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Journal Article
New German Critique (2015) 42 (2 (125)): 137–153.
Published: 01 August 2015
... by, and mirrored in, developments in German literature, specifically in the family novel. © 2015 by New German Critique, Inc. 2015 postmodern post-Holocaust Marcel Beyer Doron Rabinovici belatedness Beyond Lateness? “Postmemory” and the Late(st) German-Language Family Novel...
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Published: 01 February 2024
Figure 1. Carl Rogge, Max Slevgot’s family portrait on the top floor of the Plesches’ villa. Courtesy of the Jewish Museum, Berlin (2004/112/85014). More
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Published: 01 February 2024
Figure 13. The last page in the Scherk family album. More
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Published: 01 February 2024
Figure 14. Interior photos of the family home in Rheda illustrating Andreas Meyer’s memoir, 1993. Courtesy of the Meyer family. More
Journal Article
New German Critique (2011) 38 (1 (112)): 115–134.
Published: 01 February 2011
...Susanne Luhmann Literary and cinematic representations of private and familial histories of Nazi perpetration, collaboration, and support have proliferated since reunification. Three recent German documentary films each turn the lens on the filmmaker and his family in an effort to grapple publicly...
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Published: 01 February 2024
Figure 11. Front cover of the album of the Scherk and Justmann families. Courtesy of the Jewish Museum, Berlin (JMB 2009_233). More
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Published: 01 February 2024
Figure 12. Photos taken at the Scherk family’s Berlin villa at Mozartstraße 8–10, Lankwitz, Berlin, up until 1938. More
Journal Article
New German Critique (2022) 49 (2 (146)): 107–132.
Published: 01 August 2022
...Barbara N. Nagel The attention that the Swiss modernist writer Robert Walser pays to domestic violence can be regarded as exceptional. So why does child abuse still remain a blind spot in the scholarship on Walser? This article discerns techniques that Walser uses to render family violence...
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Published: 01 February 2024
Figure 9. (left) The fourth photo in the album dedicated to Gerda von der Porten. (right) Gerda von der Porten in the family home, 1931. More
Journal Article
New German Critique (2010) 37 (1 (109)): 147–185.
Published: 01 February 2010
... Virgins engages with the trope of female bodily display and sexual agency as the normative signs of democratic relations in Europe. The pitting of a liberated, democratic (European) sexuality against the sexually repressed, authoritarian (Muslim) family reactivates the antifascist rhetoric of the sexual...
Journal Article
New German Critique (2017) 44 (1 (130)): 87–107.
Published: 01 February 2017
...Amy Walsh This article traces the unusual story of a non-Western work of art stolen from a Polish noble, rather than Jewish, family during the German occupation. It illustrates the range of Nazi looting and the necessity of scrutinizing the provenance of every object, not only paintings. The story...
Journal Article
New German Critique (2013) 40 (1 (118)): 1–27.
Published: 01 February 2013
... of recognition in its equality. The significance of Antigone's burial ritual is to be seen in light of Hegel's relationship with his sister, Christiane. The ritual elevates the harmony between the two sexes not found in the family or civil society. © 2013 by New German Critique, Inc. 2013 This content...
Journal Article
New German Critique (2014) 41 (1 (121)): 33–54.
Published: 01 February 2014
... environment in a decrepit Jewish town in eastern Europe but left it behind to travel to Berlin and dedicate his life to philosophy in the tradition of the German enlightenment. Scholem (1897–1982), born a century and a half later to a middle-class acculturated Jewish family in Berlin, left it behind...
Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
... Traudl Junge, and the families of Nazi perpetrators. Drawing on theories of shame developed by Emmanuel Lévinas (1935) and Ruth Leys (2007), it demonstrates how these films perform a move away from guilt in the juridical or moral sense and toward shame as an exposure of the psychological and emotional...
Journal Article
New German Critique (2018) 45 (2 (134)): 67–98.
Published: 01 August 2018
... represent a unique response to this little-known history of early cinema. Focusing on “Blumfeld, an Elderly Bachelor,” “The Bucket Rider,” and “The Cares of a Family Man,” this article shows how Kafka’s stories draw, reflect, and expand on the possibilities of contemporaneous trick films by introducing...
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Published: 01 November 2023
Figures 1–2. Frank Walter. Left: Antigua Is My Home (n.d.). Oil on cardboard, 8.6 × 13.9 cm. Right: Antigua für Sonne und Meer (n.d.). Graphite and watercolor on gypsum on cardboard, 10.2 × 12.7 cm. Photographs by Kenneth Milton. Reproduced with permission from the Frank Walter Family. More
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Published: 01 November 2023
Figures 1–2. Frank Walter. Left: Antigua Is My Home (n.d.). Oil on cardboard, 8.6 × 13.9 cm. Right: Antigua für Sonne und Meer (n.d.). Graphite and watercolor on gypsum on cardboard, 10.2 × 12.7 cm. Photographs by Kenneth Milton. Reproduced with permission from the Frank Walter Family. More
Journal Article
New German Critique (2024) 51 (1 (151)): 109–142.
Published: 01 February 2024
...Figure 1. Carl Rogge, Max Slevgot’s family portrait on the top floor of the Plesches’ villa. Courtesy of the Jewish Museum, Berlin (2004/112/85014). ...
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Journal Article
New German Critique (2014) 41 (1 (121)): 121–152.
Published: 01 February 2014
... humanitarian rea- sons (“humani­täres Bleiberecht4 went into effect, and the family was to be forcibly removed from Austrian territory. In the intervening five years, how- ever, both parents had found gainful employment, and Arigona Zogaj, like her siblings, had been learning German and attending school...
Journal Article
New German Critique (2023) 50 (3 (150)): 25–35.
Published: 01 November 2023
... that shook Istanbul in 1999, the maternal figure of Dschinns ’ family saga, Emine Yılmaz, voices the name of her first child, who was taken from her at birth: Ciwan. This name—which is indicative both of Ciwan’s gender transition and an unequivocal acceptance of his Kurdish heritage—is one born...