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cavell

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Journal Article
New German Critique (2009) 36 (3 (108)): 73–83.
Published: 01 November 2009
.... Adorno's more than skeptical position toward film relies on notions of self-reflexivity usually on reserve for high art. When Stanley Cavell situates film as a reflective form of skepticism that binds camera, spectator, and image together, it comes neatly to this position. Adorno at this point does...
Journal Article
New German Critique (2021) 48 (2 (143)): 107–123.
Published: 01 August 2021
... Cavell—whose absence from the world my few words here are meant to mark—provides an excursus on modernist painting. In a form not anticipated elsewhere in his thought, Cavell locates modernism’s quest in a manner that explicitly and emphatically joins the idea of beauty with an idea of nature. Following...
Journal Article
New German Critique (2013) 40 (1 (118)): 149–174.
Published: 01 February 2013
... to Literature, ed. Rolf Tiedemann, trans. Shierry Weber Nicholsen, 2 vols. (New York: Columbia University Press, 1991–92), 1:20. 152  Precautions against Fan(atic)s of fandom and philosophy becomes paramount. Arthur C. Danto outs another American philosopher as a fan: Cavell’s sensibility...
Journal Article
New German Critique (2011) 38 (2 (113)): 129–157.
Published: 01 August 2011
... was well on his way to becoming a professional philosopher. He had excelled as an under- graduate at Harvard University, working with Stanley Cavell, perhaps one of the most important American thinkers of recent memory.1 Under Cavell’s guidance, Malick produced an impressive thesis on the work...
Journal Article
New German Critique (2021) 48 (3 (144)): 141–163.
Published: 01 November 2021
...Corina Stan The manual is premised on an appeal to the basic facts of grammar that German speakers agree on. “Appealing to criteria,” writes Stanley Cavell in The Claim of Reason , “is an appeal we make when the attunement is threatened or lost . . . when we ‘don’t know our way...
Journal Article
New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
... paradox points to a much deeper problem of modern art that Stanley Cavell has elegantly described as the threat of fraudulence. On this view, Immanuel Kant’s aesthetics marks a historical turning point after which the success of an artwork cannot be evaluated by the standards or rules of a genre...
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
... to the South Africans, who officially took over administration in 1920 (218). 32. Georgaki, “Ulrich Seidl’s Safari ,” n.p . 33. Cavell, Cavell on Film , 124 . 34. Benjamin, “Little History of Photography,” 520, 523 . 35. Lillge, “Von Jägern und Sammlern,” 237 . 36...
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Journal Article
New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
... examples of vernacular mod- ernism. Clearly, a range of factors motivates her interest in these films: the negotiation of an urban modernity in a non-Western context; charged political 11. This is connected to a line of modernist interpretation; see Stanley Cavell, “Aesthetic Prob- lems...
Journal Article
New German Critique (2006) 33 (1 (97)): 137–158.
Published: 01 February 2006
... realm of appearances.45 Once the question of language is posed as intrinsic 42. Theodor W. Adorno, “Words from Abroad,” in Notes to Literature, 1:189. Hereafter cited as “Words.” 43. Stanley Cavell calls this “inheritance” (This New Yet Unapproachable America: Essays after Emerson after...
Journal Article
New German Critique (2018) 45 (2 (134)): 1–32.
Published: 01 August 2018
... , edited by Hof Holger . Stuttgart : Klett-Cotta . Brooks Peter . 1984 . Reading for the Plot: Design and Intention in Narrative . New York : Vintage . Canguilhem Georges . 1968 . Études d’histoire et de philosophie des sciences . Paris : Vrin . Cavell Stanley...
Journal Article
New German Critique (2021) 48 (1 (142)): 1–39.
Published: 01 February 2021
... by Hofstätter Antonia . In Theodor W. Adorno: Ästhetische Theorie , edited by Eusterschulte Anne and Tränkle Sebastian . Berlin : de Gruyter , forthcoming. Goehr Lydia . “ What Anyway Is a ‘Music Discomposed?’: Reading Cavell through the Dark Glasses of Adorno .” In Virtual Works...
Journal Article
New German Critique (2021) 48 (3 (144)): 99–139.
Published: 01 November 2021
...: Essays after Kant, Wittgenstein, and Cavell , edited by Conant James and Kern Andrea , 311 – 61 . Boston : de Gruyter , 2014 . Améry Jean . At the Mind’s Limits: Contemplations by a Survivor on Auschwitz and Its Realities , translated by Rosenfeld Sidney...
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