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Image
Published: 01 February 2020
Figure 1. View of the exhibition The Boat Is Leaking. The Captain Lied . Fondazione Prada, Venice, May 13, 2017–November 26, 2017. Photograph: Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada. Anna Viebrock, Untitled , 2017. Thomas Demand, Folders , 2017.
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Image
Published: 01 February 2020
Figure 2. View of the exhibition The Boat Is Leaking. The Captain Lied . Fondazione Prada, Venice, May 13, 2017–November 26, 2017. Photograph: Attilio Maranzano. Courtesy Fondazione Prada. Anna Viebrock, Media System Shelf , 2017. Alexander Kluge, Stummfilm mit zwei O-Tonteilen ( Silent Film
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Image
Published: 01 February 2020
Figure 3. View of the exhibition The Boat Is Leaking. The Captain Lied . Fondazione Prada, Venice, May 13, 2017–November 26, 2017. Photograph: Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada. Anna Viebrock, Display Window Passage , 2017. Anna Viebrock, Circus Pedestal
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Image
Published: 01 February 2020
Figure 4. View of the exhibition The Boat Is Leaking. The Captain Lied . Fondazione Prada, Venice, May 13, 2017–November 26, 2017. Photograph: Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada. Anna Viebrock, Courtroom , 2017. Alexander Kluge, Audiopassages , 2017. Thomas
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Image
Published: 01 February 2020
Figure 5. View of the exhibition The Boat Is Leaking. The Captain Lied . Fondazione Prada, Venice, May 13, 2017–November 26, 2017. Photograph: Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada. Alexander Kluge, Die sanfte Schminke des Lichts ( The Soft Makeup of Lighting
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Image
Published: 01 February 2020
Figure 6. View of the exhibition The Boat Is Leaking. The Captain Lied . Fondazione Prada, Venice, May 13, 2017–November 26, 2017. Photograph: Attilio Maranzano. Courtesy Fondazione Prada. Anna Viebrock, Cinema , 2007. Alexander Kluge, three films projected in a loop: Abschied von Gestern
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Journal Article
Ahab's Charisma: Captains, Kings, and Prophets
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New German Critique (2011) 38 (3 (114)): 51–62.
Published: 01 November 2011
...Niels Werber The charisma of Ahab, captain of Herman Melville's famous whale-hunting vessel Pequod , is a well-established topic of inquiry in various disciplines. His charismatic leadership has been described with the help of Max Weber's Wirtschaft und Gesellschaft , deciphered as anticipating...
Journal Article
Alexander Kluge’s Installations
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New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
...Figure 1. View of the exhibition The Boat Is Leaking. The Captain Lied . Fondazione Prada, Venice, May 13, 2017–November 26, 2017. Photograph: Delfino Sisto Legnani and Marco Cappelletti. Courtesy Fondazione Prada. Anna Viebrock, Untitled , 2017. Thomas Demand, Folders , 2017. ...
FIGURES
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Journal Article
Televising Tainted History: Recent TV Docudrama ( Dresden, March of Millions, Die Gustloff ) and the Charge of Revisionism
Available to Purchase
New German Critique (2011) 38 (1 (112)): 65–84.
Published: 01 February 2011
... and culminates in the “revisionist cinema” of Die Gustloff, ostensibly
exonerates ordinary Germans of war guilt as it attributes blame for Nazi crimes
exclusively to the military: “Ordinary Germans were not Nazis, is the asser-
tive message of all three films” (“Good Captain,” 84, 95).
The return...
Journal Article
Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s
Available to Purchase
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
....
The fi lm’s asymmetrical gender construction, where psychological
probability is not a main concern, is refl ected in an imbalance in the narra-
tive structure, which focuses on guilt-ridden Hans. The catalyst for his crisis
is his failure to deliver a letter from a Captain Brückner, in whose company...
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Journal Article
Reading Kafka, Writing Vita : The Trials of the Kafka Scholar Eduard Goldstücker
Available to Purchase
New German Critique (2015) 42 (1 (124)): 129–161.
Published: 01 February 2015
..., 1955, Goldstücker gives what may be his first account of his
arrest and investigation:
On the day of my arrest I was brought to an office, where four agents were
present: a captain whose name I don’t know (gray, smooth, talked with a
lisp), a second lieutenant (from Ostrava...
Journal Article
Weber’s “Strange Intoxication”
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New German Critique (2024) 51 (2 (152)): 105–133.
Published: 01 August 2024
... intoxication” and of the total absorption of the ship’s captain or the arbitrager, it is not surprising that Weber is drawn—with ambivalence—to the figure of the compulsive gambler. Notice here both the intensity of Weber’s interest in the scene (an interest that overflows from one postcard onto several...
Journal Article
Billy Wilder's Cold War Berlin
Available to Purchase
New German Critique (2010) 37 (2 (110)): 31–47.
Published: 01 August 2010
... in 1946
to investigate the morale and the morals of the GIs stationed there. On her
arrival Frost delivers a birthday cake to Iowa resident Captain John Pringle
(John Lund) from his girlfriend, Dusty. The captain is involved in the black
market and is also having an affair with an ex-Nazi...
Journal Article
Germans to the Final Frontier: Science Fiction, Popular Culture, and the Military in 1960s Germany—the Case of Raumpatrouille
Available to Purchase
New German Critique (2007) 34 (2 (101)): 157–185.
Published: 01 August 2007
...-
manding the ship and its crew at first to give their position and then, when they
do not respond, to return to Earth immediately. Finally answering the calls, the
captain of the ORION, Commander McLane, announces that he will shortly
Bundeswehr—Continuity and Change,” in The Bundeswehr...
View articletitled, Germans to the Final Frontier: Science Fiction, Popular Culture, and the Military in 1960s Germany—the Case of Raumpatrouille
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for article titled, Germans to the Final Frontier: Science Fiction, Popular Culture, and the Military in 1960s Germany—the Case of Raumpatrouille
Journal Article
What Is Heideggerian Cinema? Film, Philosophy, and Cultural Mobility
Available to Purchase
New German Critique (2011) 38 (2 (113)): 129–157.
Published: 01 August 2011
... in The New World,
Malick’s retelling of the story of Captain Smith (Colin Farrell) and Pocahontas
(Q’orianka Kilcher). The fact that he began working on the script for this film
soon after making Days of Heaven suggests that, like its predecessor, it is a
story of how America has come into being...
Journal Article
Media of Conspiracy: Love and Surveillance in Fritz Lang and Florian Henckel von Donnersmarck
Available to Purchase
New German Critique (2008) 35 (1 (103)): 127–144.
Published: 01 February 2008
... though Dreyman seems entirely loyal to the political sys-
tem and Sieland is naively uninterested in politics, the German secret police,
the famous Stasi, begins to spy on the couple by bugging their apartment, an
operation led by Stasi captain Gerd Wiesler (Ulrich Mühe, himself from the
GDR...
Journal Article
Facial Narratives: The Physiognomics of Charisma, 1900–1945
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New German Critique (2011) 38 (3 (114)): 115–132.
Published: 01 November 2011
... embodiment of his charisma profile, a man who rose
from social obscurity, albeit less as a war hero than as a prophetic demagogue:
Adolf Hitler. The historian Karl Alexander von Müller noticed Hitler’s rhetori-
cal prowess at Munich University in November 1919, and Captain Karl Mayr
used that talent...
Journal Article
A Supernatural History of Destruction; or, Thomas Pynchon's Berlin
Available to Purchase
New German Critique (2010) 37 (2 (110)): 49–72.
Published: 01 August 2010
...).
The “pasteboard images” and “pasteboard model” used to describe the
city allude to an episode from another encyclopedic American novel, Moby-
Dick, an appropriate parallel that recounts the self-destructive behavior of a
monomaniacal captain who takes his crew on a journey around the globe in
search of one...
Journal Article
The Place of Rubble in the Trümmerfilm
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New German Critique (2010) 37 (2 (110)): 9–30.
Published: 01 August 2010
..., Captain
Brückner, is thriving as a prosperous factory owner, Hans reacts with rage and
despair. The specter of the past, in the form of traumatic memories and the
presence of a murderer, debilitates him and prevents him from finding happi-
ness with Susanne. Only her last-minute intervention...
Journal Article
Hermann Hesse's Colonial Uncanny: Robert Aghion , 1913
Available to Purchase
New German Critique (2014) 41 (3 (123)): 199–218.
Published: 01 November 2014
..., they experience not only the horror of
38. Franz Kafka, Drucke zu Lebzeiten, ed. Wolf Kittler, Hans-Gerd Koch, and Gerhard Neu-
mann (Frankfurt am Main: Fischer, 1994), 204.
39. The term “uncanny white man” (der unheimliche Weisse) stems from Captain Maximilian
Bayer’s popular account...
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