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Journal Article
New German Critique (2021) 48 (2 (143)): 125–146.
Published: 01 August 2021
... for his retreat into socially indifferent aestheticism. But his actual view was that art can remain art only if it is responsive to human suffering. For Adorno, it is only by virtue of its relative autonomy that art can address social suffering and sustain a critical posture toward the world. Copyright...
Journal Article
New German Critique (2020) 47 (2 (140)): 107–138.
Published: 01 August 2020
... Rosa’s critique of social acceleration and argues that this critique lacks a firm normative basis. This basis is required, however, for one to claim why certain processes of social acceleration are wrong. It is shown that Rosa’s analyses of acceleration contain two suggestions for such a basis: autonomy...
Journal Article
New German Critique (2013) 40 (1 (118)): 175–198.
Published: 01 February 2013
... and prejudices and of misreading the autonomy of literature as an end in itself. Foster establishes this position by looking at Stanley Corngold's essay “Adorno's ‘Notes on Kafka,’” particularly Adorno's account of Kafka's “gnosticism.” Foster then draws on Adorno's recently published lectures on aesthetics...
Journal Article
New German Critique (2020) 47 (2 (140)): 217–246.
Published: 01 August 2020
... but also ensures that it may take no action on behalf of the suffering that it expresses. This analysis is then used to consider the possible status of the angel in the moment of contemporaneity, as art embraces sociality and faces a weakened autonomy. Copyright © 2020 by New German Critique, Inc. 2020...
Journal Article
New German Critique (2023) 50 (2 (149)): 9–35.
Published: 01 August 2023
... as a differential of protagonists’ possible forms of agency and autonomy in a world defined by passivity and heteronomy. The political subtext of Lukács’s early theory of the tragic pursues a double agenda of historical symptomatics (defining tragedy as the genre of a class achieving consciousness of its own...
Journal Article
New German Critique (2008) 35 (2 (104)): 71–102.
Published: 01 August 2008
... the subject to express itself, perhaps not free from the “objective” constraints of society but with considerable relative autonomy. Romantic-modernist re-creative resistance to an illusory “solution” of the problems Bach's music continues to present offers greater scope for historical transformation...
Journal Article
New German Critique (2016) 43 (2 (128)): 83–104.
Published: 01 August 2016
... to Blumenberg's anthropology, the need to turn away from the world in order to engage with it is a distinctly human trait. However, second-order cybernetics and Niklas Luhmann's social systems theory offer ways to conceptualize this “involution” as a general feature of living things, whose relative autonomy...
Journal Article
New German Critique (2013) 40 (3 (120)): 41–64.
Published: 01 November 2013
... structure. Even as the film constructs an ostensibly powerful gaze, it undermines the spectator's autonomy, repeatedly drawing attention to the cinematic apparatus that guides—even manipulates—the viewer and revealing the illusory nature of the control ostensibly afforded him or her. © 2013 by New German...
Journal Article
New German Critique (2024) 51 (3 (153)): 99–123.
Published: 01 November 2024
... Theodor W. Adorno Critical Theory autonomy natural history critical ecology The double reference of this essay’s title—to the inherent nature of critique and to critique’s tense relationship with the idea of nature—hints at the paradox I will explore in these pages: while a revolution in thought...
Journal Article
New German Critique (2015) 42 (1 (124)): 203–221.
Published: 01 February 2015
.... The essay characterizes the project of modernity as
twofold. Modernity develops the separate value spheres of science, morality,
9. Bernstein defends the principle of aesthetic autonomy posited by Adorno’s aesthetic theory
against the dominating force of instrumental reason and challenges...
Journal Article
New German Critique (2024) 51 (2 (152)): 201–230.
Published: 01 August 2024
... is upheld, the normative prescription must be dropped. If the normative prescription of reproducing administrative power only through the conversion of communicative power is upheld, the idea of autonomy of self-steering power must necessarily be dropped. The first option renders the constitutional state...
Journal Article
New German Critique (2020) 47 (2 (140)): 139–167.
Published: 01 August 2020
.... Mapp, “No Nature, No Nothing.” 45. Benhabib, “Autonomy as Mimetic Reconciliation.” 46. Kantian autonomy “presupposes the repression of nature; the more this repression is developed, all the more does the self become nature-like and cease to be autonomous. . . . The continued domination...
Journal Article
New German Critique (2021) 48 (2 (143)): 147–175.
Published: 01 August 2021
... of abstract or formalist art—which have proved successful in other media like music or painting? For those who see a necessary connection between autonomy and critique in Adorno’s aesthetic theory, this would seem the only way out. However, Adorno argues that this is both impossible and undesirable. Yet he...
Journal Article
New German Critique (2019) 46 (2 (137)): 151–170.
Published: 01 August 2019
...-renunciation. By comparing and contrasting these two concepts, one can grasp the contrary processes at work in each theory. Both models of sovereignty posit a crisis of the self resulting from its objectness. Through this crisis the subject’s supposed autonomy is radically called into question when confronted...
Journal Article
New German Critique (2011) 38 (2 (113)): 159–196.
Published: 01 August 2011
... education) and individual autonomy instead of
a fascist ideology that had dominated the German university between 1933
and the defeat of the Third Reich? This is, for instance, how the philosopher
Karl Jaspers understood his intervention of 1946 and his call to retain the
principles of Humboldt’s...
Journal Article
New German Critique (2024) 51 (2 (152)): 27–50.
Published: 01 August 2024
...—the domain of the subject will circumscribe its own claim to autonomy and to life.” 12 In other words, the constant exercise of force and exclusion upholds the construction of stable contours for recognizably valid forms of subjectivity (seemingly necessitated by modern political institutions). While...
Journal Article
New German Critique (2021) 48 (2 (143)): 5–21.
Published: 01 August 2021
... precisely radical art can become an alibi for an eschewal of an interventional practice” ( AA , 121–22). If we do, nonetheless, find unmistakable signs of an Adorno renaissance, then it is due to the resurgence of interest in aesthetic form. This cornerstone of the aesthetics of autonomy—of all things...
Journal Article
New German Critique (2007) 34 (2 (101)): 27–43.
Published: 01 August 2007
... the
horizon of liberalism by showing respect for the autonomy of each domain
rather than transcending that horizon by arguing for the ultimate “sovereignty,”
so to speak, of the political.8
That Schmitt tried to respond to this charge brings up the second point:
Schmitt is an implacable critic...
Journal Article
New German Critique (2008) 35 (1 (103)): 145–164.
Published: 01 February 2008
... articulated the twin crises of knowledge and human
agency behind much recent conspiracy thinking. These crises—one about
knowledge and interpretation, the other about the uncertain line between
individual autonomy and social regulation—have contributed substantially
13. For more detail...
Journal Article
New German Critique (2017) 44 (1 (130)): 169–203.
Published: 01 February 2017
... and aesthetic experiments and compro-
29. On the constructivist object, see Kiaer, “Rodchenko in Paris.”
194 Hermann Glöckner
mised the possibility of autonomy for the art object, forcing it to become utili-
tarian and transforming it into an industrial commodity.30 Further, the appar-
ent failure...
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