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auschwitz
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Journal Article
New German Critique (2006) 33 (1 (97)): 31–52.
Published: 01 February 2006
...J. M. Bernstein New German Critique, Inc. 2006 Intact and Fragmented Bodies:
Versions of Ethics “after Auschwitz”
J. M. Bernstein
The Drowned and the Saved
In Negative Dialectics Theodor W. Adorno opens the second section, “Medi...
Journal Article
New German Critique (2007) 34 (1 (100)): 1–45.
Published: 01 February 2007
Journal Article
New German Critique (2007) 34 (1 (100)): 77–109.
Published: 01 February 2007
Journal Article
New German Critique (2014) 41 (3 (123)): 9–34.
Published: 01 November 2014
...Jennifer M. Kapczynski Robert Thalheim's 2007 film And Along Come Tourists ( Am Ende kommen Touristen ) is a critique of a contemporary Holocaust pedagogy geared to generating emotion rather than to critical engagement. Drawing on Theodor W. Adorno's essay “Education after Auschwitz,” this article...
Journal Article
New German Critique (2012) 39 (3 (117)): 155–164.
Published: 01 November 2012
... versions of surviving Auschwitz are explicable by comparing and contrasting Levi's and Borowski's actual camp experience and the context under which they produced their testimonies. © 2012 by New German Critique, Inc. 2012 Shame and beyond Shame
Timothy E...
Journal Article
New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
...Dora Osborne Abstract Christian Petzold’s Phoenix (2014) is set in the immediate aftermath of World War II but dedicated to Fritz Bauer, the man credited with initiating the Frankfurt Auschwitz trials almost two decades later. In light of other recent films about Bauer, this article argues...
Journal Article
New German Critique (2008) 35 (2 (104)): 33–53.
Published: 01 August 2008
.... Paradoxically, such events are obscured in J. M. Bernstein's account, in Adorno: Disenchantment and Ethics, of Adorno's “exemplary first-person experience” of unredeemable guilt after Auschwitz. Fredric Jameson's Late Marxism argues from an opposing perspective to a similar effect, construing negative...
Journal Article
New German Critique (2006) 33 (1 (97)): 73–118.
Published: 01 February 2006
... will arrive at Auschwitz,
if they haven’t begun there in the first place. It’s as good a wager, maybe bet-
ter, that that arrival will then lead more specifically to Adorno’s notion of “a
new categorical imperative . . . imposed by Hitler upon unfree humankind:
to arrange their thoughts and actions so...
Journal Article
New German Critique (2012) 39 (3 (117)): 165–187.
Published: 01 November 2012
... in the camps and that, like the word Schonungsblock, lent the KZ
administrative apparatus a patina of civic order.10
Still other publishers, note Jagoda et al., tended to Germanize the camp
lexicon after the fact, effacing the hybrid provenance of Auschwitz-Birkenau
parole (bgh).11 Despite...
Journal Article
New German Critique (2007) 34 (2 (101)): 45–94.
Published: 01 August 2007
...) has existed for over a thousand years!55
Finally, non-German Germans are not to be conflated with the so-called
anti-Germans (Antideutsche), for whom “Germany must die so we can live”
and who insist that “after Auschwitz, we have no right to be German.”56 For this
sect of the German Left...
Journal Article
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
... Exposure to the crimes connected with Auschwitz had become an obli-
gation. Some hoped the past could be squared away, and the German idiom
about drawing a Schlußstrich, or a “final line,” beneath it was often intro-
duced into considerations of the Holocaust, especially by those who wanted
to cease...
Journal Article
New German Critique (2006) 33 (2 (98)): 135–160.
Published: 01 August 2006
...: Indiana University Press,
1986), 114–29.
Benjamin Robinson 141
Auschwitz, Adorno postulates, can Germans overcome the character defor-
mations that led to Nazism. In the light of Sebaldʼs revised thesis, however,
the past to be confronted cannot...
Journal Article
New German Critique (2020) 47 (2 (140)): 1–20.
Published: 01 August 2020
... einzurichten, dass Auschwitz nicht sich wiederhole, nichts Ähnliches geschehe [A new categorical imperative has been imposed by Hitler upon unfree mankind: to arrange their thoughts and actions so that Auschwitz will not repeat itself, so that nothing similar will happen]. —Theodor W. Adorno, Negative...
Journal Article
New German Critique (2014) 41 (3 (123)): 35–55.
Published: 01 November 2014
...—strategies of Vergegenwärtigung.
Since Alain Resnais’s Night and Fog (1955), some filmmakers juxtaposed the
contemporary state of sites where terror transpired with images from the
1940s. Resnais cut available pictures of Auschwitz together with new material
that he filmed in the 1950s, thereby...
Journal Article
New German Critique (2006) 33 (1 (97)): 53–72.
Published: 01 February 2006
...Michael Marder New German Critique, Inc. 2006 Minima Patientia: Reflections on
the Subject of Suffering
Michael Marder
It is the question whether one can live after Auschwitz.
This question...
Journal Article
New German Critique (2011) 38 (1 (112)): 9–38.
Published: 01 February 2011
... on the Left wished to believe.7 The Red Army
Faction (RAF) exhibited such “Jewish tics” when they compared the govern-
ment of the Federal Republic of Germany (FRG) to Auschwitz and asserted
that the “authoritarian structures from 1933–1945 were still in place.” By
claiming that “the government...
Journal Article
New German Critique (2009) 36 (1 (106)): 1–19.
Published: 01 February 2009
... of the Nazis.
Perpetrators’ testimonies, however, are virtually nonexistent; that of Rudolf
Höss, the commandant of Auschwitz, who wrote his “memoirs” in prison
before being executed, is a rare exception. Anyone curious about the actions
and motivations of those who willingly participated in the Nazi...
Journal Article
New German Critique (2019) 46 (2 (137)): 91–116.
Published: 01 August 2019
... passengers “inevitably recalled the ‘selection’ at Auschwitz.” 14 In the following I analyze the resonating Holocaust memories during and after the hostage crisis and the role that the press and other media, especially film and television, played in framing Entebbe. I assume that during the unfolding...
FIGURES
Journal Article
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
... Excerpts from a German Life (1977) is
based on Robert Merle’s 1952 novel La mort est mon métier (Death Is My
Trade). In fourteen episodes interspersed with intertitles, the fi lm paints a
portrait of the fi ctional commandant of Auschwitz, Franz Lang (Götz George...
Journal Article
New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
..., Totentanz [Dance of the
Dead The visual language deployed emphasized existential human suffer-
ing, universal lament, and melancholy in derivative expressionist forms.
Adorno’s notorious and often-misunderstood statement about the bar-
barity of poetry after Auschwitz seemed even more pertinent...
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