...Artemy Magun This article discusses the relationship between two philosophies of the twentieth century: those of Theodor W. Adorno and Philippe Lacoue-Labarthe. Both authors emphasize the notion of mimesis and see it as an ontological and an epistemological category and as the site...

...Kieran Durkin Abstract This article explores the theoretical relationship between Erich Fromm and Theodor W. Adorno. Seeking to transcend the facile polarization that has hitherto characterized the reception of Fromm and Adorno, the article charts the evolution of their early relationship with Max...

...Lydia Goehr By juxtaposing remarks of Mark Twain and Theodor W. Adorno, along with examples from operetta, radio, film, TV, and YouTube, this article maintains that popular parodies of Richard Wagner have focused less on the composer than on his devoted public—especially given the significant...

...Robert Kaufman New German Critique, Inc. 2006 Poetry’s Ethics? Theodor W. Adorno and Robert Duncan on Aesthetic Illusion and Sociopolitical Delusion Robert Kaufman Odds are that discussions of Adorno and the ethical...

...Detlev Claussen New German Critique, Inc. 2006 Intellectual Transfer: Theodor W. Adorno’s American Experience Detlev Claussen By the late 1960s Theodor W. Adorno had already become a kind of institution in Germany. Adorno himself...

...Bo Earle In Negative Dialectics Theodor W. Adorno attempts to work through the death of aura. Drawing on G. W. F. Hegel's account of the “beautiful soul” from the Phenomenology of Spirit and Robert Pippin's account of “modern melancholia” in Friedrich Nietzsche, I interpret these attempts in terms...

...George Oppitz-Trotman This article asks why Theodor W. Adorno never wrote anything substantial about William Shakespeare's play Hamlet , given its importance to German culture and to philosophical traditions in which Adorno worked rigorously. It addresses how Adorno tacitly adopted a Hamlet...

...James Hellings Should one laugh at, cry over, or be inspired by Theodor W. Adorno's engagements with popular culture? It would perhaps be a risky, ridiculous, and disingenuous enterprise to position Adorno as either an enthusiast or a fan. Rather, being an “uncompromisingly critical thinker...

...Ross Wilson This essay examines the significance for Theodor W. Adorno of Immanuel Kant's aesthetics. Adorno's philosophy insists, on the one hand, on truth to objects, while, on the other hand, defending subjective experience against overhasty dismissals of it. Adorno rejects the castigation...

...Gertrud Koch To revive the question about film as mass medium, this essay turns to analyses of Samuel Beckett's Film by Theodor W. Adorno and Gilles Deleuze. Their readings are compared regarding the problem of self-knowledge—and how this epistemic motif is transferred into the cinematic medium...

...Kylie Gilchrist Abstract This article investigates a problem in Theodor W. Adorno’s thought: how can Adorno critique advanced capitalist societies for their dehumanizing tendencies while also refusing the possibility of defining the human? Motivating this inquiry is a renewed investigation...

...Mikko Immanen Abstract This article addresses the controversial question of Theodor W. Adorno’s debt to right-wing Zivilisationskritik by a close reading of his essay “Spengler after the Decline” (1950). The article shows that despite Adorno’s harsh polemics against Oswald Spengler’s Decline...

...Roger Foster Foster argues that Theodor W. Adorno's interpretation of Franz Kafka makes possible an understanding of literature's critical role in society while avoiding the twin pitfalls of reducing the literary work's significance to an echo of contemporary social and political ideas...

...Gili Kliger While the founding members of the Frankfurt School, notably Theodor W. Adorno, devoted much of their thought to aesthetic experience, Jürgen Habermas came to reflect on aesthetics only sparingly. This article considers the role of Adorno's aesthetic theory in Habermas's thought...

...Harro Müller Theodor W. Adorno did not produce an explicit philosophy of language but was interested in theoretical and practical problems of language during his entire life. Situating Adorno's language conception within twentieth-century language philosophy and theory, this article reconstructs...

...S. D. Chrostowska The essay argues that utopian thinking plays a central role in Theodor W. Adorno's social critique. To make the case, Chrostowska draws on Adorno's critical engagements with Walter Benjamin, Thorstein Veblen, Oswald Spengler, and Aldous Huxley. Adorno offers two utopian visions...

...João Pedro Cachopo Abstract This article reappraises the relevance of Theodor W. Adorno’s aesthetics in the aftermath of the postmodern debate. It proposes a shift of focus from the concept of “semblance character” to the concept of “enigmatic character” in order to grasp what Adorno means...

...Peter E. Gordon In his earlier writings and especially in his 1952 work Versuch über Wagner , Theodor W. Adorno developed a strongly critical perspective on Wagner's music, which he associated with the commodification of culture and the emergence of fascism. But in the 1956 program note to Parsifal...

...Susan H. Gillespie In 1966 Theodor W. Adorno devoted an affectionate essay to his recollections of the provincial Frankish village of Amorbach, where he spent summers as a child and to which he returned in later life. Literally and figuratively, the essay centers on the experience and concept...

...Ricardo Samaniego de la Fuente Abstract Rejecting a reading of Theodor W. Adorno as a critic of the culture industry who could not conceive of film’s critical potential, many commentators have argued that for Adorno, film can become autonomous and thus a medium for social critique. This article...