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boy
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Journal Article
New German Critique (2014) 41 (3 (123)): 113–134.
Published: 01 November 2014
... violent dissolution. Second, it juxtaposes Spielzeugland with the British film The Boy in the Striped Pajamas (2008), which stages a situation in which the “wrong” person, that is, a non-Jew, is sent to death in the gas chamber. By evoking and then rewriting the narrative of the “wrong” victim...
Image
in Resonating Trauma: Framing Conflicting Memories of the Entebbe Hostage Crisis
> New German Critique
Published: 01 August 2019
Figure 2. Photograph from the Stroop-Report showing soldiers, a group of people, and a boy raising his hands. BArch, Bild 183-41636-0002.
More
Journal Article
New German Critique (2014) 41 (2 (122)): 83–95.
Published: 01 August 2014
... in the late
1930s, before they become the teenage East Side Kids or the grown Bowery
Boys in films that continue through the 1950s. I focus on Angels with Dirty
Faces (dir. Michael Curtiz, 1938), Crime School (dir. Lewis Seiler, 1938), and
Angels Wash Their Faces (dir. Ray Enright, 1939...
Journal Article
New German Critique (2012) 39 (1 (115)): 113–137.
Published: 01 February 2012
... back; there was
nothing I could do to change that, and the desire not to love almost drove me
crazy).25 And when a boy displays affections for her, as in the case of the overly
demonstrative Axel Vollauf, whom her parents and siblings call scathingly
“Tellerauge” (plate eyes)—he literally...
Journal Article
New German Critique (2022) 49 (2 (146)): 107–132.
Published: 01 August 2022
...: “That [the child] for once got birched [ Prätsche erhielt ], pleased the boy, because he was flattered by the indescribably fleeting thought that one ascribed something like importance to him” ( MG , 5:230). As Walser scholars have repeatedly remarked, these children do not really sound like children—more like...
Journal Article
New German Critique (2022) 49 (3 (147)): 113–133.
Published: 01 November 2022
... bloc. 41. Marin, “On Reading Pictures,” 5 . 42. Bois and Krauss, Formless , 146. 43. Bataille, “Formless,” 31. 44. AoR , 2:14, 15. Translation modified according to the German original. 45. AoR , 2:11, 15. See also 19–21. 46. AoR , 2:23, 18. Translation...
FIGURES
Journal Article
New German Critique (2013) 40 (2 (119)): 113–136.
Published: 01 August 2013
....
Bernstein’s Mahler was a figure defined by the stress between polarities.
It might be termed as a cross between the “suffering servant,” who prophe-
sized doom and suffered like no other, and the “little drummer boy,” the ulti-
mate outsider in search of transcendence of his disadvantaged origins.3 In his...
Journal Article
New German Critique (2009) 36 (1 (106)): 61–81.
Published: 01 February 2009
... and women, children and adults, boys and girls”—that is, not
representatives of mankind—but beings “brought down to the lowest common denominator of
organic life itself, plunged into the darkest and deepest abyss of primal equality, like cattle, like
matter, like things that had neither body nor soul...
Journal Article
New German Critique (2006) 33 (1 (97)): 159–178.
Published: 01 February 2006
... to be suppressed. These suppressed incestuous desires, Freud argues,
express themselves in the transference of wishes onto animals. He mentions
two cases to illustrate this.29 First, in his “Analysis of a Phobia in a Five-Year-
Old Boy” (1909), Freud examines a boy who has a phobia of horses and fears
more...
Journal Article
New German Critique (2019) 46 (1 (136)): 127–166.
Published: 01 February 2019
... of their desires. It is a central figure in the drama of their love. Other stories in the magazine describe the suicides of gay men caused by unrequited love, while one from the 1903 volume narrates a boy’s romance with a vampire. His dying wish is to be buried with his undead lover. 61 A poem about...
FIGURES
Journal Article
New German Critique (2008) 35 (1 (103)): 145–164.
Published: 01 February 2008
... character. As
Hunter warned a Senate subcommittee in March 1959, “A man who has been
deprived of convictions and standards . . . will accept a quack faith. . . . That
is how we in America are falling into a trap, and the way in which we soft-
ened up our boys for brainwashing before they went...
Journal Article
New German Critique (2020) 47 (1 (139)): 141–172.
Published: 01 February 2020
... to the library’s European films collection. 22 Hitlerjunge Quex shows the conversion of a twelve-year-old boy, Heini Völker, into a Hitler Youth member and, in the terms of Eric Rentschler’s classic study of Nazi cinema, into a “political medium.” 23 The film is loosely based on the 1932 murder of Herbert...
FIGURES
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Journal Article
New German Critique (2022) 49 (3 (147)): 43–63.
Published: 01 November 2022
... von Ossietzky-Palm, and Karin Boye. 19 A recollection in the first volume of the narrator’s childhood visit to two museums, beginning with the Naturkundemuseum in Berlin, offers another engagement with the problem of solidarity. The narration brings the reader up the Chausseestraße, past...
Journal Article
New German Critique (2014) 41 (3 (123)): 95–112.
Published: 01 November 2014
...-as-entertainment pro-
gramming presented by public television channels, on our diminishing aver-
sion toward images of the incommensurable—as when the filmThe Boy in the
Striped Pajamas (2008) brings the viewer with it into the gas chamber4—and
on the use of the Holocaust as a motif or a diversion...
Journal Article
New German Critique (2017) 44 (2 (131)): 163–200.
Published: 01 August 2017
...” the chapters “Arabs,” “Muhammad,” “Caliphs,” and
“Mahmud of Ghazna,” and in the Diwan the “Book of Hafiz” and its poem, “Fetwa” (all in Bidney,
West-East Divan).
182 Protestant Islam in Weimar Germany
wine, women, and song, and the celebration of man-boy love are the main
themes of the West...
Journal Article
New German Critique (2022) 49 (3 (147)): 1–20.
Published: 01 November 2022
... with Weiss’s contemporary moment. Taking his cue from Georges Bataille’s radical, antihumanist materialism (Yve-Alain Bois) to critique Jameson’s dialectical approach to Weiss’s novel, Langston argues that this search within the narrative wavers between form and formless , between constituting rigid...
Journal Article
New German Critique (2019) 46 (3 (138)): 79–101.
Published: 01 November 2019
... of a place visible. 14 To be sure, drifting through life without motive and ambition is not necessarily a form of resistance. Niko, the protagonist of Jan Ole Gerster’s Oh Boy (2012), for instance, traverses Berlin in an attempt to find himself and figure out what to do with his life after he...
FIGURES
Journal Article
New German Critique (2014) 41 (3 (123)): 199–218.
Published: 01 November 2014
... already fractured perspective is completely gone. We discover
32. Weber correctly notes that this story is, for Freud, told by children of both sexes (from the
boy’s point of view) (ibid., 5). But only the male child experiences the story’s full anxiogenic threat
to identity.
33...
Journal Article
New German Critique (2011) 38 (3 (114)): 79–93.
Published: 01 November 2011
... poverty. Neither the family nor insti-
tutions such as school or a religious community have any noticeable impact on
the boy, nor do readings or theater visits shape the future leader. The social
interactions in his infancy and youth are incidental and inconsequential. In
his youth, the interplay...
Journal Article
New German Critique (2019) 46 (2 (137)): 91–116.
Published: 01 August 2019
...Figure 2. Photograph from the Stroop-Report showing soldiers, a group of people, and a boy raising his hands. BArch, Bild 183-41636-0002. ...
FIGURES
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