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experiment
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Journal Article
New German Critique (2014) 41 (2 (122)): 97–109.
Published: 01 August 2014
... for the appearance of y. The general appli-
cability is temporally defined through repetition. Wheneverx , then y. Accord-
ing to skeptics, however, since conditions are defined by the arrangements in
the experiment, the experiment turns into experimentation; that is, it is itself
already a hypothetical action...
Journal Article
New German Critique (2006) 33 (1 (97)): 5–14.
Published: 01 February 2006
...Detlev Claussen New German Critique, Inc. 2006 Intellectual Transfer: Theodor W. Adorno’s
American Experience
Detlev Claussen
By the late 1960s Theodor W. Adorno had already become a kind of institution
in Germany. Adorno himself...
Journal Article
New German Critique (2014) 41 (2 (122)): 3–6.
Published: 01 August 2014
... Schlüpmann, Susan Buck-Morss, Anton Kaes, Edward Dimendberg, D. N. Rodowick, and Laura Mulvey. © 2014 by New German Critique, Inc. 2014 Dossier on Cinema and Experience
History: From “The Other Frankfurt School”
to Cinema and Experience
Heide...
Journal Article
New German Critique (2020) 47 (2 (140)): 191–216.
Published: 01 August 2020
...Ori Rotlevy Abstract How is freedom tied to tradition? What is the relation between the individual and the collective experience of tradition? To what extent is the experience of tradition part of a modern experience rather than only of an ancient one? This essay argues that these questions lie...
Journal Article
New German Critique (2021) 48 (2 (143)): 43–61.
Published: 01 August 2021
...Hent de Vries Abstract This article revisits the original meaning of “spiritual” as distinct from “intellectual” experience in Theodor W. Adorno’s late work. It does so through the implicitly Hegelian motifs in Wassily Kandinsky’s manifesto “On the Spiritual in Art,” a text that Adorno engages...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... in the wake of World War I by embracing new technologies of vision, and how a gendered experience of modernity could be envisioned through photomontage. © 2009 by New German Critique, Inc. 2009 My gratitude goes to Matthew Biro, Oliver Botar, Andreas Huyssen, Hattula Moholy-Nagy, Anson Rabinbach, Lisa...
Journal Article
New German Critique (2016) 43 (1 (127)): 215–226.
Published: 01 February 2016
...Susan H. Gillespie In 1966 Theodor W. Adorno devoted an affectionate essay to his recollections of the provincial Frankish village of Amorbach, where he spent summers as a child and to which he returned in later life. Literally and figuratively, the essay centers on the experience and concept...
Journal Article
New German Critique (2021) 48 (2 (143)): 85–105.
Published: 01 August 2021
...Sherry Lee Abstract This article considers the concept of cultural landscape ( Kulturlandschaft ) from Theodor W. Adorno’s Aesthetic Theory , exploring how the philosophy of natural beauty in relation to historical built environments resonates with ideas of musical landscape and experiences...
Journal Article
New German Critique (2008) 35 (2 (104)): 33–53.
Published: 01 August 2008
.... Paradoxically, such events are obscured in J. M. Bernstein's account, in Adorno: Disenchantment and Ethics, of Adorno's “exemplary first-person experience” of unredeemable guilt after Auschwitz. Fredric Jameson's Late Marxism argues from an opposing perspective to a similar effect, construing negative...
Journal Article
New German Critique (2022) 49 (3 (147)): 65–91.
Published: 01 November 2022
... the experience of the victim with the perspective of the witness. In this way, it is argued, Weiss’s narrative enables an identification with the mute experience of destruction while converting that experience into a future-oriented political force: the emergence and continuation of collective struggle...
FIGURES
Journal Article
New German Critique (2009) 36 (1 (106)): 119–147.
Published: 01 February 2009
... (grotesques). Situated in its proper historical and intellectual context, Friedländer's early-twentieth-century corpus thus should be understood as part of an effort to incorporate the diversity of human sensory experiences into a Kantian-influenced theory of knowledge, a theory of knowledge critical...
Journal Article
New German Critique (2016) 43 (2 (128)): 105–126.
Published: 01 August 2016
... to a “deep” anthropo-related approach. The article substantiates this claim in six steps. First, it criticizes the dichotomy between instrumental and inherent values. Second, eudemonic values are grounded in the phenomenological concept of experience. It is argued that experiences must be articulated through...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
...Bill Brown Through archaeological, conceptual, and rhetorical insights, Miriam Hansen puts play ( Spiel ) to work in Cinema and Experience . When she engages Walter Benjamin's treatment of film in the “Artwork” essay, she retrieves Spiel from Spielraum , naturalizing a somewhat idiosyncratic...
Journal Article
New German Critique (2014) 41 (2 (122)): 159–169.
Published: 01 August 2014
...Martin Jay Miriam Hansen's studies of both American silent film and Frankfurt School film theory drew on the critique of Jürgen Habermas's concept of the public sphere developed by Oskar Negt and Alexander Kluge. Expanding it beyond the bourgeoisie and stressing the importance of experience as well...
Journal Article
New German Critique (2022) 49 (3 (147)): 93–112.
Published: 01 November 2022
... of experience and relational narrative strategies without losing the sense of historical materiality and without subsuming experience within a concept of a self-enclosed subject. What is particularly interesting about this passage for the current analysis is that it includes a paratactic list of sense...
Journal Article
New German Critique (2011) 38 (1 (112)): 65–84.
Published: 01 February 2011
...Elke Heckner In the latest effort to publicly reclaim the German experience of displacement and bombardment toward the end of the Nazi period, the TV docudramas Dresden (2006), March of Millions (2007), and Die Gustloff (2008) have articulated a new set of rules of cinematic engagement...
Journal Article
New German Critique (2023) 50 (3 (150)): 81–92.
Published: 01 November 2023
...Katja Garloff This essay calls for a theoretical discussion of the aesthetics and politics of comparison in contemporary German Jewish literature and beyond. It describes the tendency of recent German Jewish writers and thinkers to compare and connect the experiences of Jews to those of other...
Journal Article
New German Critique (2024) 51 (2 (152)): 105–133.
Published: 01 August 2024
... turns firsthand experience into a simple pattern or shape, inviting identification across differences in context. Ultimately, the essay shows that the “strange intoxication” of compulsive states of mind, though it might seem to transport the subject outside time and beyond the reach of material...
Journal Article
New German Critique (2009) 36 (1 (106)): 83–101.
Published: 01 February 2009
...Todd Cronan Georg Simmel's sociology tends to elicit mixed feelings even among his admirers. “The Metropolis and Mental Life” provides one of the most compelling and influential accounts of modern, urban experience available, yet the meaning of this work is notoriously elusive. Does the difficulty...
Journal Article
New German Critique (2016) 43 (3 (129)): 155–173.
Published: 01 November 2016
... the wounded or broken character of musical modernism and the experience of creaturely suffering. The modernist artwork leaves behind any aesthetic of “heroism” and emerges, as if from a disaster, with bodily injuries that can never be healed. © 2016 by New German Critique, Inc. 2016 Theodor W. Adorno...
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