1-9 of 9 Search Results for

Safari

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
... reveals strategies central to his filmmaking and especially to his documentary films. Seidl is particularly concerned with depicting his subjects’ complicity in the exploitation of labor, as seen in Safari (2016), a film about Austrians who travel to Namibia to hunt and collect trophies. Seidl presents...
FIGURES | View All (4)
Image
Published: 01 November 2019
Figure 3. A highly stylized shot composition in Safari (2016). Ulrich Seidl Film Produktion. More
Image
Published: 01 November 2019
Figure 4. A woman positioned among souvenir animal heads in Safari . Ulrich Seidl Film Produktion. More
Journal Article
New German Critique (2016) 43 (2 (128)): 55–82.
Published: 01 August 2016
... of exotic adventure, with chapter titles such as “In the Land of Cannibals,” which pique the reader’s interest in order to shock and subvert those expectations with its alarming conservationist message. Turning the white tablecloth scenes of colonial safari literature on their heads, for example...
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... Safari (2016), is based on that Austrian director’s avowed fascination with still photography and painting. As a portraitist, Seidl shapes the images, even his nonfictional ones, determining and sometimes overdetermining how his subjects express themselves. In both cases, these documentarians...
Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
... differs from more narrowly construed colo- nialist montage. Ruttmann’s film displays none of the nostalgia for Ger­ many’s lost colonial possessions that informed colonialist educational films of the 1920s such as Hans Schomburgk’s Verlorenes Land (Lost Land, 1925) or Marin Rikli’s Heia Safari...
Journal Article
New German Critique (2006) 33 (1 (97)): 159–178.
Published: 01 February 2006
... in the herbivores and wombats remains with him into adulthood. Upon his return from exile, Adorno even writes the director of the Frankfurt zoo, Bernhard Grzimek, to request that wombats be reintroduced to the zoo’s hold- ings. He also offers to write in support of the director’s campaign to have safari...
Journal Article
New German Critique (2019) 46 (3 (138)): 125–155.
Published: 01 November 2019
... and a photographic aesthetic, with its hybridization of fiction and documentary, 17 is close to Seidl’s Tierische Liebe ( Animal Love , 1995), Jesus, Du weißt ( Jesus, You Know , 2003), Im Keller ( In the Basement , 2014), or Safari (2016). Geyrhalter’s interest in photography as the bedrock...
FIGURES | View All (9)
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
..., Heartfi eld is also part of that story in a most profound sense. No longer a parasite on the Soviet proletariat, but its fellow producer. No longer a tourist on safari, but an active participant.87 In embodying himself and Al’pert in his biography of oil for USSR in Con- struction, Heartfi eld...