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adorno

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Journal Article
New German Critique (2013) 40 (1 (118)): 119–148.
Published: 01 February 2013
...Artemy Magun This article discusses the relationship between two philosophies of the twentieth century: those of Theodor W. Adorno and Philippe Lacoue-Labarthe. Both authors emphasize the notion of mimesis and see it as an ontological and an epistemological category and as the site...
Journal Article
New German Critique (2013) 40 (1 (118)): 175–198.
Published: 01 February 2013
...Roger Foster Foster argues that Theodor W. Adorno's interpretation of Franz Kafka makes possible an understanding of literature's critical role in society while avoiding the twin pitfalls of reducing the literary work's significance to an echo of contemporary social and political ideas...
Journal Article
New German Critique (2018) 45 (3 (135)): 73–95.
Published: 01 November 2018
...João Pedro Cachopo Abstract This article reappraises the relevance of Theodor W. Adorno’s aesthetics in the aftermath of the postmodern debate. It proposes a shift of focus from the concept of “semblance character” to the concept of “enigmatic character” in order to grasp what Adorno means...
Journal Article
New German Critique (2019) 46 (1 (136)): 41–70.
Published: 01 February 2019
...Terence Holden Abstract Through a comparative analysis of their diagnosis of radical evil with the divergent ways in which Theodor W. Adorno and Hannah Arendt register and respond to the exhaustion of the modern regime of historicity, this article employs the terminology of historical anthropology...
Journal Article
New German Critique (2019) 46 (1 (136)): 103–126.
Published: 01 February 2019
...Kieran Durkin Abstract This article explores the theoretical relationship between Erich Fromm and Theodor W. Adorno. Seeking to transcend the facile polarization that has hitherto characterized the reception of Fromm and Adorno, the article charts the evolution of their early relationship with Max...
Journal Article
New German Critique (2020) 47 (2 (140)): 169–189.
Published: 01 August 2020
...André Krebber Abstract This article explores Theodor W. Adorno’s recovery of natural beauty in Aesthetic Theory against the background of current debates in environmental aesthetics and evinces the relationship of his reading of natural beauty to his critique of the domination of nature. From...
Journal Article
New German Critique (2021) 48 (1 (142)): 1–39.
Published: 01 February 2021
...Lydia Goehr Abstract This essay presents Theodor W. Adorno’s case pro and contra the regulation of the work-concept in a tradition that long sustained a great 1800 divide. The case is made through the provocation offered in Lydia Goehr’s Imaginary Museum of Musical Works that “Bach did not intend...
Journal Article
New German Critique (2021) 48 (2 (143)): 63–84.
Published: 01 August 2021
...Martin Jay Abstract Theodor W. Adorno resisted Sigmund Freud’s explanation of artistic creation as the sublimation of the artist’s libidinal drives. It focuses too much on the artist rather than the work and is in the service of accommodation to the status quo. But Adorno also questioned the simple...
Journal Article
New German Critique (2021) 48 (2 (143)): 177–204.
Published: 01 August 2021
...Mikko Immanen Abstract This article addresses the controversial question of Theodor W. Adorno’s debt to right-wing Zivilisationskritik by a close reading of his essay “Spengler after the Decline” (1950). The article shows that despite Adorno’s harsh polemics against Oswald Spengler’s Decline...
Journal Article
New German Critique (2021) 48 (2 (143)): 107–123.
Published: 01 August 2021
...J. M. Bernstein Abstract Theodor W. Adorno’s governing procedure in Aesthetic Theory is to reconstruct the terms and concepts of traditional aesthetics and the philosophy of art through the actuality of artistic modernism in its various guises. The necessity of this procedure turns...
Journal Article
New German Critique (2006) 33 (1 (97)): 73–118.
Published: 01 February 2006
...Robert Kaufman New German Critique, Inc. 2006 Poetry’s Ethics? Theodor W. Adorno and Robert Duncan on Aesthetic Illusion and Sociopolitical Delusion Robert Kaufman Odds are that discussions of Adorno and the ethical...
Journal Article
New German Critique (2006) 33 (1 (97)): 119–135.
Published: 01 February 2006
...Gerhard Richter New German Critique, Inc. 2006 Aesthetic Theory and Nonpropositional Truth Content in Adorno Gerhard Richter Readers of Theodor W. Adorno’s texts, especially those devoted to philosophi­ cal aesthetics, can hardly fail...
Journal Article
New German Critique (2006) 33 (1 (97)): 159–178.
Published: 01 February 2006
...Christina Gerhardt New German Critique, Inc. 2006 The Ethics of Animals in Adorno and Kafka Christina Gerhardt If animals did not exist, the nature of man...
Journal Article
New German Critique (2007) 34 (1 (100)): 1–45.
Published: 01 February 2007
Journal Article
New German Critique (2007) 34 (1 (100)): 111–139.
Published: 01 February 2007
...James McFarland New German Critique, Inc. 2007 Der Fall Faustus: Continuity and Displacement in Theodor Wiesengrund Adorno and Thomas Mann’s Californian Exile James McFarland For Thomas McFarland...
Journal Article
New German Critique (2007) 34 (1 (100)): 141–163.
Published: 01 February 2007
...Shea Coulson New German Critique, Inc. 2007 Funnier Than Unhappiness: Adorno and the Art of Laughter Shea Coulson There is no better trigger for thinking than laughter. —Walter...
Journal Article
New German Critique (2008) 35 (2 (104)): 1–31.
Published: 01 August 2008
...Lydia Goehr This essay investigates global discourse in the shadow of the 1960s. It draws on the views of Nelson Goodman, Marshall McLuhan, and Theodor W. Adorno to explore three concepts central to music in the age of global transmission: compliance, current, and virtuality. It looks at “Three...
Journal Article
New German Critique (2008) 35 (2 (104)): 71–102.
Published: 01 August 2008
...Mark Berry This essay considers the attitudes of Wilhelm Furtwängler and Theodor W. Adorno toward the music of Johann Sebastian Bach and its contemporary performance. The contexts for this comparison include the relationship between Romanticism and modernism, the experience and aftermath...
Journal Article
New German Critique (2016) 43 (3 (129)): 1–4.
Published: 01 November 2016
...Peter E. Gordon; Alexander Rehding Editors’ Introduction: Adorno, Music, Modernity Peter E. Gordon and Alexander Rehding “As a temporal art,” Theodor W. Adorno observed, “music is bound to the fact of succession and is hence as irreversible as time itself. By starting...
Journal Article
New German Critique (2016) 43 (3 (129)): 5–26.
Published: 01 November 2016
...Martin Jay The challenge of nominalism in philosophy and theology to the reality of universals has been a motor of modern thought. Translated into aesthetic terms, it has abetted resistance to generic conventions and helped undermine essentialist notions of aesthetic form. Theodor W. Adorno had...