Journal Article
New German Critique (2011) 38 (3 (114)): 35–50.
Published: 01 November 2011
... with Tarquin’s sons during a plague in Rome:
when the sons “conceived the desire” to ask who would succeed their father
on his death and become “the supreme power at Rome” (imperium sum
mum Romae), the oracle replies: “Whoever of you . . . first brings a kiss to his
mother” (Rise, 66). The king’s sons...
