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Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... to embody. Through close analysis of their photomontages, this essay argues that Moholy-Nagy and Brandt were like-minded in their investigations of how the lessons of Dada and constructivism might be absorbed into a new form of Bauhaus photomontage, how artists and designers could help reshape society...
Journal Article
New German Critique (2009) 36 (2 (107)): 231–252.
Published: 01 August 2009
... and their textual and visual renditions. Kluge incorporates Walter Benjamin's idea of a dialectical image while moving beyond that paradigm in his concept and literary practice of a “third time” that is ultimately designed to enfranchise the reader. © 2009 by New German Critique, Inc. 2009 Intermediality...
Journal Article
New German Critique (2023) 50 (2 (149)): 181–207.
Published: 01 August 2023
... designed to guarantee just and pluralistic societies, reproduces social hierarchies of political emotions and in this way prioritizes the stability of the current system and social cohesion over justice. 33. See Sennett’s effective introductory anecdote on the symbolic divisiveness of Lily Allen’s song...
Journal Article
New German Critique (2023) 50 (3 (150)): 193–204.
Published: 01 November 2023
... to conceive of German studies in terms of a curated exhibition of the ideas, visions, images, and models of community associated with the designation “German.” The above discussion of the concept of “German” suggests an understanding of German studies as a discursive site for reflecting on the political...
Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
... and modernism conditionally. In architecture, “modernization” resulted in the invention of new materials and construction or production methods (technology), and the design challenge of new building types like railroad stations, airports, and public housing. “Modernism” refers to the corresponding aesthetic...
Journal Article
New German Critique (2010) 37 (2 (110)): 95–106.
Published: 01 August 2010
... the descriptive mode of the generally underestimated travelogue over the novel's narrative mode. This choice generates a particular “design of the concrete,” whereby highly personal impressions and isolated facts and things emerge as interesting in themselves. Koeppen attempts to banish the “dangerous chimera...
Journal Article
New German Critique (2010) 37 (2 (110)): 153–179.
Published: 01 August 2010
...Esra Akcan This essay reopens the countermonumentality debate in memorial design through a rereading of the Berlin Jewish Museum, discussing not only its memorial function but also the architect Daniel Libeskind's early sketches and unfolding statements throughout the construction and thereafter...
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
.... Once privileged as metaphors for production, Bauhaus designs are now examined to expose the school's participation in a market economy and its interaction with consumerism. This in turn has focused attention on the school's many female students and the much smaller number of female staff. Finally...
Journal Article
New German Critique (2024) 51 (2 (152)): 79–104.
Published: 01 August 2024
...Sebastian Truskolaski In March 1916 the German Jewish writer, philosopher, and anarchist-activist Gustav Landauer gave a lecture on Friedrich Hölderlin’s hymn “The Rhine” (1802) at a women’s club in central Berlin. The lecture aims to derive from Hölderlin a concept of community designed to disavow...
Journal Article
New German Critique (2024) 51 (1 (151)): 1–31.
Published: 01 February 2024
...Lynnette Widder Less than a month after his return to Frankfurt in the winter of 1949, Theodor Adorno gave a lecture at the Technical University of Darmstadt at the invitation of the urban designer Karl Gruber. Titled “Urbanism and Societal Order,” the lecture is noteworthy as one of the very few...
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Journal Article
New German Critique (2012) 39 (3 (117)): 207–230.
Published: 01 November 2012
..., bearing the traces of multiple historical rewritings. Exploring the analytic potential of the palimpsest figure in the cultural history of the German dictatorships, Philpotts sets out to uncover two key moments of cultural-political appropriation: at the time of the Ministry's original design...
Journal Article
New German Critique (2013) 40 (1 (118)): 43–64.
Published: 01 February 2013
...” was guilty of the same crime. The industrial production of images was designed to pacify and control the masses. For both Mann and Schoenberg, a return to the Bible through modernist aesthetics could help recuperate myth from its misuse and thus restore a healthy polity. © 2013 by New German Critique, Inc...
Journal Article
New German Critique (2022) 49 (2 (146)): 77–106.
Published: 01 August 2022
... to Skoda, it was designed so that visitors could escape the “loud noises of the world outside,” 63 expressing how the Gewandhaus could be a place of refuge. From the opening of the new building, Masur used the foyer for so-called BIG events— Begegnungen im Gewandhaus (encounters in the Gewandhaus...
FIGURES
Journal Article
New German Critique (2020) 47 (3 (141)): 99–140.
Published: 01 November 2020
... in Berlin. The architectural plot satirically recasts and critically reflects the gigantic mass housing program designed by Frankfurt’s chief architect, Ernst May, which also included a rationalist cemetery reform. The rhetorical trope of a last dwelling was therefore taken literally and turned against its...
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Journal Article
New German Critique (2009) 36 (3 (108)): 1–38.
Published: 01 November 2009
... Remigration: Postponed
Figure 2. Paul Bonatz and Friedrich Eugen Scholer, main train station, Stuttgart, 1914–28.
Photograph taken in 2009
attention of the architectural scene. In 1908 he followed Fischer as professor
for urban design at the Stuttgart Polytechnic, at the age of only thirty...
Journal Article
New German Critique (2006) 33 (3 (99)): 209–233.
Published: 01 November 2006
... by establishing national museums of art.
Friedrich August Stülerʼs design, a historicist version of a classical Greek
temple, was meant “to celebrate the fusion of national culture, patriotism,
and dynastic power.”9 However, in implementing its project of employing a
German culture to create a German...
Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... 1927) projects the utopian promise
of world revolution (fi g. 1).26 Heartfi eld’s cover design projects an ambitious,
utopian image of world revolution realized through the media. The radio’s loud-
speaker blares the following message across the globe of the world: “Unstop-
pable progressing...
Journal Article
New German Critique (2006) 33 (3 (99)): 63–82.
Published: 01 November 2006
... University Press, 1991), 60–62. Hereafter cited as P.
4. For an overview of posttheory (or “postcritical”) discourse in architecture see George Baird,
“ʻCriticalityʼ and Its Discontents,” Harvard Design Magazine, no. 21 (2004–5): 16–21. See also
Reinhold Martin, “Critical of What? Toward a Utopian...
Journal Article
New German Critique (2006) 33 (3 (99)): 41–62.
Published: 01 November 2006
..., 1971),
19–24.
2. Mark Wigley subtly traces the early avenues into modernism by showing how Loos synthe-
sizes Louis Sullivanʼs “Ornament in Architecture” and Gottfried Semperʼs “Principle of Dressing”
in his own writing on fashion and architecture (White Walls, Designer Dresses...
Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... . Graphic Design: A New History . New Haven, CT : Yale University Press . Fijalkowski Krzysztof . 1987 . “Dada and the Machine.” Journal of European Studies 17 , no. 2 : 233 – 51 . Fritzsche Peter . 1998 . Reading Berlin, 1900 . Cambridge, MA : Harvard University Press...
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