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Search Results for Raoul Hausmann
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Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... both expressionist artists who struck a noncommercial pose and cultural reformers who argued for a synthesis of art and industry. © 2017 by New German Critique, Inc. 2017 Tristan Tzara Richard Huelsenbeck Raoul Hausmann marketing publicity References Anonymous . 1919...
Journal Article
New German Critique (2009) 36 (1 (106)): 119–147.
Published: 01 February 2009
.... Benson has argued, Friedländer’s philosophy was key in formulating the
Berlin dadaists’ ideas of the “new man” and of the “new community” (Raoul Hausmann and Ber-
lin Dada [Ann Arbor: UMI Research Press, 1987
Thomas O. Haakenson 121
Some scholars have...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... in dada an!” was used by a number of Berlin Dadaists. See,
e.g., Raoul Hausmann, L’inconnu Raoul Hausmann (1919), and Hausmann and Johannes Baader,
Angekarte (1919), two interrelated postcard montages that use fragments of this phrase (Eva Züchner
et al., Der deutsche Spiesser ärgert sich: Raoul...
View articletitled, A “Schooling of the Senses”: Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt
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Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
....
Andrés Mario Zervigón 7
Groß [sic] sniffs the air
Parbleu! Here it smells of roasted children.6
With this reading came the suggestion of an olfactory assault that paralleled
the tactile and aural attacks. By the time the poet and artist Raoul Hausmann
began reading his “New Materials...
Journal Article
New German Critique (2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
.... Together with Ludwig Mies van der Rohe, Naum Gabo, Hans Richter, Raoul
Hausmann, Ruttmann, and Benjamin, Stone participated in the magazine G-Material für elementare
Gestaltung. In 1924 he opened his studio on the Kurfürstendamm, and he soon made a reputation as
the photographer of the New Vision...
Journal Article
New German Critique (2017) 44 (1 (130)): 169–203.
Published: 01 February 2017
... and Suprematism at the Van Diemen Gallery in Berlin, and from that
point on kept in close contact with figures such as László Moholy-Nagy and
Lissitzky.22 Buchholz’s Berlin studio was a meeting place for artists of the
avant-garde, including Hannah Höch, Kurt Schwitters, Richard Huelsenbeck,
and Raoul...
Journal Article
New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
...” photomontages of Raoul Hausmann, and by Fritz Lang’s Metropolis . 67 In the visual culture of the later Weimar period, by contrast, cybernetic imagery increasingly projected a technocratic, and authoritarian, myth of progress, notably in the work of reactionary modernists such as Ernst Jünger. 68 Mia...
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Journal Article
New German Critique (2009) 36 (1 (106)): 21–34.
Published: 01 February 2009
..., are there any rules in fi lmmaking? “Non, Monsieur le
directeur, there aren’t,” the cameraman Raoul Coutard says in response to
the director Jerzy in Jean-Luc Goddard’s Passion (1980)—one of the fi rst of
a series of Goddard fi lms that breaks practically every rule in fi lm and rede-
fi nes what “fi lm” can...
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
... century it was the Berlin Dadaists (Hannah Höch and Raoul Hausmann,
along with Heartfi eld and George Grosz) who took credit based on their respec-
tive encounters during World War I with the souvenirs and correspondence
of German soldiers, which were laden with photographic fragments.6...