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1
Journal Article
New German Critique (2015) 42 (2 (125)): 65–80.
Published: 01 August 2015
...), and disabled style (Joseph Straus) for Schoenberg's very late oeuvre, a body of work characterized by diatonically inflected dodecaphony and overt communication with the audience. © 2015 by New German Critique, Inc. 2015 late style old-age style exile disabled style Old-Age Style: The Case...
Journal Article
New German Critique (2021) 48 (3 (144)): 199–218.
Published: 01 November 2021
... field of disability history has emphasized the critical importance of disability as a category of historical analysis and a tool for emancipatory change. In this context, disability is understood as socially constructed and susceptible to change. In her excellent account of disability policy in Germany...
Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
...
film, with its recurring potential love affair of a rubble woman with a disabled
man committed to repairing and reconstructing the German private sphere.35
35. Various rubble films have postwar women desiring men who are either physically disabled or
emotionally scarred. This is, of course...
Journal Article
New German Critique (2020) 47 (2 (140)): 21–44.
Published: 01 August 2020
...) but to complicate it and to acknowledge its doubleness as politically enabling and potentially disabling. And the treatment of the border can work as a litmus test of any effort to “transgress” it. A more general incrimination of rootedness, which, to my mind, is a misinterpretation of Arendt, becomes also evident...
Journal Article
New German Critique (2007) 34 (2 (101)): 115–141.
Published: 01 August 2007
... inevitable outcome of
an underlying disorder, a Störung, in the world at large: this “accident,” then, is
no mere Un-fall but, as the German title insists, a Stör-fall. Not unlike the
malignant tumor in the brain of the narrator’s brother, the “glowing core” (A,
42) of the disabled nuclear reactor...
Journal Article
New German Critique (2023) 50 (2 (149)): 71–99.
Published: 01 August 2023
... to address: where are race, gender, sexuality, and disability in the analysis of totality—in other words, how do critiques of totality account for particularity? If we could pose this question to Lukács, he might reply as follows: “We repeat: the category of totality does not reduce its various elements...
Journal Article
New German Critique (2016) 43 (2 (128)): 21–31.
Published: 01 August 2016
...-1990s, by contrast, new paradigms have more typically mani-
fested themselves through interdisciplinary research labeled “x studies” or
“y humanities”: disability studies, critical animal studies, and food studies, for
instance, or medical humanities, digital humanities, and environmental...
Journal Article
New German Critique (2015) 42 (2 (125)): 31–48.
Published: 01 August 2015
... combines the Nietzschean gift for satirical imitation with a hypochon-
driac personality that takes notice of the smallest bodily malfunction as evi-
dence of a disabling condition. Throughout the novel Christian represents the
inept cultural latecomer, whose various attempts to engage in global...
Journal Article
New German Critique (2016) 43 (3 (129)): 53–72.
Published: 01 November 2016
...-
sion, which shows how these developments are imbricated in global capital
markets. While they are often publicly grounded in inherent social values
(such as alleviating disease and disability), the recent spate of software appli-
cations developed for music is also well endowed with market value...
Journal Article
New German Critique (2016) 43 (3 (129)): 155–173.
Published: 01 November 2016
... as a total and self-contained reality that brings time
to a standstill. The Wagnerian artwork itself is therefore like Brünnhilde:
detached from time and cast asleep behind a ring of magic fire. This occlusion
of history and labor traps us in a dreamlike state where all striving is disabled...
Journal Article
New German Critique (2007) 34 (1 (100)): 189–207.
Published: 01 February 2007
... of consumption per se, apart
from being disingenuous, is no substitute for political vision. Thus we may
also want to ask whether the once plausible equation of the cultural with the
political has not led to a politically disabling culturalism.
6. To get beyond the ingrown parochialism of American...
Journal Article
New German Critique (2008) 35 (1 (103)): 145–164.
Published: 01 February 2008
... theory, although
one is an indictment of communism and the other of capitalism. Both are prim-
itive attempts to understand ideological control as a quasi-magical process
capable of utterly disabling rational self-control.
These connections eventually made their way into a wide range of lit...
Journal Article
New German Critique (2018) 45 (2 (134)): 179–200.
Published: 01 August 2018
... by the disabling power of an ever-present absence that was once integral to but can no longer be successfully incorporated into the self. The centrality of this evasive absence to the subject’s self-perception further points to the temporal experience of trauma, in which the initial event occurs so suddenly...
Journal Article
New German Critique (2019) 46 (2 (137)): 171–195.
Published: 01 August 2019
... : Berghahn , 2004 . Knittel Susanne C. The Historical Uncanny: Disability, Ethnicity, and the Politics of Holocaust Memory . New York : Fordham University Press , 2015 . Knittel Susanne C. “ The Ruins of Europe: Milo Rau’s Europe Trilogy and the (Re)mediation of the Real .” Frame...
FIGURES
Journal Article
New German Critique (2010) 37 (2 (110)): 153–179.
Published: 01 August 2010
... of the Cold War by
triangulating it with the experiences of “others.” The same year that the Berlin
Wall was constructed in 1961 and the labor transfer between the two sides of
the city was disabled, West Germany signed a labor recruitment contract
with Turkey. Already in 1973 Turks formed the biggest...
Journal Article
New German Critique (2006) 33 (2 (98)): 77–100.
Published: 01 August 2006
..., the Hamlet actor dons its helmet and is then pushed
around in a wheelchair by the Claudius actor. This one image, Hamlet sym-
bolically assuming the armor, but in a wheelchair, a symbol of disability, is an
assertion not only that the Marxist artist is connected to the past but that he
remains feeble...
Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
.... 36 Schlingensief’s activism and his desire to extend his work into existing genres and patterns is recalled here, and Linz’s inclusion of artists with disabilities, such as René Schappach and Winkler from the Berlin theater group RambaZamba, brings that theatrical tradition into view as well...
FIGURES
Journal Article
New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
... Fineman describes a similar normative trajectory in the work of progressive Weimar artists, with the grotesque, fragmented bodies of Otto Dix’s 1920 disabled veteran series reemerging as fully formed machine-human hybrids, in works such as Heinrich Hoerle’s Monument to the Unknown Prostheses of 1930...
FIGURES
| View All (12)
Journal Article
New German Critique (2016) 43 (2 (128)): 153–176.
Published: 01 August 2016
... a gull under its pounding hooves. Iden-
tifying the victim as Claus, the bird who had become one of his intellectu-
ally disabled daughter’s animal companions, Hauke expresses pity for the
tame creature that had found death where it had presumably sought shelter.
This contrasts...
Journal Article
New German Critique (2008) 35 (3 (105)): 7–33.
Published: 01 November 2008
... of their own. . . . They live in cities, be they
Hellenic or Barbaric, as it is their lot. . . . They live in their own cities, but as
though they were only passing through. They play their full role as citizens,
but labor under all the disabilities of aliens. Any country can be their home-
land...
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