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Journal Article
Mapping Babel: Language and Exile in W. G. Sebald's Austerlitz
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New German Critique (2012) 39 (1 (115)): 3–26.
Published: 01 February 2012
...Jessica Dubow; Richard Steadman-Jones W. G. Sebald's novel Austerlitz tells a story of inexplicable origins. In the figure of this child of the Kindertransport , Sebald addresses the traumas of the exilic subject and the impossibility of responding to an irredeemable history. But Austerlitz is also...
Journal Article
Confounded Dwelling: Architectures of Association in W. G. Sebald’s Austerlitz
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New German Critique (2021) 48 (3 (144)): 99–139.
Published: 01 November 2021
... underinvestigated aspects of his Nachlass ; even a book like Austerlitz (2001), arguably the most celebrated and remarked on of Sebald’s “prose fiction,” still contains much to confound us. 3 On the face of it, though, Austerlitz is the most legible of Sebald’s writings and provides the most sustained...
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Journal Article
Too Soon and Too Late: The Problem of Archive Work in Christian Petzold’s Phoenix
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New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
..., and Representation . London : Tauris , 2011 . Crownshaw Richard . “ Reconsidering Postmemory: Photography, the Archive, and Post-Holocaust Memory in W. G. Sebald’s Austerlitz .” Mosaic 37 , no. 4 ( 2004 ): 215 – 36 . Derrida Jacques . Archive Fever: A Freudian Impression , translated...
Journal Article
Adorno's Mimeograph: The Uses of Obsolescence in Minima Moralia
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New German Critique (2013) 40 (1 (118)): 65–92.
Published: 01 February 2013
...,” in Present Pasts: Urban
Palimpsests and the Politics of Memory (Stanford, CA: Stanford University Press, 2003), 11–29;
Amir Eshel, “Against the Power of Time: The Poetics of Suspension in W. G. Sebald’s Austerlitz,”
New German Critique, no. 88 (2003): 71–96; Eshel, “The Terror of the Unforeseen...
Journal Article
The Reification of Consciousness: Husserl's Phenomenology in Lukács's Identical Subject-Object
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New German Critique (2010) 37 (3 (111)): 97–130.
Published: 01 November 2010
... that guides Kant’s epistemology.
For Husserl, every act of consciousness is intentional: it points, in a particular
way, to an object. This object may be judged, loved, desired, and can be consid-
ered from different angles—Napoléon is both “the victor at Austerlitz” and
“the loser at Waterloo...
