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episodic identity
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1
Journal Article
New German Critique (2019) 46 (2 (137)): 1–25.
Published: 01 August 2019
... for the self; episodic selves, living as tourists from one experience to the next; and Facebook eye, seeing the world in terms of garnering “likes.” These notions point to a deeper change in identity construction that is undermining the age of authenticity. In an age of profile-based identity or “profilicity...
Journal Article
New German Critique (2017) 44 (1 (130)): 205–216.
Published: 01 February 2017
... Bauman's take on identity in “liquid modernity,” this article argues that the episodic, visual, and immediate rather than narrative, verbal, and retrospective form of self-presentation online does not necessarily lead to increased self-reflection but provides the working basis for the algorithmic...
Journal Article
New German Critique (2012) 39 (1 (115)): 3–26.
Published: 01 February 2012
... a book with profound linguistic concerns. A speaker of five languages—English, French, Welsh, Czech, German—the protagonist has the facility of the ideal twentieth-century cosmopolitan. At the same time, however, he is utterly immobilized by recurring episodes of radical aphasia. Dubow and Steadman-Jones...
Journal Article
New German Critique (2019) 46 (2 (137)): 27–34.
Published: 01 August 2019
...” (my emphasis). I eventually bring up the “question about the political consequences of episodic identity” ( FS , 92), which invites readers to see the positive effects of the episodic and the negative of narrative identity. Nevertheless, I end the chapter with the concern about the long-lasting...
Journal Article
New German Critique (2007) 34 (2 (101)): 157–185.
Published: 01 August 2007
... state-run Office de Radiodiffusion Télévision Française signed on, and
in 1964 production planning began for seven one-hour episodes (“Vorwort,”
4). In France the series was broadcast as Commando Spatial—la fantastique
aventure du vaisseau ORION. French versions were filmed with some French...
Journal Article
New German Critique (2013) 40 (3 (120)): 41–64.
Published: 01 November 2013
... on a married couple; then a second, metaphorical shadow play, in which
the hypnotized guests act out their desires through their “shadow selves.” In
this hallucinatory episode, the husband witnesses his wife’s dalliances with
her young admirer and, in response, acts out a sadistic, punitive fantasy...
Journal Article
New German Critique (2010) 37 (2 (110)): 107–124.
Published: 01 August 2010
.... Moreover, it provided the foundation for a new musical
identity in serialism, which increasingly dominated the further development of
New Music in the 1950s.7 The rationalization of the musical material, the pre-
determined fixation of musical parameters, and the verdict against all forms...
Journal Article
New German Critique (2018) 45 (3 (135)): 97–128.
Published: 01 November 2018
... , a curiously neglected topic is the Jewish reaction to the political siding of Martin Heidegger. To illuminate this topic, I focus on a little-known episode of particular interest because Heidegger played an active role in it. In the summer of 1968 Heidegger’s Origin of the Work of Art was translated...
Journal Article
New German Critique (2011) 38 (3 (114)): 35–50.
Published: 01 November 2011
... at play in its constitution. The sociologist's intuition that the charismatic personality may in fact be an impostor and trickster is soon dismissed in favor of an emphasis on the “sublimity” of charisma. The role of Brutus in the Lucretia episode, however, shows that charisma cannot be reduced...
Journal Article
New German Critique (2007) 34 (3 (102)): 61–74.
Published: 01 November 2007
..., where all four sections are shown side
by side in identical format.
Sequel is different from the other episodes in another key respect: this
section takes a defi nite position on Speer’s guilt, giving him joint responsi-
bility for the Holocaust. The written documents and sound recordings pre...
Journal Article
New German Critique (2023) 50 (2 (149)): 49–70.
Published: 01 August 2023
... in the letter is Lukács’s critique not of the concept of the self-identical world but of its metaphysical implications. The metaphysical claim of the world’s wholeness, Lukács tells the addressee, is what “all rationalistic philosophy (Plato, Spinoza, Schelling, Hegel, etc.)” aimed at. “The deepest desire...
Journal Article
New German Critique (2018) 45 (2 (134)): 1–32.
Published: 01 August 2018
... in highly regimented and territorialized modules: doctor, erotic partner, reader of historical fiction, and the like—each of these regions of experience has its own scripts, codes, and frames, which circumscribe and anchor specific identities, between which subjects move more or less competently. Hence...
Journal Article
New German Critique (2011) 38 (3 (114)): 17–34.
Published: 01 November 2011
... of debut scenes at the Phaeacian court (books 7–12).
These episodes provide a complex example of aura and charisma working
together. Each debut is based on a dynamic rise of Odysseus from obscurity
to glory. The first is the meeting with Princess Nausicaa on the beach where
Odysseus has washed up...
Journal Article
New German Critique (2021) 48 (3 (144)): 65–98.
Published: 01 November 2021
... the current cultural situation. I also address the reception of these images, because audience expectations play an important role in shaping fictional identities. _________ To highlight the differences in the representations of Nazis in the 1960s and today, I compare Dick’s novel The Man...
Journal Article
New German Critique (2010) 37 (2 (110)): 73–94.
Published: 01 August 2010
... or symbolic way with this infrastructure. Rather than based in a physical feature of its subterranean space, the reigning image of subterranean Berlin was metaphorical: the underworld of decadent Weimar culture, a subversive image reinforced during the 1920s by the political identity das rote Berlin...
Journal Article
New German Critique (2006) 33 (1 (97)): 5–14.
Published: 01 February 2006
... of social-scientific routine,
making new forms of inquiry open to experience and opening up new aspects
of experience to empirical research and theoretical conceptualization. But of
course this is not how it is usually perceived. Take, for instance, the infamous
episode involving Paul F. Lazarsfeld...
Journal Article
New German Critique (2024) 51 (1 (151)): 143–171.
Published: 01 February 2024
... images to their viewings of The Nazis . Indeed, viewing the project becomes a sort of game whereby one tries to name the actors and the films and television shows in which they portrayed Nazis. As Nochlin argued, The Nazis reminds viewers that they are deriving pleasure from this identity-guessing...
FIGURES
Journal Article
New German Critique (2013) 40 (3 (120)): 65–84.
Published: 01 November 2013
...,
and the critical work on the writer-director acknowledge his employment as
Eintänzer, an overwhelming number of contradictions and discrepancies sur-
round this episode in Wilder’s life.1 Confusion starts with the term Eintänzer,
translated by some into English as “gigolo.”2 In the 1920s, however, Eintänzer...
Journal Article
New German Critique (2018) 45 (1 (133)): 155–179.
Published: 01 February 2018
.... And as an enchanting and
sexual demigoddess, Helen, like Circe, Calypso, and the Sirens (and the
lotus-eaters), is a feminized gure of “historical regression and oblivion.”20
The epitome of female sexual inconstancy and a bride whose marriage con-
tract was identical with a political accord, Helen is courtesan...
Journal Article
New German Critique (2023) 50 (2 (149)): 37–48.
Published: 01 August 2023
...). This account of the form of Goethe’s Faust is very much related to—yet not fully identical with—the mixing of genres for which Lukács repeatedly castigates modern literature, as in his essay “Narrate or Describe?” 15 By contrast, Faust does not concern itself with this “mixing-together,” he argues...
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