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cinema

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Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
...Eric Rentschler Abstract The film essays Verfluchte Liebe deutscher Film (2016) and Offene Wunde deutscher Film (2017), coscripted and codirected by Dominik Graf and Johannes F. Sievert, survey the postwar history of genre cinema in the Federal Republic of Germany and take stock of the present...
Journal Article
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
.... Within this reception, the idea has gained currency that Warburg’s strategy of image arrangement in the Mnemosyne atlas bears a significant relationship to the techniques and aesthetics of cinema. Yet little evidence exists that Warburg ever paid much attention to cinema’s formal or technical means...
Journal Article
New German Critique (2006) 33 (2 (98)): 101–133.
Published: 01 August 2006
...John E. Davidson New German Critique, Inc. 2006 Cleavage: Sex in the Total Cinema of the Third Reich John E. Davidson Long-standing wisdom holds that the National Socialists were ingenious at enlisting support for their cause by using...
Journal Article
New German Critique (2007) 34 (3 (102)): 17–44.
Published: 01 November 2007
...Johannes von Moltke Sympathy for the Devil: Cinema, History, and the Politics of Emotion Johannes von Moltke Die Psychologie der Bunker ist ein unerforschter Ort unserer Geschichte...
Journal Article
New German Critique (2011) 38 (2 (113)): 129–157.
Published: 01 August 2011
... globalization, namely, cultural mobility. © 2011 by New German Critique, Inc. 2011 What Is Heideggerian Cinema? Film, Philosophy, and Cultural Mobility Martin Woessner In the late 1960s the American filmmaker Terrence Malick...
Journal Article
New German Critique (2014) 41 (2 (122)): 3–6.
Published: 01 August 2014
...Heide Schlüpmann These short statements were presented in the roundtable discussion held at the September 2012 Columbia University conference dedicated to Miriam Hansen, “Cinema and the Legacies of Critical Theory.” The discussion was moderated by Eric Rentschler; the panelists included Heide...
Journal Article
New German Critique (2014) 41 (2 (122)): 20–28.
Published: 01 August 2014
...Eric Rentschler These short statements were presented in the roundtable discussion held at the September 2012 Columbia University conference dedicated to Miriam Hansen, “Cinema and the Legacies of Critical Theory.” The discussion was moderated by Eric Rentschler; the panelists included Heide...
Journal Article
New German Critique (2014) 41 (3 (123)): 179–197.
Published: 01 November 2014
...Ido Ramati The article explores the phenomenon of return to Germany in contemporary Israeli cinema and argues that this return encodes a therapeutic construct for cultural healing from the traumas of forced migration and the Holocaust. Trauma studies supplies a theoretical framework...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
...Bill Brown Through archaeological, conceptual, and rhetorical insights, Miriam Hansen puts play ( Spiel ) to work in Cinema and Experience . When she engages Walter Benjamin's treatment of film in the “Artwork” essay, she retrieves Spiel from Spielraum , naturalizing a somewhat idiosyncratic...
Journal Article
New German Critique (2014) 41 (2 (122)): 171–188.
Published: 01 August 2014
...Weihong Bao This article revisits Miriam Hansen's theory of vernacular modernism by putting it in dialogue with wartime Chongqing propaganda film theory. Comparing key points of parallel between Hansen's dual interest in the linguistic and sensorial function of cinema and Chongqing propaganda film...
Journal Article
New German Critique (2014) 41 (2 (122)): 189–202.
Published: 01 August 2014
...Sabine Haenni While promiscuity suggests a certain randomness, intellectual promiscuity implies rigor combined with randomness. This article traces Miriam Hansen's understanding of cinema as a promiscuous medium that can be approached only by adapting an intellectual and methodological promiscuity...
Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
...Jaimey Fisher The article considers the 1950s revival of perhaps the best-known and most influential genre of Weimar cinema, namely, what is now termed “horror” (at the time, better known as the Gruselfilm ). The article investigates how there are deliberate, often narratively central citations...
Journal Article
New German Critique (2006) 33 (3 (99)): 151–170.
Published: 01 November 2006
... Bassermannʼs “escapade into the nickelodeon”4 or needed to assert that his acting was “art” despite the cinematic medium. The disreputable status of early cinema also fi gures in an essay by the conservative cultural critic Hermann Duenschmann, who in 1912—just one year earlier—had demanded...
Journal Article
New German Critique (2014) 41 (2 (122)): 35–45.
Published: 01 August 2014
...Tom Gunning Relating Sigmund Freud's essay “Mourning and Melancholia” and Walter Benjamin's work on the Trauerspiel as well as his discussion of cinema in “The Work of Art in the Age of Its Technological Reproducibility,” Gunning discusses the idea of testing as part of cinema's relation...
Journal Article
New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
...Daniel Morgan Miriam Hansen's idea of vernacular modernism explains the global appeal of classical Hollywood cinema by drawing on its affinity with modernist aesthetics. She argues that cinema's modernism is part of a widespread mass culture response to the changing features of modern life...
Journal Article
New German Critique (2018) 45 (2 (134)): 67–98.
Published: 01 August 2018
... represent a unique response to this little-known history of early cinema. Focusing on “Blumfeld, an Elderly Bachelor,” “The Bucket Rider,” and “The Cares of a Family Man,” this article shows how Kafka’s stories draw, reflect, and expand on the possibilities of contemporaneous trick films by introducing...
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Journal Article
New German Critique (2020) 47 (3 (141)): 21–31.
Published: 01 November 2020
...Fatima Naqvi Abstract Film criticism helped constitute what is now called New Austrian Cinema. This article looks at “short form” criticism in edited volumes and emerging journals that worked to establish this cinema’s coherence and prestige. The virtuous cycle inaugurated in the 1990s—when critics...
Journal Article
New German Critique (2015) 42 (2 (125)): 81–95.
Published: 01 August 2015
... own aesthetic requirements and demands, a way to reflect on the nature of cinema, and, most challenging of all, a form of temporal experience characterized by a sense of things passing. Drawing on these functions, the article traces connections between photography and cinema to shift our understanding...
Journal Article
New German Critique (2019) 46 (3 (138)): 181–205.
Published: 01 November 2019
...Laura A. Frahm Abstract This article sheds light on Dominik Graf’s long-standing and often-overlooked engagement with the essay film since the mid-1990s. The article contends that his urban essays, his cinema and television essays, and his commemorative essays are driven by a reconstructive impetus...
Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
... the cinema of the Berlin School. Amalgamating various German and international influences, from Christoph Schlingensief, Alexander Kluge, and Rainer Werner Fassbinder (Linz) to Roberto Rossellini, Pier Paolo Pasolini, and the classical avant-gardes of the 1920s (Radlmaier), their student shorts and feature...
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