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Journal Article
New German Critique (2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
...An Paenhuysen In the fall of 1928 the Weimar photographer Sasha Stone published his photobook Berlin in Bildern ( Berlin in Pictures ). The opening image of the smokestacks of the Klingenberg power station was a clear statement in favor of the modern city. As a photographer of the New Vision...
Journal Article
New German Critique (2019) 46 (3 (138)): 125–155.
Published: 01 November 2019
... film giving pictures the proper pneuma, making them “breathe” by finding their ideal duration. In reflecting on his own modus operandi, he states: “Das ist . . . die große Kunst: den Bildern den richtigen Atem zu geben” (This is . . . true art: giving images the right breath). The breathing rhythm...
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Journal Article
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
... Warburg’s methods, though the lighting and mise-en-scène are quite good. 51 I would also question the current thesis that what has been called Warburg’s “thinking in images” ( Denken in Bildern )—his method of explicating images by setting them into relationship with other images, in a manner more...
Journal Article
New German Critique (2017) 44 (1 (130)): 57–73.
Published: 01 February 2017
... Milliardenschatz—wohin mit Gurlitts Bildern?” November 24 . daserste.ndr.de/guentherjauch/rueckblick/gurlittkunstschatz101.html . Fleckner Uwe , ed. 2007 . Angriff auf die Avantgarde: Kunst und Kunstpolitik im Nationalsozialismus . Berlin : Akademie . Frankfurter Allgemeine Zeitung . 2009...
Journal Article
New German Critique (2014) 41 (3 (123)): 135–157.
Published: 01 November 2014
.... 8. See Dirk Rupnow, “Die Spuren nationalsozialistischer Gedächtnispolitik und unser Umgang mit den Bildern der Täter: Ein Beitrag zu Yael Hersonskis A Film Unfinished/Geheimsache Ghet­ tofilm,” October 2010, www.zeitgeschichte-online.de/film/die-spuren-nationalsozialistische­r...
Journal Article
New German Critique (2019) 46 (2 (137)): 35–63.
Published: 01 August 2019
... in auserlesenen Bildern ( The German South-East in Selected Pictures ), covering Austria, Bohemia, Moravia, Transylvania, and other German linguistic enclaves. 87 This meant that Die Schöne Heimat’ s eleventh, twelfth, and thirteenth editions (1938, 1940, and 1941) were largely unchanged, although...
Journal Article
New German Critique (2024) 51 (1 (151)): 109–142.
Published: 01 February 2024
.... Batchen, “Vernacular Photographies” ; Cutshaw and Barrett, “In the Vernacular.” 9. For recent studies of German Jewish history through the lens of vernacular and professional photography, see Silverman, “Reconsidering the Margins” ; Pilarczyk, Gemeinschaft in Bildern ; Auslander, “Reading...
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Journal Article
New German Critique (2007) 34 (3 (102)): 61–74.
Published: 01 November 2007
... on the Possibility of Really Putting History onto Film,” American Historical Review 93 (1988): 1173–85; “Geschichte in Bildern/Geschichte in Worten: Über die Möglichkeit, Geschichte zu ver- fi lmen,” in Bilder schreiben Geschichte: Der Historiker im Kino, ed. Rainer Rother (Berlin: Wagen- bach, 1991), 65–83. 8...
Journal Article
New German Critique (2019) 46 (2 (137)): 151–170.
Published: 01 August 2019
..., Souveränität und Subversion , 49 (im Bild des Inkohärenten, des Absurden oder Grotesken; es drückt sich aus in einer Abfolge von zugleich schreckenerregenden und ekstatisierenden Bildern, die beharrlich offenbaren, wovor der vernünftige Mensch seine Augen verschließt). 44. See Brucher...
Journal Article
New German Critique (2008) 35 (2 (104)): 171–189.
Published: 01 August 2008
... of the word, Schreber considers the images he produces to be real and physical things with real and physical effects: “Das ‘Zeichnen’ [hat] . . . für mich . . . eine . . . wesentliche Bedeutung. Das Sehen von Bildern wirkt . . . reinigend auf die Strahlen, sie gehen dann ohne die ihnen sonst...
Journal Article
New German Critique (2015) 42 (1 (124)): 23–44.
Published: 01 February 2015
... recollections from that period, quoted in Éva Fekete and Éva Karádi, eds., Georg Lukács: Sein Leben in Bildern, Selbstzeugnissen und Dokumenten (Budapest: Corvina Kiadó, 1981), 30. Konstantinos Kavoulakos  27 means of artistic notification, that is, the mediating...
Journal Article
New German Critique (2011) 38 (1 (112)): 39–63.
Published: 01 February 2011
... “Weiterlebende im Post-Faschismus” is more appropriate (“Schrei und Körper—Zum Ver- hältnis von Bildern und Schrift: Ein Gespräch über Das Judasschaf,” in Laokoon und kein Ende: Der Wettstreit der Künste, ed. Thomas Koebner [Munich: text + kritik, 1989], 130). Teresa Ludden argues convincingly...
Journal Article
New German Critique (2018) 45 (1 (133)): 111–154.
Published: 01 February 2018
... presentation of literary history of the sort that he provides in Mimesis. To illustrate his theory of the typological series, Auerbach provides examples of “Figurenserien” (series of gures) or “Reihen von typologischen Bildern” (series of typological images),74 referring to early Christian sarcoph...
Journal Article
New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
... . Frecot Janos . “ Die Schönheit : Mit Bildern geschmückte Zeitschrift für Kunst und Leben .” Fotogeschichte , no. 15 ( 1995 ): 37 – 46 . Gay Peter . Weimar Culture: The Outsider as Insider . Westport, CT : Greenwood , 1968 . Glaeser Ernst , and Mörchen Helmut . Fazit...
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Journal Article
New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
.... In a distinctly self-laudatory tone, Worringer argues that the modern art critic and the books he writes will effectively assume the role previously per- formed by artists and artworks. Was suchen wir noch die schöpferische Sinnlichkeit unserer Zeit in den Mal- bildern, wo sie in unseren...
Journal Article
New German Critique (2018) 45 (3 (135)): 39–72.
Published: 01 November 2018
... sensuality” pursued “not primal things [ Ur-sachen ]” but “primal images [ Ur-Bildern ]” ( Der Geist als Widersacher der Seele , 89). For a discussion of Benjamin’s relationship to Goethe, see Charles, “Faust on Film.” 59. “In the hysteric, self-affirmation is maintained through a protective...