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1
Journal Article
New German Critique (2013) 40 (1 (118)): 149–174.
Published: 01 February 2013
...James Hellings Should one laugh at, cry over, or be inspired by Theodor W. Adorno's engagements with popular culture? It would perhaps be a risky, ridiculous, and disingenuous enterprise to position Adorno as either an enthusiast or a fan. Rather, being an “uncompromisingly critical thinker...
Journal Article
New German Critique (2011) 38 (2 (113)): 25–50.
Published: 01 August 2011
...Jennifer Ratner-Rosenhagen In 1881 Friedrich Nietzsche received his first piece of fan mail from the United States. Though only a handful of letters came to him during his lifetime, many more would follow after his death in 1900. During the early twentieth century, Nietzsche admirers from all over...
Journal Article
New German Critique (2014) 41 (2 (122)): 17–20.
Published: 01 August 2014
... of heterosexual coupledom and fan-
tasies of upward mobility” (71).
Throughout the chapter “Curious Americanism,” Miriam emphasizes
how Kracauer’s concern with surface involved a deciphering process: how
to render these figures and their “muteness” transparent to cognition? Once
again, these attempts...
Journal Article
New German Critique (2012) 39 (1 (115)): 113–137.
Published: 01 February 2012
... or boyfriends.
By contrast, it is the men in the novel who acquire record collections and
possess detailed knowledge about the music: Hemstedt has a large collection
of music, and Ole, for example, is the editor, writer, and distributor of a “fan-
zine” called “SchlaMMassel.”40 It is also the men...
Journal Article
New German Critique (2011) 38 (3 (114)): 17–34.
Published: 01 November 2011
...
Didi-Huberman, Ce que nous voyons, ce qui nous regarde (Paris: Minuit, 1992); and James Elkins,
The Object Stares Back: On the Nature of Seeing (San Diego, CA: Harcourt Brace, 1997).
19. See Fred Vermorel and Judy Vermorel, Starlust: The Secret Life of Fans (London: Allen,
1985).
28 Aura...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
...” of the public sphere, see Hansen’s foreword to the English translation of Negt and Kluge’s Public Sphere and Experience , ix–xli. 47. Hansen, Babel and Babylon , 13. 48. See Hansen, “Early Cinema, Late Cinema,” 210. 49. On participatory culture, see, e.g., Jenkins, Fans, Bloggers...
FIGURES
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Journal Article
New German Critique (2022) 49 (1 (145)): 41–66.
Published: 01 February 2022
... a sinister aspect—conformity, the ready adjustment to changing situations he shares with Bergson.” 18 Blumenberg’s 1966 lecture on Valéry took place in front of dignitaries from the arts and politics—not in a museum—a more suitable environment for a discussion of the French poet, who was no fan...
Journal Article
New German Critique (2016) 43 (1 (127)): 215–226.
Published: 01 February 2016
... it,
“no-man’s-land,” has gained second life as the designation for the contested
terrain that separated hostile armies in “the war.” Where the free space of a
no-man’s-land between the boundary posts had been governed by childish fan-
tasy, the adult no-man’s-land in “the war” (a particular war) is subject...
Journal Article
New German Critique (2007) 34 (2 (101)): 157–185.
Published: 01 August 2007
... on it, but it should still be considered the work of a fan, not a scholar.
2. Raumpatrouille should not be mixed up with the American science fiction series Space
Patrol, which aired from 1950 to 1956. On the influences of American televised science fiction on
Raumpatrouille see Kastner, 34–35.
3...
Journal Article
New German Critique (2012) 39 (3 (117)): 47–59.
Published: 01 November 2012
... art copying
nature. The reality of the world mirrored the fantasies of its observers. The fan-
tasies about the Jewish body demanded such arguments of continuity. In 1841
Hubert Lauvergne, a follower of the phrenologist Franz Joseph Gall, argued that
contemporary Greeks bore the proud face...
Journal Article
The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture
New German Critique (2020) 47 (3 (141)): 45–57.
Published: 01 November 2020
... “Because you watched . . . ” Both the tech world and some naive aca-fan enablers, on the one hand, and the filter-bubble fearmongers and unreconstructed Deleuzians, on the other, predict a brave new world in which pundits and their moribund “editorial content” (a veritable epithet in Silicon Valley...
Journal Article
New German Critique (2007) 34 (1 (100)): 47–76.
Published: 01 February 2007
..., organize “a miniature fan-mail for me,” explaining that
“she is enthusiastic without reserve.”88
Lowenthal did his best to alleviate Horkheimer’s anxieties. He urged
him not to overestimate Guterman’s infl uence on journals and noted that
Oxford had an “excellent publicity director...
Journal Article
New German Critique (2021) 48 (3 (144)): 65–98.
Published: 01 November 2021
... with Nazis in the show’s reality.” 12 Some of the series’ fans are even more explicit in their reaction to Sewell’s character, commenting on his looks in a Nazi uniform: “Morals: No, no, no! Libido: Yes, yes, yes!” 13 This reaction calls to mind Susan Sontag’s analysis of the appeal of the Nazi...
Journal Article
New German Critique (2012) 39 (2 (116)): 119–132.
Published: 01 August 2012
... of loss and displacement” and “a romance with one’s own fan-
tasy.”12 But as Boym argues, nostalgia should not simply be discarded as a
form of historical escapism. She sees it, rather, in terms of a critical reflection
on the modern condition she calls off-modern. “Off-modernism,” writes Boym...
Journal Article
New German Critique (2012) 39 (3 (117)): 9–24.
Published: 01 November 2012
... with
Zion: in my work and my thoughts and my walks and, also, when I dream. . . .
All in all, I find myself in an advanced state of Zionization, a Zionization of the
innermost kind. I measure everything by Zion”18—simply fanned, rather than
extinguished, the already burning fire? Certainly...
Journal Article
New German Critique (2014) 41 (2 (122)): 171–188.
Published: 01 August 2014
... this reflexive horizon as a fan-
tasy (MP, 72). While she leaves the agency of such a fantasy open (be it cin-
ema, their cultural institutions, or critics today), this fantasy is conceived via a
double conflation between effect and affect: Hansen explains Hollywood’s
global appeal as simultaneously...
Journal Article
New German Critique (2016) 43 (3 (129)): 73–89.
Published: 01 November 2016
... will hold
the impulse to transcend in abeyance while insisting on not being reduced to
resignation or mere reform.
Mahler achieves this in many senses and through many different musi-
cal modalities. The book’s opening section carries the title “Vorhang und Fan-
fare” (“Curtain and Fanfare...
Journal Article
New German Critique (2007) 34 (1 (100)): 189–207.
Published: 01 February 2007
...,
it merely recycles an older sociological model for analyzing modernity (tradi-
tion or indigenous culture vs. modernity, Gemeinschaft vs. Gesellschaft, etc.)
6. See Leo Ou-fan Lee, Shanghai Modern: The Flowering of a New Urban Culture in China,
1930–1945 (Cambridge, MA: Harvard University Press...
Journal Article
New German Critique (2008) 35 (1 (103)): 145–164.
Published: 01 February 2008
... case
of mind control is quite explicitly an approach to ideology. The essential fan-
tasy of brainwashing theory, after all, is that human consciousness can be
utterly falsifi ed. It is astonishing to note how regularly discussions of this
29. Vance Packard, The Hidden Persuaders (New York...
Journal Article
New German Critique (2008) 35 (2 (104)): 171–189.
Published: 01 August 2008
... as the idea of soul murder permits Schreber to trace nerve-contact
back to the contract drafted by an unspecifi ed ancestor or member of the Flech-
sig family, the notion of the writing-down-system allows him to see the source
of his troubles in writings possessed by other mysterious agents. The two fan...
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