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Journal Article
New German Critique (2016) 43 (2 (128)): 153–176.
Published: 01 August 2016
...Kate Rigby Theodor Storm's novella Der Schimmelreiter is set in northwestern Germany, a region with a long history of dyke building and coastal flooding. Drawing on insights into material agency, complexity, and the entwinement of materiality and discourse that have emerged from science studies, I...
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Published: 01 February 2020
Figures 1–2. Angelus Novus and Stachel der Clown ( Prickle, the Clown ), by Paul Klee.
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Published: 01 February 2020
Figures 1–2. Angelus Novus and Stachel der Clown ( Prickle, the Clown ), by Paul Klee.
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in The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
> New German Critique
Published: 01 November 2020
Figure 4. Ludwig Mies van der Rohe and Lilly Reich’s glass room in the 1927 Stuttgart Werkbund exhibition Die Wohnung , in Gräff, Innenräume , 119.
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in The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
> New German Critique
Published: 01 November 2020
Figure 5. J. Gantner’s “Steine der Lebenden” in the special issue “Frankfurter Friedhofsreform,” Das Neue Frankfurt , June 1927, 103.
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in The Trail, the Archive, the Museum, and the Book: Confronting Materiality in Literary Studies
> New German Critique
Published: 01 November 2020
Figure 4. Peter Handke, Das Gewicht der Welt: Ein Journal (November 1975 – März 1977) (1977), cover. © 1977 Residenz Verlag Gmbh Salzburg-Wien.
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in The Trail, the Archive, the Museum, and the Book: Confronting Materiality in Literary Studies
> New German Critique
Published: 01 November 2020
Figure 13. “Reproduction permissions” in the travel exhibition. “Lieblingsorte? In der Reisen-Ausstellung ist Fotografieren erlaubt und das Teilen der Fotos erwünscht: www.facebook.com/LiteraturmuseenMarbach” (Favorite destinations? In the travel exhibition photography is encouraged
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Published: 01 August 2018
Figure 4. Der Nähkasten ( The Sewing Box ), by Julius Pinschewer and Guido Seeber (1912)
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in Urban, Historical, and Musical Loops: László Moholy-Nagy, Alexander Kluge, and the City Symphony Film
> New German Critique
Published: 01 February 2020
Figure 2. Alexander Kluge, “Dynamik” der Großstadt: “Kreisverkehr” ( “Dynamic” of the Metropolis: “Traffic Circles” ), with traffic loops top left.
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Published: 01 February 2020
Figure 8. How to Light a Petroleum Lamp . From Kluge, Nachrichten aus der ideologischen Antike .
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Published: 01 February 2020
Figure 8. How to Light a Petroleum Lamp . From Kluge, Nachrichten aus der ideologischen Antike .
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Published: 01 February 2020
Figure 9. Helge Schneider transforms into Marx. From Kluge, Nachrichten aus der ideologischen Antike .
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in Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949
> New German Critique
Published: 01 February 2024
Figure 3. Rothenberg ob der Tauber after bombings in March 1945. Photo: Alfons Ohmeyer. Stadtarchiv Rothenburg ob der Tauber Fotosammlung, 90/1/1362. © Verein Alt-Rothenburg.
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in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 3. Drei Dirnen auf der Straße ( Three Prostitutes on the Street ), by Otto Dix, 1925. Tempera on plywood, 95 × 100 cm (37 3/8 × 39 3/8 in). Private collection, Hamburg, Germany. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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in Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism
> New German Critique
Published: 01 February 2024
Figure 7. The dedication page of the album gifted to Gerda von der Porten (later Ottenstein): “To my dear Gerda, in memory of your parents’ and [your] birth house in Hamburg Mittelweg 118. May 1938.” Courtesy of the Institute for the History of the German Jews, Hamburg.
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in Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism
> New German Critique
Published: 01 February 2024
Figure 8. The first photo in the album dedicated to Gerda von der Porten.
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in Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism
> New German Critique
Published: 01 February 2024
Figure 9. (left) The fourth photo in the album dedicated to Gerda von der Porten. (right) Gerda von der Porten in the family home, 1931.
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in Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism
> New German Critique
Published: 01 February 2024
Figure 10. The last photo in the album dedicated to Gerda von der Porten.
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Published: 01 February 2025
Figure 2. The mysterious figure who returns in Franziska Schlotterer’s Ende der Schonzeit (2012).
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Journal Article
New German Critique (2007) 34 (1 (100)): 111–139.
Published: 01 February 2007
...James McFarland New German Critique, Inc. 2007 Der Fall Faustus: Continuity and Displacement
in Theodor Wiesengrund Adorno and
Thomas Mann’s Californian Exile
James McFarland
For Thomas McFarland...
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