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Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... Europe and this avant-garde artist led to the fusion of the international reputation of Heartfield's photomontages and of Münzenberg's Arbeiter-Illustrierte-Zeitung ( AIZ ) in 1929. Consequently, Münzenberg formed a transnational network that relied unintentionally on the various publishers...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
... journal Arbeiter-Illustrierte-Zeitung ( AIZ ) insistently suppress the seams and ruptures of their manufacture, instead offering up pictorially sutured photomontages that propagate fictions of visual wholeness. They do so to issue an ideological critique from a leftist perspective, staging our illusory...
Journal Article
New German Critique (2017) 44 (2 (131)): 1–24.
Published: 01 August 2017
...Cristina Cuevas-Wolf The German photomontagist John Heartfield visualized Willi Münzenberg's antifascist position in the Communist Party as early as 1932 and became famous for antifascist photomontages, published exclusively in the Arbeiter-Illustrierte-Zeitung (AIZ) from 1929 to 1938. Heartfield...
Journal Article
New German Critique (2013) 40 (2 (119)): 137–165.
Published: 01 August 2013
... Interregnum was meant as a 2. Arbeiter Illustrierte Zeitung (hereafter cited as AIZ), June 7, 1934; Becher to Grosz, August 1934, in Ulrich Becher and George Grosz, Flaschenpost: Geschichte einer Freundschaft, ed. Uwe Naumann and Michael Töteberg (Basel: Lenos, 1989), 52. See also Günter Morsch, ed...
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
... . “Aufzeichnungen nach einem Gespräch mit Karl Retzlaw über seine Mitarbeit bei der AIZ.” Ästhetik und Kommunikation: Beiträge zur politischen Erziehung 10 , no. 2 . Roth Nancy . 2006 . “Heartfield's Collaboration.” Oxford Art Journal 29 , no. 2 : 397 – 418 . Taylor Sue . 2006...
Journal Article
New German Critique (2009) 36 (2 (107)): 1–4.
Published: 01 August 2009
... than with his earlier cinematic explorations, she looks to fi lm theory for a model of interpreting the politics of photographic illu- sionism in Heartfi eld’s photomontages published in the Arbeiter-Illustrierte- Zeitung (AIZ). She shows that Heartfi eld’s photomontages, manufactured for a mass...
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
... consideration of three conspicuously Klucis-related photomontages that Heartfield produced for the AIZ in 1934 during his Prague exile. © 2009 by New German Critique, Inc. 2009 For kindly facilitating my research for this essay, I thank Michael Kresja and Silvia Diekmann at the Akademie der Künste...
Journal Article
New German Critique (2008) 35 (1 (103)): 97–126.
Published: 01 February 2008
... and weeklies, journals, and the highly successful illustrated weekly Arbeiter- Illustrierte-Zeitung (AIZ), with a circulation of nearly half a million.8 His 8. On Münzenberg see Babette Gross, Willi Münzenberg: Eine politische Biographie (Stuttgart: Deutsche Verlags-Anstalt, 1967); Stephen Koch...