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docudrama

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Journal Article
New German Critique (2011) 38 (1 (112)): 65–84.
Published: 01 February 2011
...Elke Heckner In the latest effort to publicly reclaim the German experience of displacement and bombardment toward the end of the Nazi period, the TV docudramas Dresden (2006), March of Millions (2007), and Die Gustloff (2008) have articulated a new set of rules of cinematic engagement for the...
Journal Article
New German Critique (2007) 34 (3 (102)): 61–74.
Published: 01 November 2007
...Judith Keilbach National Socialism as Docudrama: On Programmed Ambivalence in Heinrich Breloer’s Speer and Hitler Judith Keilbach National Socialism is a popular subject in German fi lmmaking at the moment. Newspaper articles praise this...
Journal Article
New German Critique (2011) 38 (1 (112)): 85–113.
Published: 01 February 2011
...Susanne Vees-Gulani The great popularity of the TV docudrama Dresden (2006) can be explained chiefly by its locale and subject matter: ever since the Allied forces bombed the city, many have seen it as the key symbol for the brutality of modern warfare. Immediately after he bombings, before-and...
Journal Article
New German Critique (2019) 46 (2 (137)): 91–116.
Published: 01 August 2019
... a West German–Palestinian commando and explores historical references to the traumatic memories of the Holocaust that resonated in the public perception, cinematic depiction, and commemoration of the event. Through an analysis of newspaper coverage, documentary reports, docudrama films, and...
Journal Article
New German Critique (2011) 38 (1 (112)): 1–7.
Published: 01 February 2011
... own “seen.” This ekphrastic labor performed on a demandingly readable text constitutes it as what Parkinson theorizes as a site of prosthetic witnessing. In “Televising Tainted History: Recent TV Docudrama (Dresden, March of Millions, Die Gustloff) and the Charge of Revisionism,” Heckner...
Journal Article
New German Critique (2007) 34 (2 (101)): 1–26.
Published: 01 August 2007
... during the twentieth anniversary of the German Autumn around Heinrich Breloer’s widely viewed two-part TV docudrama Death Game (1997), which antici- pated the official anniversary by several months, this wave of retrospection was closely followed by the thirtieth anniversary of 1968, resulting in...
Journal Article
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
... to go to the front in 1941, win- ning him over with expressions like “excellent work” and “chosen for a historic task” and appealing to his sense of effi ciency by giving him only four weeks to come up with a plan for implementing the fi nal solution. A sober docudrama, the biopic is fi lmed in...
Journal Article
New German Critique (2014) 41 (3 (123)): 75–93.
Published: 01 November 2014
...- fall reproduces, more or less voluntarily.49 Karmakar’s fi lmic method can in fact be called counterdirectional (gegen läufi )g to what contemporary feature fi lms or docudramas about the Nazi era strive for. Differently from Ganz in Downfall, Zapatka is not sup- posed to be playing an...
Journal Article
New German Critique (2010) 37 (2 (110)): 73–94.
Published: 01 August 2010
...-abiding Columbia Broadcasting System (CBS), meanwhile, was working up a compet- ing docudrama based on the same events. There were fine legal distinctions made between East Germans escaping under their own impetus (as in Siod- mak’s film) and Westerners aiding and abetting those escapes. NBC...
Journal Article
New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
..., and Ronen Steinke’s Fritz Bauer oder Auschwitz vor Gericht appeared four years later. Eichmanns Ende—Liebe, Verrat, Tod (dir. Raymond Ley, 2010), a television docudrama, also featured Bauer and was broadcast the same year that Ilona Ziok’s documentary film Fritz Bauer: Tod auf Raten was...
Journal Article
New German Critique (2013) 40 (2 (119)): 113–136.
Published: 01 August 2013
... as psychological kitsch, as a shortcut to emotionality as a guarantee of audience response. Another pair of films demonstrates a parallel and related phenomenon of European films and directors at roughly the same moment as their American counterparts. A docudrama on rising neo-Nazi...