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Richard Huelsenbeck

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Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... both expressionist artists who struck a noncommercial pose and cultural reformers who argued for a synthesis of art and industry. © 2017 by New German Critique, Inc. 2017 Tristan Tzara Richard Huelsenbeck Raoul Hausmann marketing publicity References Anonymous . 1919...
Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
.... But their aggressive poetry and manifesto missives struck with a comparable impact. Richard Huelsenbeck, cofounder of Zurich Dada, began the evening by shouting his manifesto for a new art driven by the authentic torment and violence of the moment.3 The poet Else Hadwiger then read her translated excerpts...
Journal Article
New German Critique (2017) 44 (1 (130)): 169–203.
Published: 01 February 2017
... and Suprematism at the Van Diemen Gallery in Berlin, and from that point on kept in close contact with figures such as László Moholy-Nagy and Lissitzky.22 Buchholz’s Berlin studio was a meeting place for artists of the avant-garde, including Hannah Höch, Kurt Schwitters, Richard Huelsenbeck, and Raoul...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... narrative.43 Jealousy is very much a self-portrait as an artist- 40. E.g., John Heartfi eld’s nickname among the Berlin Dadaists was “Monteur-Dada,” and George Grosz made a portrait of him titled Der Monteur John Heartfi eld (1920). See also Richard Huelsenbeck’s text in Eckhard Siepmann, Montage...