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art history
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Journal Article
New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
... Press . Donahue Neil H. , ed. 1995 . Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer . University Park : Pennsylvania State University Press . Geulen Eva . 2002 . Das Ende der Kunst: Lesarten eines Gerüchts nach Hegel . Frankfurt am Main : Suhrkamp...
Journal Article
New German Critique (2018) 45 (1 (133)): 79–109.
Published: 01 February 2018
... for the psychological state of immediacy that he recognized as a mark of modernity. While Wölfflin believed that such technologies as photography and film exacerbated this condition, he ultimately resorted to them as he developed pedagogical techniques that remain central to the discipline of art history. Baroque out...
Journal Article
New German Critique (2020) 47 (3 (141)): 141–178.
Published: 01 November 2020
... “death” and more recent transdisciplinary retheorizations of agency. The article finally looks to reflections on materiality in another field, art history, to clarify the reasons that integrating materiality into interpretative criticism remains so difficult, so that the field might begin to move beyond...
FIGURES
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Journal Article
New German Critique (2017) 44 (1 (130)): 35–55.
Published: 01 February 2017
...Meike Hoffmann With the unexpected discovery of the “Munich Art Trove” in November 2013, the name of Hildebrand Gurlitt became famous overnight through media stories around the world. Spanning four periods of German history, Gurlitt started as an art historian in the late-period German Reich...
Journal Article
New German Critique (2021) 48 (2 (143)): 23–41.
Published: 01 August 2021
... are internal to the received history of the art institution, a story that ends up in the twin dead ends of postmodern pastiche and modernist nominalism, as Adorno claimed in Philosophy of Modern Music . Others connect the institutional story of the vanishing of the authentically new to the larger dynamics...
Journal Article
New German Critique (2020) 47 (2 (140)): 217–246.
Published: 01 August 2020
...Matthew Noble-Olson Abstract This essay reads Walter Benjamin’s description of Paul Klee’s Angelus Novus through Theodor Adorno’s theorization of art’s contradictory sociality. In this analysis, the object that is illustrative of Benjamin’s imagined angel of history takes on the characteristics...
Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
... ignored in the arts. But this is not true in architecture history. See, e.g., Kenneth Frampton,
Modern Architecture: A Critical History, 4 vols. (London: Oxford University Press, 1980–2007);
Francesco Dal Co, Figures of Architecture and Thought: German Architecture Culture, 1880–1920
(New York...
Journal Article
New German Critique (2022) 49 (3 (147)): 135–157.
Published: 01 November 2022
... examines the transhistorical resourcefulness of Peter Weiss’s Die Ästhetik des Widerstands ( The Aesthetics of Resistance ) with regard to contemporary challenges. Schooled in antifascism’s failures of the 1930s and 1940s, The Aesthetics abounds in detailed engagements with literary and visual works of art...
Journal Article
New German Critique (2010) 37 (2 (110)): 107–124.
Published: 01 August 2010
... at the beginning of Die zweite Heimat it becomes apparent that
Reitz’s reconstruction of the 1960s tells history primarily from the perspec-
tive of the arts. This may also explain the curious fact that the movie rarely
mentions the decade’s major national and international political events. The
contours...
Journal Article
New German Critique (2014) 41 (3 (123)): 95–112.
Published: 01 November 2014
... one possible new approach. Glawogger's film is an attempt to adopt the strategies of art cinema for use in a feature film, but Kill Daddy Goodnight does not turn away from the terrors of history. Rather, it experiments with varied aesthetic forms and dramaturgical practices, depicting the Shoah yet...
Journal Article
New German Critique (2019) 46 (2 (137)): 151–170.
Published: 01 August 2019
... with the psychological nucleus of a traumatic past for the purpose of freeing it ultimately from psychological entanglement with damning history.” 46 In Zerreißprobe , Brus declared, “art ushered in sheer madness.” 47 Hermann Nitsch, who was present at the performance, described it as follows: Everything...
Journal Article
New German Critique (2017) 44 (1 (130)): 169–203.
Published: 01 February 2017
...-in-soviet-and-post
-soviet-architecture.
Tipton, Frank B. 2003. A Modern History of Germany since 1815. Berkeley: University of
California Press.
Van der Will, Wilfried. 2000. “Section Two: The Visual Arts.” In German Monitor: East
Germany, Continuity and Change, edited by Paul...
Journal Article
New German Critique (2020) 47 (1 (139)): 141–172.
Published: 01 February 2020
...Frederic Ponten Abstract This article details the brief collaboration between Siegfried Kracauer and Gregory Bateson in the Film Library of the Museum of Modern Art during World War II as an intriguing episode in intellectual history, touching on film and media studies, anthropology, and German...
FIGURES
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Journal Article
New German Critique (2009) 36 (2 (107)): ii.
Published: 01 August 2009
... at the University of Bristol.
CRISTINA CUEVAS-WOLF is the manager of public programs at the Wende
Museum, Culver City, California.
MARIA GOUGH teaches in the Department of Art and Art History at Stanford
University.
SABINE KRIEBEL is a lecturer in modern and contemporary art at University
College...
Journal Article
New German Critique (2017) 44 (1 (130)): 1–7.
Published: 01 February 2017
... Institute, and the Department of Germanic Languages. Special thanks go
to the staffs of the Departments of Art History and of Germanic Languages and their legendary
organizational skills.
New German Critique 130, Vol. 44, No. 1, February 2017
DOI 10.1215/0094033X-3705667 © 2017 by New German Critique...
Journal Article
New German Critique (2021) 48 (2 (143)): 1–4.
Published: 01 August 2021
... at a moment in art history when the modernist values its author cherished were falling into eclipse and competing movements (such as pop art and postmodernism) were already ascendant. In yet another instance of the aging of the avant-garde, Adorno’s aesthetic criteria came to seem antiquated right...
Journal Article
New German Critique (2022) 49 (3 (147)): 1–20.
Published: 01 November 2022
..., the authors of such texts become “figures whose writing travels across temporal, cultural and ideological boundaries in unforeseen ways to emerge as part of a new ensemble along with later history and subsequent art” ( F , 24). Joseph Conrad’s Heart of Darkness (1899), for instance, exemplifies...
Journal Article
New German Critique (2009) 36 (1 (106)): np.
Published: 01 February 2009
... in the Department of Art History at Virginia Com-
monwealth University.
THOMAS O. HAAKENSON is chair and associate professor of liberal arts at the
Minneapolis College of Art and Design.
MICHAEL MACK teaches in the Department of Theology and Religious Stud-
ies at the University of Nottingham.
BOAZ...
Journal Article
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
... in the way they confound the conventions of both the discipline of art history and the genre of the picture atlas, while Fleckner’s and Didi-Huberman’s comparisons with modernist photographic montage are generally well taken; still, a glance at any one of Warburg’s plates will reveal that their primary logic...
Journal Article
New German Critique (2018) 45 (3 (135)): 175–203.
Published: 01 November 2018
... as the progressive unfolding of a single idea until it reaches its limits. Above all, like Hegel he finds in the history of art a gradual rise in subjectivity . But they differ in how they theorize this rise. When Hegel describes the rise of subjectivity across the three epochs he identifies (symbolic, classical...
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