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adorno

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Journal Article
New German Critique (2018) 45 (3 (135)): 73–95.
Published: 01 November 2018
...João Pedro Cachopo Abstract This article reappraises the relevance of Theodor W. Adorno’s aesthetics in the aftermath of the postmodern debate. It proposes a shift of focus from the concept of “semblance character” to the concept of “enigmatic character” in order to grasp what Adorno means...
Journal Article
New German Critique (2019) 46 (1 (136)): 41–70.
Published: 01 February 2019
...Terence Holden Abstract Through a comparative analysis of their diagnosis of radical evil with the divergent ways in which Theodor W. Adorno and Hannah Arendt register and respond to the exhaustion of the modern regime of historicity, this article employs the terminology of historical anthropology...
Journal Article
New German Critique (2019) 46 (1 (136)): 103–126.
Published: 01 February 2019
...Kieran Durkin Abstract This article explores the theoretical relationship between Erich Fromm and Theodor W. Adorno. Seeking to transcend the facile polarization that has hitherto characterized the reception of Fromm and Adorno, the article charts the evolution of their early relationship with Max...
Journal Article
New German Critique (2020) 47 (2 (140)): 169–189.
Published: 01 August 2020
...André Krebber Abstract This article explores Theodor W. Adorno’s recovery of natural beauty in Aesthetic Theory against the background of current debates in environmental aesthetics and evinces the relationship of his reading of natural beauty to his critique of the domination of nature. From...
Journal Article
New German Critique (2021) 48 (1 (142)): 1–39.
Published: 01 February 2021
...Lydia Goehr Abstract This essay presents Theodor W. Adorno’s case pro and contra the regulation of the work-concept in a tradition that long sustained a great 1800 divide. The case is made through the provocation offered in Lydia Goehr’s Imaginary Museum of Musical Works that “Bach did not intend...
Journal Article
New German Critique (2021) 48 (2 (143)): 63–84.
Published: 01 August 2021
...Martin Jay Abstract Theodor W. Adorno resisted Sigmund Freud’s explanation of artistic creation as the sublimation of the artist’s libidinal drives. It focuses too much on the artist rather than the work and is in the service of accommodation to the status quo. But Adorno also questioned the simple...
Journal Article
New German Critique (2021) 48 (2 (143)): 177–204.
Published: 01 August 2021
...Mikko Immanen Abstract This article addresses the controversial question of Theodor W. Adorno’s debt to right-wing Zivilisationskritik by a close reading of his essay “Spengler after the Decline” (1950). The article shows that despite Adorno’s harsh polemics against Oswald Spengler’s Decline...
Journal Article
New German Critique (2021) 48 (2 (143)): 107–123.
Published: 01 August 2021
...J. M. Bernstein Abstract Theodor W. Adorno’s governing procedure in Aesthetic Theory is to reconstruct the terms and concepts of traditional aesthetics and the philosophy of art through the actuality of artistic modernism in its various guises. The necessity of this procedure turns...
Journal Article
New German Critique (2006) 33 (1 (97)): 73–118.
Published: 01 February 2006
...Robert Kaufman New German Critique, Inc. 2006 Poetry’s Ethics? Theodor W. Adorno and Robert Duncan on Aesthetic Illusion and Sociopolitical Delusion Robert Kaufman Odds are that discussions of Adorno and the ethical...
Journal Article
New German Critique (2006) 33 (1 (97)): 119–135.
Published: 01 February 2006
...Gerhard Richter New German Critique, Inc. 2006 Aesthetic Theory and Nonpropositional Truth Content in Adorno Gerhard Richter Readers of Theodor W. Adorno’s texts, especially those devoted to philosophi­ cal aesthetics, can hardly fail...
Journal Article
New German Critique (2006) 33 (1 (97)): 159–178.
Published: 01 February 2006
...Christina Gerhardt The Ethics of Animals in Adorno and Kafka Christina Gerhardt If animals did not exist, the nature of man would...
Journal Article
New German Critique (2007) 34 (1 (100)): 1–45.
Published: 01 February 2007
Journal Article
New German Critique (2007) 34 (1 (100)): 111–139.
Published: 01 February 2007
...James McFarland Der Fall Faustus: Continuity and Displacement in Theodor Wiesengrund Adorno and Thomas Mann’s Californian Exile James McFarland For Thomas McFarland Introduction: Fatal Substitution...
Journal Article
New German Critique (2007) 34 (1 (100)): 141–163.
Published: 01 February 2007
...Shea Coulson Funnier Than Unhappiness: Adorno and the Art of Laughter Shea Coulson There is no better trigger for thinking than laughter. —Walter Benjamin, The Author as Producer...
Journal Article
New German Critique (2016) 43 (3 (129)): 1–4.
Published: 01 November 2016
...Peter E. Gordon; Alexander Rehding References Adorno Theodor W. 1998 . “Stravinsky: A Dialectical Portrait.” In Quasi una Fantasia: Essays on Modern Music , translated by Livingstone Rodney , 145 – 75 . New York : Verso . ———. 2002 . Beethoven: The Philosophy of Music...
Journal Article
New German Critique (2016) 43 (3 (129)): 5–26.
Published: 01 November 2016
...Martin Jay The challenge of nominalism in philosophy and theology to the reality of universals has been a motor of modern thought. Translated into aesthetic terms, it has abetted resistance to generic conventions and helped undermine essentialist notions of aesthetic form. Theodor W. Adorno had...
Journal Article
New German Critique (2016) 43 (3 (129)): 27–52.
Published: 01 November 2016
...Lydia Goehr By juxtaposing remarks of Mark Twain and Theodor W. Adorno, along with examples from operetta, radio, film, TV, and YouTube, this article maintains that popular parodies of Richard Wagner have focused less on the composer than on his devoted public—especially given the significant...
Journal Article
New German Critique (2016) 43 (3 (129)): 155–173.
Published: 01 November 2016
...Peter E. Gordon In his earlier writings and especially in his 1952 work Versuch über Wagner , Theodor W. Adorno developed a strongly critical perspective on Wagner's music, which he associated with the commodification of culture and the emergence of fascism. But in the 1956 program note to Parsifal...
Journal Article
New German Critique (2006) 33 (1 (97)): 1–3.
Published: 01 February 2006
...Christina Gerhardt Introduction: Adorno and Ethics Christina Gerhardt Interest in the writings of Theodor W. Adorno has increased over the past decade. To some extent this can be attributed to the fact that Adorno’s writings...
Journal Article
New German Critique (2008) 35 (2 (104)): 1–31.
Published: 01 August 2008
...Lydia Goehr This essay investigates global discourse in the shadow of the 1960s. It draws on the views of Nelson Goodman, Marshall McLuhan, and Theodor W. Adorno to explore three concepts central to music in the age of global transmission: compliance, current, and virtuality. It looks at “Three...