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cultural techniques

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Journal Article
New German Critique (2017) 44 (3 (132)): 205–224.
Published: 01 November 2017
... in his own writings as to particular dynamics in North American academe and beyond. It passes through several stages, extends into the domain of social media, and influences the subsequent—and ongoing—engagement with the German variants of media archaeology and the cultural techniques approach, both...
Journal Article
New German Critique (2021) 48 (2 (143)): 147–175.
Published: 01 August 2021
... , Franz Kafka’s The Trial , to name a few works of art from other mediums) achieved. In the writings where Adorno collapses all film under the tag “culture industry,” this argument depends on the fact that “it lives parasitically from the extra-artistic technique of the material production of goods...
Journal Article
New German Critique (2011) 38 (3 (114)): 35–50.
Published: 01 November 2011
.... 35 36 Republican Charisma in Livy or credited to a specific element in this sequence only because of a particular mode of depiction.3 In other words, I read Livy’s famous Lucretia episode as a narrative that both gathers information on a specific “cultural technique...
Journal Article
New German Critique (2019) 46 (2 (137)): 27–34.
Published: 01 August 2019
... whose forms of communication and cultural techniques are significantly determined by the practices of self-representation and world-perception on Facebook” and correctly add that I use the term Facebook metonymically. Nonetheless, they object to “the ascription of such a monocausal determinism...
Journal Article
New German Critique (2015) 42 (2 (125)): 31–48.
Published: 01 August 2015
...). Punctuality is thus not just a moral virtue of the bourgeois self but, much more importantly, another essential cultural technique that manages the accelerated pace of modern life through a high degree of synchronization. Although Simmel does not write explicitly about lateness, the implication here...
Journal Article
New German Critique (2008) 35 (1 (103)): 145–164.
Published: 01 February 2008
... of the Mind focuses much more on the “techniques of mass submission” that Meerloo saw emerging in Western society. These techniques, which included new mass- cultural forms of “simple advertising and propaganda,” “exist all around us, both on a political and a nonpolitical level and they become...
Journal Article
New German Critique (2009) 36 (2 (107)): 231–252.
Published: 01 August 2009
... between territory, culture, and religion. He fi nds, however, a situation that cannot be accom- modated by the imperialist techniques of territorial and social engineering. The second map inserted in the text features the tectonic situation on and north of the Indian subcontinent, ironically confl...
Journal Article
New German Critique (2016) 43 (3 (129)): 53–72.
Published: 01 November 2016
.... Academic commentary on cultural habitus proffered by new media fre- quently deploys a standard anthropological approach to the subject of embod- ied knowledge. This approach organizes its argument around key categories, such as body techniques, mimesis, dressage, discipline, and so on. Following...
Journal Article
New German Critique (2020) 47 (1 (139)): 81–103.
Published: 01 February 2020
... twentieth-century metropolitan life. I continue this exploration of Kluge’s differences from the historical avant-garde by examining his reuse of Bertolt Brecht and redeployment of a distinctly modernist cinematic technique—time lapse—in Chicago im Zeitraffer that creates a form of vision appropriate...
FIGURES
Journal Article
New German Critique (2014) 41 (2 (122)): 111–124.
Published: 01 August 2014
... of techniques for the production of a homogeneous diegetic space and time (parallel editing, continuity editing, isolation of character as a pivot of narra- tive, etc and second, through his quite specific aspiration to generate a cinematic hieroglyphic language. For Hansen, hieroglyphics are a crucial...
Journal Article
New German Critique (2013) 40 (1 (118)): 43–64.
Published: 01 February 2013
... Schoenberg's approach to music itself. But it was more than a purely aesthetic issue. Each of these intellectuals claims that the Bilderverbot was central to the contemporary political struggles. In Adorno's mind, not only had the Nazis violated the ban against graven images, but Hollywood's “culture industry...
Journal Article
New German Critique (2014) 41 (2 (122)): 97–109.
Published: 01 August 2014
... of the nature of nature, and at the end the question of the nature of the human being within it. The fascination that the experiment has held as a technologically grounded cultural technique of desiring desire against any and all skepticism is above all emphasized where the experimental arrangement...
Journal Article
New German Critique (2012) 39 (2 (116)): 25–45.
Published: 01 August 2012
...J. J. Long Both photography and the built environment play a significant role in transmitting cultural memory. This article explores how architectural photography might be seen in terms of constructions of cultural identity through Florian Profitlich's book Berlin-Bilder ( Berlin Pictures , 1999...
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
... viewers with unforgiving portraits of Austrian tourists, as he employs nearly every one of his trademark techniques to highlight the many contradictions behind his subjects’ perspectives. Copyright © 2019 by New German Critique, Inc. 2019 Ulrich Seidl Safari Austrian film documentary film...
FIGURES | View All (4)
Journal Article
New German Critique (2021) 48 (1 (142)): 1–39.
Published: 01 February 2021
... about the emergence of a bourgeois culture with its work-concept, and for an end , before, that is, the promise of Enlightenment’s freedom turned to the terror of an overly rationalized consciousness. He marked the doubled-up dialectical moment as a great divide between Bach and Beethoven. Even...
Journal Article
New German Critique (2011) 38 (3 (114)): 63–77.
Published: 01 November 2011
... of the social but also to develop techniques for managing crowds. Early crowd psychology, in fact, began in the field of criminology (Scipio Sighele’s and also Gabriel Tarde’s early works on the crowd) by considering the question of indi- vidual responsibility and how crimes should be dealt with when...
Journal Article
New German Critique (2009) 36 (1 (106)): 119–147.
Published: 01 February 2009
... of perceptual standardization and the consequent devaluation of unique aesthetic experience. A comparison of the work of Friedländer, the philosopher-artist, with that of Walter Benjamin, the cultural critic, reveals the limits and the potentials in their attempts to recover and to celebrate the diversity...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
... to continue developing but also revise practices he first engaged in other media. The so-called white-cube exhibition space presents Kluge’s earlier works in terms of remediation and provides him with an opportunity to employ and reconceptualize his approach to montage techniques and reception aesthetics...
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Journal Article
New German Critique (2014) 41 (2 (122)): 47–65.
Published: 01 August 2014
... of Chicago, cinema has always been “cinema and . . cinema and magic, cinema and its cultural reception, cinema and experience, cinema and a lot of other things. Another pair of wedded concepts that Miriam refused to think separately about were modernism and modernity—and it was to preserve...
Journal Article
New German Critique (2015) 42 (1 (124)): 163–188.
Published: 01 February 2015
... like Erich Kästner and Kurt Tucholsky as “the proletarian mimicry of the bourgeoisie in decay [die prole- tarische Mimikry des zerfallenen Bürgertums]”4 and had accused them of counterrevolutionary reformism. Trying at the same time to forge an allegedly authentic proletarian culture...