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experience

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Journal Article
New German Critique (2020) 47 (2 (140)): 191–216.
Published: 01 August 2020
...Ori Rotlevy Abstract How is freedom tied to tradition? What is the relation between the individual and the collective experience of tradition? To what extent is the experience of tradition part of a modern experience rather than only of an ancient one? This essay argues that these questions lie...
Journal Article
New German Critique (2021) 48 (2 (143)): 43–61.
Published: 01 August 2021
...Hent de Vries Abstract This article revisits the original meaning of “spiritual” as distinct from “intellectual” experience in Theodor W. Adorno’s late work. It does so through the implicitly Hegelian motifs in Wassily Kandinsky’s manifesto “On the Spiritual in Art,” a text that Adorno engages...
Journal Article
New German Critique (2006) 33 (1 (97)): 5–14.
Published: 01 February 2006
...Detlev Claussen Intellectual Transfer: Theodor W. Adorno’s American Experience Detlev Claussen By the late 1960s Theodor W. Adorno had already become a kind of institution in Germany. Adorno himself, appalled, was among the first to realize...
Journal Article
New German Critique (2014) 41 (2 (122)): 3–6.
Published: 01 August 2014
... Schlüpmann, Susan Buck-Morss, Anton Kaes, Edward Dimendberg, D. N. Rodowick, and Laura Mulvey. © 2014 by New German Critique, Inc. 2014 Dossier on Cinema and Experience History: From “The Other Frankfurt School” to Cinema and Experience Heide...
Journal Article
New German Critique (2014) 41 (2 (122)): 97–109.
Published: 01 August 2014
...Gertrud Koch The article discusses the notion of “experiment” and relates it—via Immanuel Kant's concept of liveliness, which is a central topos of aesthetic experience—to “animation” in film, insofar as both refer to “life sciences.” Drawing on the example of Sergei Eisenstein's poetics...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... in the wake of World War I by embracing new technologies of vision, and how a gendered experience of modernity could be envisioned through photomontage. © 2009 by New German Critique, Inc. 2009 My gratitude goes to Matthew Biro, Oliver Botar, Andreas Huyssen, Hattula Moholy-Nagy, Anson Rabinbach, Lisa...
Journal Article
New German Critique (2016) 43 (1 (127)): 215–226.
Published: 01 February 2016
...Susan H. Gillespie In 1966 Theodor W. Adorno devoted an affectionate essay to his recollections of the provincial Frankish village of Amorbach, where he spent summers as a child and to which he returned in later life. Literally and figuratively, the essay centers on the experience and concept...
Journal Article
New German Critique (2021) 48 (2 (143)): 85–105.
Published: 01 August 2021
...Sherry Lee Abstract This article considers the concept of cultural landscape ( Kulturlandschaft ) from Theodor W. Adorno’s Aesthetic Theory , exploring how the philosophy of natural beauty in relation to historical built environments resonates with ideas of musical landscape and experiences...
Journal Article
New German Critique (2008) 35 (2 (104)): 33–53.
Published: 01 August 2008
.... Paradoxically, such events are obscured in J. M. Bernstein's account, in Adorno: Disenchantment and Ethics, of Adorno's “exemplary first-person experience” of unredeemable guilt after Auschwitz. Fredric Jameson's Late Marxism argues from an opposing perspective to a similar effect, construing negative...
Journal Article
New German Critique (2009) 36 (1 (106)): 119–147.
Published: 01 February 2009
... (grotesques). Situated in its proper historical and intellectual context, Friedländer's early-twentieth-century corpus thus should be understood as part of an effort to incorporate the diversity of human sensory experiences into a Kantian-influenced theory of knowledge, a theory of knowledge critical...
Journal Article
New German Critique (2016) 43 (2 (128)): 105–126.
Published: 01 August 2016
... to a “deep” anthropo-related approach. The article substantiates this claim in six steps. First, it criticizes the dichotomy between instrumental and inherent values. Second, eudemonic values are grounded in the phenomenological concept of experience. It is argued that experiences must be articulated through...
Journal Article
New German Critique (2009) 36 (1 (106)): 83–101.
Published: 01 February 2009
...Todd Cronan Georg Simmel's sociology tends to elicit mixed feelings even among his admirers. “The Metropolis and Mental Life” provides one of the most compelling and influential accounts of modern, urban experience available, yet the meaning of this work is notoriously elusive. Does the difficulty...
Journal Article
New German Critique (2011) 38 (1 (112)): 65–84.
Published: 01 February 2011
...Elke Heckner In the latest effort to publicly reclaim the German experience of displacement and bombardment toward the end of the Nazi period, the TV docudramas Dresden (2006), March of Millions (2007), and Die Gustloff (2008) have articulated a new set of rules of cinematic engagement...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
...Bill Brown Through archaeological, conceptual, and rhetorical insights, Miriam Hansen puts play ( Spiel ) to work in Cinema and Experience . When she engages Walter Benjamin's treatment of film in the “Artwork” essay, she retrieves Spiel from Spielraum , naturalizing a somewhat idiosyncratic...
Journal Article
New German Critique (2014) 41 (2 (122)): 159–169.
Published: 01 August 2014
...Martin Jay Miriam Hansen's studies of both American silent film and Frankfurt School film theory drew on the critique of Jürgen Habermas's concept of the public sphere developed by Oskar Negt and Alexander Kluge. Expanding it beyond the bourgeoisie and stressing the importance of experience as well...
Journal Article
New German Critique (2018) 45 (1 (133)): 155–179.
Published: 01 February 2018
... to its thesis. As much as the poem’s eponymous hero, Helen exhibits the incipient features of an individuated (and alienated) protobourgeois subject. Ultimately, this article contends that Horkheimer and Adorno undertheorize women’s experience of subjectivity, which seems to explain why they exclude...
Journal Article
New German Critique (2019) 46 (2 (137)): 1–25.
Published: 01 August 2019
... for the self; episodic selves, living as tourists from one experience to the next; and Facebook eye, seeing the world in terms of garnering “likes.” These notions point to a deeper change in identity construction that is undermining the age of authenticity. In an age of profile-based identity or “profilicity...
Journal Article
New German Critique (2019) 46 (3 (138)): 103–124.
Published: 01 November 2019
... new media revisit the old. The article asserts that the ghost of the storyteller, which haunts this film, returns not in the form of a person but as a hypermedial experience. 22. Arendt, Human Condition , 192 . 23. Benjamin, “Excavation and Memory,” 576 . 24. Hall, “Constituting...
Journal Article
New German Critique (2019) 46 (3 (138)): 11–34.
Published: 01 November 2019
... narrative into question and probe the darker sides of American expansionism. Recent returns to the western by European auteurs both revisit the classic western and revise its revisionist extensions, foregrounding experiences of sociopolitical crisis, displacement, and disintegration of values...
Journal Article
New German Critique (2019) 46 (3 (138)): 79–101.
Published: 01 November 2019
... generation who oppose the economic determinations that frame experience in advanced capitalism. They refuse to fit in and “aspire” and instead become drifters. Employing what the Situationists called a psychogeographic approach, Umsonst probes the prevalent discourses and historical mythologies of Kreuzberg...
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