1-7 of 7 Search Results for

Ulrich Seidl

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Image
Published: 01 November 2019
Figure 3. A highly stylized shot composition in Safari (2016). Ulrich Seidl Film Produktion. More
Image
Published: 01 November 2019
Figure 4. A woman positioned among souvenir animal heads in Safari . Ulrich Seidl Film Produktion. More
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
...Figure 3. A highly stylized shot composition in Safari (2016). Ulrich Seidl Film Produktion. ...
FIGURES | View All (4)
Journal Article
New German Critique (2020) 47 (3 (141)): 21–31.
Published: 01 November 2020
... constitute the “good object” 9 —the well-known films by Michael Haneke (b. 1942), Ulrich Seidl (b. 1952), Michael Glawogger (1959–2014), Götz Spielmann (b. 1961), Barbara Albert (b. 1970), Jessica Hausner (b. 1972), Nikolaus Geyrhalter (b. 1972), Ruth Mader (b. 1974), and others who are now subsumed under...
Journal Article
New German Critique (2019) 46 (3 (138)): 125–155.
Published: 01 November 2019
... Geyrhalter has been seen in the context of an Austrian flourishing of film during the last twenty-five years, following the emergence of Michael Haneke and Ulrich Seidl as internationally recognized directors with a distinct style. 10 Barbara Pichler, head of the Austrian film festival Diagonale from 2008...
FIGURES | View All (9)
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... painting. According to Naqvi, Geyrhalter’s “vectorial” cinema suggests to us, through its specific visual and audio cues, what the world will look like after humans have vanished. Paying similar attention to a director’s artistic inspirations, Brad Prager’s analysis of Ulrich Seidl’s films, particularly...
Journal Article
New German Critique (2020) 47 (3 (141)): 33–44.
Published: 01 November 2020
... Michael Althen, Claudius Seidl, and Andreas Kilb. They looked askance at the formal complexity and political activism of most art house fare and above all found themselves smitten by mainstream American features. Taking their cue from Susan Sontag and her essay “Against Interpretation,” these postmodern...