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Journal Article
Old-Age Style: The Case of Arnold Schoenberg (1874–1951)
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New German Critique (2015) 42 (2 (125)): 65–80.
Published: 01 August 2015
...), and disabled style (Joseph Straus) for Schoenberg's very late oeuvre, a body of work characterized by diatonically inflected dodecaphony and overt communication with the audience. © 2015 by New German Critique, Inc. 2015 late style old-age style exile disabled style Old-Age Style: The Case...
Journal Article
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement
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New German Critique (2021) 48 (3 (144)): 199–218.
Published: 01 November 2021
... 2021 by New German Critique, Inc. 2021 Questions of (dis)ability have played a marginal role in the scholarly literature on contemporary German history and culture and the movements associated with the West German “1968.” 1 But this is changing. The emerging field of disability history has...
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Journal Article
In the Horror Mode? Weimar Flashbacks and Generic Hybridity in 1950s West German Cinema
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New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
...
film, with its recurring potential love affair of a rubble woman with a disabled
man committed to repairing and reconstructing the German private sphere.35
35. Various rubble films have postwar women desiring men who are either physically disabled or
emotionally scarred. This is, of course...
Journal Article
Hannah Arendt, Karl Jaspers, and World Citizenship Rethought
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New German Critique (2020) 47 (2 (140)): 21–44.
Published: 01 August 2020
...) but to complicate it and to acknowledge its doubleness as politically enabling and potentially disabling. And the treatment of the border can work as a litmus test of any effort to “transgress” it. A more general incrimination of rootedness, which, to my mind, is a misinterpretation of Arendt, becomes also evident...
Journal Article
Tragedy, Modernity, and Terra Mater: Christa Wolf Recounts the Fall
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New German Critique (2007) 34 (2 (101)): 115–141.
Published: 01 August 2007
... inevitable outcome of
an underlying disorder, a Störung, in the world at large: this “accident,” then, is
no mere Un-fall but, as the German title insists, a Stör-fall. Not unlike the
malignant tumor in the brain of the narrator’s brother, the “glowing core” (A,
42) of the disabled nuclear reactor...
Journal Article
Totality Reconsidered: Lukács’s History and Class Consciousness a Century On
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New German Critique (2023) 50 (2 (149)): 71–99.
Published: 01 August 2023
... to address: where are race, gender, sexuality, and disability in the analysis of totality—in other words, how do critiques of totality account for particularity? If we could pose this question to Lukács, he might reply as follows: “We repeat: the category of totality does not reduce its various elements...
Journal Article
The Environmental Humanities and the Futures of the Human
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New German Critique (2016) 43 (2 (128)): 21–31.
Published: 01 August 2016
... through interdisciplinary research labeled “x studies” or
“y humanities”: disability studies, critical animal studies, and food studies, for
instance, or medical humanities, digital humanities, and environmental
humanities. Instead of shared philosophical foundations or clearly defined
political...
Journal Article
Defending Lateness: Deliberations on Acceleration, Attention, and Lateness, 1900–2000
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New German Critique (2015) 42 (2 (125)): 31–48.
Published: 01 August 2015
... combines the Nietzschean gift for satirical imitation with a hypochon-
driac personality that takes notice of the smallest bodily malfunction as evi-
dence of a disabling condition. Throughout the novel Christian represents the
inept cultural latecomer, whose various attempts to engage in global...
Journal Article
Software Physiognomics: Adorno's Radio Analytics Today
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New German Critique (2016) 43 (3 (129)): 53–72.
Published: 01 November 2016
...-
sion, which shows how these developments are imbricated in global capital
markets. While they are often publicly grounded in inherent social values
(such as alleviating disease and disability), the recent spate of software appli-
cations developed for music is also well endowed with market value...
Journal Article
Wounded Modernism: Adorno on Wagner
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New German Critique (2016) 43 (3 (129)): 155–173.
Published: 01 November 2016
... in a dreamlike state where all striving is disabled.
This applies not only to aspirations for progress but also to desire itself, since
characters who are seized with desire appear only as virtuosos of illness and
abjection (e.g., Tannhäuser, Tristan, and Amfortas). For Adorno, this retreat...
Journal Article
Geographies of Modernism in a Globalizing World
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New German Critique (2007) 34 (1 (100)): 189–207.
Published: 01 February 2007
... of consumption per se, apart
from being disingenuous, is no substitute for political vision. Thus we may
also want to ask whether the once plausible equation of the cultural with the
political has not led to a politically disabling culturalism.
6. To get beyond the ingrown parochialism of American...
Journal Article
Brainwashed! Conspiracy Theory and Ideology in the Postwar United States
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New German Critique (2008) 35 (1 (103)): 145–164.
Published: 01 February 2008
... theory, although
one is an indictment of communism and the other of capitalism. Both are prim-
itive attempts to understand ideological control as a quasi-magical process
capable of utterly disabling rational self-control.
These connections eventually made their way into a wide range of lit...
Journal Article
Zafer Şenocak’s “Turkish Turn”: Acts of Crosslinguistic Remembrance in Köşk ( The Pavilion )
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New German Critique (2018) 45 (2 (134)): 179–200.
Published: 01 August 2018
... by the disabling power of an ever-present absence that was once integral to but can no longer be successfully incorporated into the self. The centrality of this evasive absence to the subject’s self-perception further points to the temporal experience of trauma, in which the initial event occurs so suddenly...
Journal Article
Memory and Repetition: Reenactment as an Affirmative Critical Practice
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New German Critique (2019) 46 (2 (137)): 171–195.
Published: 01 August 2019
...: An Anthropology of the End in Political Authority , edited by Borneman John , 123 – 47 . New York : Berghahn , 2004 . Knittel Susanne C. The Historical Uncanny: Disability, Ethnicity, and the Politics of Holocaust Memory . New York : Fordham University Press , 2015 . Knittel Susanne...
FIGURES
Journal Article
Class Relations: Diagnoses of the Present in the Films of Julian Radlmaier and Max Linz
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New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
.... 36 Schlingensief’s activism and his desire to extend his work into existing genres and patterns is recalled here, and Linz’s inclusion of artists with disabilities, such as René Schappach and Winkler from the Berlin theater group RambaZamba, brings that theatrical tradition into view as well...
FIGURES
Journal Article
Allegories and Ends: Heiner Müller's Hamletmaschine
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New German Critique (2006) 33 (2 (98)): 77–100.
Published: 01 August 2006
..., the Hamlet actor dons its helmet and is then pushed
around in a wheelchair by the Claudius actor. This one image, Hamlet sym-
bolically assuming the armor, but in a wheelchair, a symbol of disability, is an
assertion not only that the Marxist artist is connected to the past but that he
remains feeble...
Journal Article
Apology and Triumph: Memory Transference, Erasure, and a Rereading of the Berlin Jewish Museum
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New German Critique (2010) 37 (2 (110)): 153–179.
Published: 01 August 2010
... of the Cold War by
triangulating it with the experiences of “others.” The same year that the Berlin
Wall was constructed in 1961 and the labor transfer between the two sides of
the city was disabled, West Germany signed a labor recruitment contract
with Turkey. Already in 1973 Turks formed the biggest...
Journal Article
Sunlit Dancers: The Body Culture Photography of UHU Magazine
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New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
... Fineman describes a similar normative trajectory in the work of progressive Weimar artists, with the grotesque, fragmented bodies of Otto Dix’s 1920 disabled veteran series reemerging as fully formed machine-human hybrids, in works such as Heinrich Hoerle’s Monument to the Unknown Prostheses of 1930...
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Journal Article
Adorno and Arendt: Transitional Regimes of Historicity
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New German Critique (2019) 46 (1 (136)): 41–70.
Published: 01 February 2019
... should be enabled or disabled from the rival concepts of memory that Adorno and Arendt propose. Part of the problem is that Hartog appears at times to suggest that the dominance of the present in relation to the past and future is pathological not simply because of the catastrophist nature...
Journal Article
“The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
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New German Critique (2018) 45 (2 (134)): 33–66.
Published: 01 August 2018
..., dancers who disguised their age behind a glamorous facade, disabled workers, frail pensioners.” 29 In many of these images of prostitutes, the women are either identified as such, as in the watercolor Prostitute Girl with Red Bow (1922), or clearly recognized as prostitutes by their nudity...
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