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Journal Article
New German Critique (2016) 43 (3 (129)): 27–52.
Published: 01 November 2016
... Forms . Urbana : University of Illinois Press . Kreowski Ernst Fuchs Eduard . 1907 . Richard Wagner in der Karikatur . Berlin : Behr . Levin David , ed. 1994 . Opera through Other Eyes . Stanford, CA : Stanford University Press . London Review and Weekly Journal...
Journal Article
New German Critique (2022) 49 (3 (147)): 187–214.
Published: 01 November 2022
...Caroline Rupprecht This article focuses on the fictionalized character of the Soviet spy Richard Stahlmann, who was attributed with “Asian eyes” by Peter Weiss, in volume 3 of The Aesthetics of Resistance . In a passage that describes Stahlmann’s visit to Angkor Wat, the character’s identity crisis...
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Published: 01 August 2022
Figure 3. Mabuse at the controls. The Thousand Eyes of Dr. Mabuse , directed by Fritz Lang, 1960. More
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Published: 01 August 2022
Figure 1. Roadway assassinations. Left column: The Thousand Eyes of Dr. Mabuse , directed by Fritz Lang, 1960. Right column: The Testament of Dr. Mabuse , directed by Fritz Lang, 1933. More
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Published: 01 August 2022
Figure 2. View from the Hotel Luxor. The Thousand Eyes of Dr. Mabuse , directed by Fritz Lang, 1960. More
Journal Article
New German Critique (2019) 46 (2 (137)): 1–25.
Published: 01 August 2019
... for the self; episodic selves, living as tourists from one experience to the next; and Facebook eye, seeing the world in terms of garnering “likes.” These notions point to a deeper change in identity construction that is undermining the age of authenticity. In an age of profile-based identity or “profilicity...
Journal Article
New German Critique (2021) 48 (2 (143)): 43–61.
Published: 01 August 2021
... discourse, “spiritual experience,” in part read through the eyes of Kojève and, via him, Vladimir Soloviev, is thereby distinguished from what Adorno sees as an irrepressible tendency toward “spiritualization” in contemporary culture and the philosophy that reflects on it. Instead, it reveals a dimension...
Journal Article
New German Critique (2022) 49 (2 (146)): 161–186.
Published: 01 August 2022
...Figure 3. Mabuse at the controls. The Thousand Eyes of Dr. Mabuse , directed by Fritz Lang, 1960. ...
FIGURES
Journal Article
New German Critique (2011) 38 (3 (114)): 115–132.
Published: 01 November 2011
... and sunken eyes. Attention is paid both to the unusually beautiful and to the unusually ugly as well as to the dead, with what is ugly or dead exerting a special, morbid fascination.3 In light of its cultural omnipresence, the absence of physiognomics in current theories of charisma...
Journal Article
New German Critique (2018) 45 (2 (134)): 133–153.
Published: 01 August 2018
... . Berlin : Kulturverlag Kadmos . 22. See Burger, Paul Celan , 19 . Leibniz himself refers to caterpillars’ metamorphoses into butterflies ( Mo , §74). 21. A generative veiled eye akin to the one described here appears also in Celan, “Edgar Jené,” 13–14 . What Celan finds in Leibniz seems...
Journal Article
New German Critique (2011) 38 (3 (114)): 17–34.
Published: 01 November 2011
... it may be. To follow with the eye—while resting on a summer afternoon—a mountain range on the hori- zon or a branch that casts its shadow on the beholder is to breathe the aura of those mountains, of that branch” (SW, 255). The jump from the work of art to nature is a Goethean gesture, suggesting...
Journal Article
New German Critique (2018) 45 (2 (134)): 33–66.
Published: 01 August 2018
... that Dix deliberately painted the dotted veil and red eyes of the woman in the Die Witwe watercolor housed in the Zeppelin Museum Friedrichshafen ( fig. 1 ) to suggest syphilitic infection, which by extension addresses the period’s fixation on the scourge of syphilis. The veil’s decorative dots, which...
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Journal Article
New German Critique (2014) 41 (2 (122)): 125–144.
Published: 01 August 2014
.... Mercator [Josef Krämer], “Ist die Photographie eine Kunst Deutsche Photographen- Zeitung 15 (1891): 193. 128  Spirit of Technology human eye,11 cinema produced merely mechanical copies of outside reality and therefore could not express spirit or subjectivity: “The photoplay knows nothing of God...
Journal Article
New German Critique (2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
... important photobooks, which emerged as a new genre in mid-1920s Germany.1 László Moholy-Nagy’s Malerei, Fotografi e, Film (Painting, Photography, Film, 1925), Alfred Renger- Patzsch’s Die Welt ist schön (The World Is Beautiful, 1929), Franz Roh and Jan Tschichold’s Foto-Auge (Photo-Eye, 1929...
Journal Article
New German Critique (2018) 45 (1 (133)): 79–109.
Published: 01 February 2018
... is as painful as amputation.8 “When Goethe once remarked that we ought to sense the effect of a beautiful room, even if we were led through it blindfolded, he was expressing the very same idea: that the architectural impression, far from being some kind of ‘reckoning by the eye’ [Zählen des Auges...
Journal Article
New German Critique (2009) 36 (3 (108)): 73–83.
Published: 01 November 2009
... trace of it, a big round eye, is removed. Shortly before nodding off, Keaton himself looks from the wall into the face of Buster Keaton. The insight that this grotesque conveys is then not simply refuting Berkeley, a sim- ple reversal, for in the end nonbeing cannot only not be produced by taking...
Journal Article
New German Critique (2020) 47 (2 (140)): 217–246.
Published: 01 August 2020
... an explicit logical articulation. —Roland Barthes, “The Struggle with the Angel” What fate befell the angel of history after the end of History? Would we still recognize the figure with the wide eyes and open mouth as described by Walter Benjamin? The storm that forced the angel to take flight above...
Journal Article
New German Critique (2012) 39 (1 (115)): 169–197.
Published: 01 February 2012
... Photographenapparat kann ebenso lügen wie die Setzmaschine” (the camera can lie just as well as the typesetting machine).3 Brecht’s statement targets the deception perpetrated by the main- stream press, which in his eyes deliberately exploited the evidentiary force of photography in order to conceal...
Journal Article
New German Critique (2011) 38 (3 (114)): 79–93.
Published: 01 November 2011
...’ and ‘magicians’ proved their charisma in the eyes of their adherents” (ES, 1112). This does not mean that charisma is conferred on the leader arbitrarily. What it means is that a query for the reasons for this attribution would distract the analysis from more important issues. In his own analysis...
Journal Article
New German Critique (2009) 36 (1 (106)): 119–147.
Published: 01 February 2009
... not compel our organism to perception. But we perceive spaces that appear empty, the space behind the surface of a mirror or the space between the eye and stars. It follows that our organism must contain world ether that compels us to perceive when combined with that [ether...