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Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
...Eric Rentschler Abstract The film essays Verfluchte Liebe deutscher Film (2016) and Offene Wunde deutscher Film (2017), coscripted and codirected by Dominik Graf and Johannes F. Sievert, survey the postwar history of genre cinema in the Federal Republic of Germany and take stock of the present...
Journal Article
New German Critique (2024) 51 (2 (152)): 1–26.
Published: 01 August 2024
...Mary Hennessy This article examines the role of the female film editor in the production of German silent cinema, turning to the depiction of editing in a little-known short comedy from 1926, Wenn die Filmkleberin gebummelt hat ( When the Film Editor Dawdled , dir. O. F. Mauer), also known...
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Journal Article
New German Critique (2024) 51 (3 (153)): 159–191.
Published: 01 November 2024
... Copyright © 2024 by New German Critique, Inc. 2024 57. Derrida, Specters of Marx , 74 . References Abel Marco . The Counter-cinema of the Berlin School . Rochester, NY : Camden House , 2013 . Abel Marco . “ Dissent and Its Discontents: Five Decades of RAF in German Film...
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Journal Article
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
.... Within this reception, the idea has gained currency that Warburg’s strategy of image arrangement in the Mnemosyne atlas bears a significant relationship to the techniques and aesthetics of cinema. Yet little evidence exists that Warburg ever paid much attention to cinema’s formal or technical means...
Journal Article
New German Critique (2024) 51 (1 (151)): 77–107.
Published: 01 February 2024
... attempt to associate film and literature and thereby develop an alternative concept to the European cinéma des auteurs . To this end, the essay discusses not only Andersch’s critical writings but also a number of documents from his estate. Andersch’s film theory is evaluated in light of the contemporary...
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Journal Article
New German Critique (2006) 33 (2 (98)): 101–133.
Published: 01 August 2006
...John E. Davidson New German Critique, Inc. 2006 Cleavage: Sex in the Total Cinema
of the Third Reich
John E. Davidson
Long-standing wisdom holds that the National Socialists were ingenious at
enlisting support for their cause by using...
Journal Article
New German Critique (2007) 34 (3 (102)): 17–44.
Published: 01 November 2007
...Johannes von Moltke New German Critique, Inc. 2007 Sympathy for the Devil: Cinema, History,
and the Politics of Emotion
Johannes von Moltke
Die Psychologie der Bunker ist ein unerforschter...
Journal Article
New German Critique (2011) 38 (2 (113)): 129–157.
Published: 01 August 2011
... globalization, namely, cultural mobility. © 2011 by New German Critique, Inc. 2011 What Is Heideggerian Cinema?
Film, Philosophy, and Cultural Mobility
Martin Woessner
In the late 1960s the American filmmaker Terrence Malick...
Journal Article
New German Critique (2014) 41 (2 (122)): 3–6.
Published: 01 August 2014
...Heide Schlüpmann These short statements were presented in the roundtable discussion held at the September 2012 Columbia University conference dedicated to Miriam Hansen, “Cinema and the Legacies of Critical Theory.” The discussion was moderated by Eric Rentschler; the panelists included Heide...
Journal Article
New German Critique (2014) 41 (2 (122)): 20–28.
Published: 01 August 2014
...Eric Rentschler These short statements were presented in the roundtable discussion held at the September 2012 Columbia University conference dedicated to Miriam Hansen, “Cinema and the Legacies of Critical Theory.” The discussion was moderated by Eric Rentschler; the panelists included Heide...
Journal Article
Between Israel and Germany: Therapeutic Return to the Place of Trauma in Contemporary Israeli Cinema
New German Critique (2014) 41 (3 (123)): 179–197.
Published: 01 November 2014
...Ido Ramati The article explores the phenomenon of return to Germany in contemporary Israeli cinema and argues that this return encodes a therapeutic construct for cultural healing from the traumas of forced migration and the Holocaust. Trauma studies supplies a theoretical framework...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
...Bill Brown Through archaeological, conceptual, and rhetorical insights, Miriam Hansen puts play ( Spiel ) to work in Cinema and Experience . When she engages Walter Benjamin's treatment of film in the “Artwork” essay, she retrieves Spiel from Spielraum , naturalizing a somewhat idiosyncratic...
Journal Article
New German Critique (2014) 41 (2 (122)): 171–188.
Published: 01 August 2014
...Weihong Bao This article revisits Miriam Hansen's theory of vernacular modernism by putting it in dialogue with wartime Chongqing propaganda film theory. Comparing key points of parallel between Hansen's dual interest in the linguistic and sensorial function of cinema and Chongqing propaganda film...
Journal Article
New German Critique (2014) 41 (2 (122)): 189–202.
Published: 01 August 2014
...Sabine Haenni While promiscuity suggests a certain randomness, intellectual promiscuity implies rigor combined with randomness. This article traces Miriam Hansen's understanding of cinema as a promiscuous medium that can be approached only by adapting an intellectual and methodological promiscuity...
Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
...Jaimey Fisher The article considers the 1950s revival of perhaps the best-known and most influential genre of Weimar cinema, namely, what is now termed “horror” (at the time, better known as the Gruselfilm ). The article investigates how there are deliberate, often narratively central citations...
Journal Article
New German Critique (2006) 33 (3 (99)): 151–170.
Published: 01 November 2006
... cinema also fi gures in an essay by the
conservative cultural critic Hermann Duenschmann, who in 1912—just one
year earlier—had demanded: “Whoever has worked for the movies, must be
excluded from the actorsʼ guild.”5 Contrasting theater and fi lm, Duenschmann
criticized cinemaʼs “fateful factor...
Journal Article
New German Critique (2014) 41 (2 (122)): 35–45.
Published: 01 August 2014
...Tom Gunning Relating Sigmund Freud's essay “Mourning and Melancholia” and Walter Benjamin's work on the Trauerspiel as well as his discussion of cinema in “The Work of Art in the Age of Its Technological Reproducibility,” Gunning discusses the idea of testing as part of cinema's relation...
Journal Article
New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
...Daniel Morgan Miriam Hansen's idea of vernacular modernism explains the global appeal of classical Hollywood cinema by drawing on its affinity with modernist aesthetics. She argues that cinema's modernism is part of a widespread mass culture response to the changing features of modern life...
Journal Article
New German Critique (2025) 52 (1 (154)): 107–129.
Published: 01 February 2025
...Olivia Landry Post-Holocaust German cinema is rife with the figure of the Jewish victim and accompanying portrayals of Jewish German and non-Jewish German reconciliation. Instrumental in this tradition, heritage filmmaking of the 1990s manufactured undemanding and sentimental historical tales...
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Journal Article
New German Critique (2018) 45 (2 (134)): 67–98.
Published: 01 August 2018
... represent a unique response to this little-known history of early cinema. Focusing on “Blumfeld, an Elderly Bachelor,” “The Bucket Rider,” and “The Cares of a Family Man,” this article shows how Kafka’s stories draw, reflect, and expand on the possibilities of contemporaneous trick films by introducing...
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