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Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... Bauhaus-Dessau; portions
quoted in Olaf Thormann and Katrin Heise, “Bauhaus—Kandem,” in Bauhausleuchten? Kandemlicht!
Die Zusammenarbeit des Bauhauses mit der Leipziger Firma Kandem, ed. Justus Binroth [Leipzig:
Grassi Museum, Museum für Kunsthandwerk Leipzig, 2002], 181). See also excerpts from...
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
...Kathleen James-Chakraborty The collapse of communism and the reunification of Germany have dramatically altered our understanding of the Bauhaus's legacy. New institutions in the former East now compete with each other and with the Bauhaus Archive in Berlin as the official successors...
Journal Article
New German Critique (2020) 47 (1 (139)): 81–103.
Published: 01 February 2020
...” of the Metropolis: “Traffic Circles” ), to an exhibition in Stuttgart, Fifty Years after Fifty Years of the Bauhaus, 1968 , an exhibition that understood itself as providing a “critical rereading” of the original Bauhaus exhibition. 7 Kluge’s larger relationship to the historical avant-garde is well known...
FIGURES
Journal Article
New German Critique (2009) 36 (2 (107)): 1–4.
Published: 01 August 2009
....
No discussion of photomontage in the 1920s can ignore the work done at
the Bauhaus under the directorship of László Moholy-Nagy. Elizabeth Otto,
curator of a cutting-edge show of the little-known work by Marianne Brandt
titled Tempo, Tempo! (Bauhaus-Archiv Berlin, Busch Reisinger Museum at
Harvard...
Journal Article
New German Critique (2022) 49 (2 (146)): 77–106.
Published: 01 August 2022
... of the debate about functionalism, rooted in Bauhaus debates of the 1920s. 43 The construction of the third Gewandhaus was based firmly in this tradition so that during the Gewandhaus planning period and after, music and architecture (and the fine arts, for that matter) took on such sociopolitical...
FIGURES
Journal Article
New German Critique (2024) 51 (1 (151)): 33–76.
Published: 01 February 2024
... movie screens ( Filmleinwand ), and phantasmagoric scrims ( Schirm ) waged battle over material and symbolic supremacy. No one grasped the potentials and limitations of the first screen age more acutely than the avant-garde polymath and Bauhaus master László Moholy-Nagy. Although never recognized...
FIGURES
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Journal Article
New German Critique (2011) 38 (3 (114)): np.
Published: 01 November 2011
... 2011 Contributors
friedrich balke teaches theory and history of culture and media in the
Department of Media at the Bauhaus-University Weimar .
eva horn teaches German literature in the Department of German Lan-
guages and Literature at the University of Vienna .
c. stephen...
Journal Article
New German Critique (2009) 36 (2 (107)): ii.
Published: 01 August 2009
... Experiments
in the Bauhaus Photomontages of László Moholy-Nagy
and Marianne Brandt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Elizabeth Otto
Back in the USSR: John Heartfi eld, Gustavs Klucis,
and the Medium of Soviet Propaganda...
Journal Article
New German Critique (2012) 39 (2 (116)): 1–9.
Published: 01 August 2012
... planners, for instance, battled over whether
Prussian classicism and its revival at the turn of the nineteenth into the twen-
tieth centuries or the Bauhaus-inflected new building of the 1920s provided
the more appropriate precedent for the rebuilding of central Berlin. This was
much more than...
Journal Article
New German Critique (2017) 44 (1 (130)): 9–33.
Published: 01 February 2017
... Eröffnung der Ausstellung ‘Entartete Kunst,’ München, 19.7.1937,”
in Schuster, Die “Kunststadt” München 1937, 217–18, esp. 217.
46. See Schäfer, Das gespaltene Bewusstsein.
47. See, exemplarily, Nerdinger, Bauhaus-Moderne im Nationalsozialismus.
48. Information from Zuschlag, “Entartete Kunst...
Journal Article
New German Critique (2009) 36 (3 (108)): 1–38.
Published: 01 November 2009
...-
ner, in 1918. He and Schmitthenner immediately started an extensive reform of
the study program that was continuously modifi ed during the following decade.
As the fi rst German institute of technology, predating even the Bauhaus, Stutt-
gart left the path of the traditional “style school...
Journal Article
New German Critique (2017) 44 (1 (130)): 35–55.
Published: 01 February 2017
... in a Bauhaus style to correspond with the museum’s new interior
design—quite in the spirit of the emerging idea of corporate identity (figs. 3–4).
With the new design and orientation, the Zwickau museum was very
modern, and Gurlitt had managed to connect a provincial museum to the
museum reform...
Journal Article
New German Critique (2007) 34 (1 (100)): 189–207.
Published: 01 February 2007
... blaue
Reiter; the Berlin of Brecht, Döblin, and the Bauhaus; Tretyakov’s Moscow;
the Paris of cubism and surrealism; Dos Passos’s Manhattan. This is the
standard continental European list with its few Anglo outposts, but it ignores
the modernism of Shanghai or São Paulo in the 1920s, Borges’s...
Journal Article
New German Critique (2017) 44 (1 (130)): 169–203.
Published: 01 February 2017
... socialist realism, nor
was it a homogeneous, crude, and provincial variant of the latter, as it is too
often represented.6 The legacy of the German avant-garde—from expression-
ism and new objectivity to Dada and the Bauhaus, as well as the international
influences of cubism, surrealism...
Journal Article
New German Critique (2020) 47 (1 (139)): 9–24.
Published: 01 February 2020
... requires project spurts such as Protestantism, the development of literacy, industrialization, the emergence of informatics and digitality—the great spurts in education to which we owe universities, the encyclopedia, the Bauhaus, and modernity. Kant developed Enlightenment itself, as the “emergence...
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Journal Article
New German Critique (2018) 45 (3 (135)): 1–38.
Published: 01 November 2018
... . Maciuika John V. 2005 . “ Werkbundpolitik and Weltpolitik: The German State’s Interest in Global Commerce and ‘Good Design,’ 1912–1914 .” German Politics and Society 23 , no. 1 : 102 – 27 . Maciuika John V. 2006 . “ Wilhelmine Precedents for the Bauhaus: Hermann Muthesius...
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
... on the Bauhaus-inspired font Futura, developed in 1927 by Paul
Renner, and other modern sans serif fonts. It presented a calm and regular geometric style, in contrast
to the screaming scripts employed by the Nazi propaganda magazine Illustrierter Beobachter, or the
traditional Fraktur and Blackletter...
Journal Article
New German Critique (2012) 39 (2 (116)): 25–45.
Published: 01 August 2012
... Wegsehen: Fotografie im NS-Staat
(Hamburg: Philo Fine Arts, 2003), 75–89.
36. This point is made by Herbert Molderings, “Urbanism and Technological Utopianism:
Thoughts on the Photography of Neue Sachlichkeit and the Bauhaus,” in Germany: The New Pho-
tography, 1927–1933, ed. David Mellor...
Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... the radio by the way it
sits on the windowsill, playing for a mass assembly. Technology as organizer
of mass activity such as listening was understood through this photograph’s
various reinterpretations, by such Bauhaus artists as Paul Klee and Wassily
Kandinsky, as a symptom of the fragmentation...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
...—in particular, the so-called “expanded cinema”—were cinematographic installations that had their roots in experimental film. 8 They drew on earlier experiments with film and photography by the European avant-garde, including such groups as the constructivists, the Bauhaus, the Dadaists, and the surrealists...
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