1-13 of 13 Search Results for

Petzold

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
...Dora Osborne Abstract Christian Petzold’s Phoenix (2014) is set in the immediate aftermath of World War II but dedicated to Fritz Bauer, the man credited with initiating the Frankfurt Auschwitz trials almost two decades later. In light of other recent films about Bauer, this article argues...
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... scholarly articles and books focus on the works of Christian Petzold, Christoph Hochhäusler, Angela Schanelec, and others, to such an extent that some colleagues have become concerned about the disproportionate attention devoted to the Berlin School. Interest in the Berlin School has without question...
Journal Article
New German Critique (2007) 34 (2 (101)): 1–26.
Published: 01 August 2007
... attempts may be. Schlöndorff’s Leg­ end of Rita (1999/2000), Christian Petzold’s The State I Am In (2000), and Black Box BRD all attracted considerable attention. Christopher Roth’s film Baader (2002) enjoyed less commercial success, though it dominated press coverage of the 2002 Berlinale, where he...
Journal Article
New German Critique (2014) 41 (3 (123)): 57–73.
Published: 01 November 2014
... their contemporary Christian Petzold, formulated the basis of a new documentary style. They share the vehement rejection of history as didac- tic television entertainment, “where the commentary explains everything again and again, eventually incapacitating the images so that the viewer has no uncertainty what...
Journal Article
New German Critique (2019) 46 (3 (138)): 181–205.
Published: 01 November 2019
...: Don’t Follow Me Around , 2011), an experiment in collaboration with Christian Petzold and Christoph Hochhäusler, two members of the Berlin School. Graf, however, has always kept a certain distance from the mode of filmmaking associated with the Berlin School, not least because of his pronounced...
Journal Article
New German Critique (2019) 46 (3 (138)): 35–51.
Published: 01 November 2019
... such filmmakers as Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, and Ulrich Köhler. 1 She was already part of that group and, as she has asserted, does not regard the designation as all that important. 2 Toni Erdmann was hardly a “surprise triumph,” as C. Bernd Sucher...
FIGURES
Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
..., Christian Petzold, and Thomas Arslan, studied there from the mid-1980s on. 9 The school’s first generation of students in 1966 included Harun Farocki, Helke Sander, Wolfgang Petersen, and even Holger Meins, who later joined the Red Army Faction and died in prison after a hunger strike in 1974...
FIGURES
Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
... , 2017 . Graf Dominik . “ Gesang der Sirenen .” Die Zeit , April 24 , 2008 . Graf Dominik . Schläft ein Lied in allen Dingen: Texte zum Film , edited by Althen Michael . Berlin : Alexander , 2009 . Graf Dominik , Hochhäusler Christoph , and Petzold...
Journal Article
New German Critique (2015) 42 (2 (125)): 31–48.
Published: 01 August 2015
... disturbing and evocative film The White Ribbon (2009), Christian Petzold’s Ghost Trilogy (Gespenster-Tril­ ogie), including especially his Ghosts (2005) and the later Yella (2008), spring to mind as significant examples of a cultural phantomology that, precisely because it refuses anchorage...
Journal Article
New German Critique (2011) 38 (1 (112)): 9–38.
Published: 01 February 2011
... Petzold submit these unique histories to a series of prob- lematic yet illuminating distortions, in films such asDeutschland im Herbst (Germany in Autumn, 1977), Kluge’s Patriotin (Patriot, 1979), von Trotta’s Bleierne Zeit (Leaden Time, 1981), and Petzold’s Innere Sicherheit (Inner Certainty...
Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
... monster, Dietrich is the sort of ghost that resists its own passing, a remnant from a previous social and sexual order that refuses to be banished (rather like Dracula or even Christian Petzold’s recent Ghost trilogy).30 This sense of the past’s hold on a present yearning to move forward...
Journal Article
New German Critique (2019) 46 (3 (138)): 11–34.
Published: 01 November 2019
... School . 32. A compelling articulation of the Berlin School’s strained relationship to genre cinema is found in Abel’s interview with Christian Petzold, “The Cinema of Identification Gets on My Nerves.” 33. Gras, Good Bye Fassbinder! , 88 . 34. Guest, “Strong Silent Types,” 32...
Journal Article
New German Critique (2012) 39 (2 (116)): 63–86.
Published: 01 August 2012
... or no sense of context beyond the boundaries of the villages between which the main protagonist moves. Chris- tian Petzold’s film Yella (2007) features the small East German town of Wittenberge as a trap that the individual cannot seem to escape except in death or in dreams. Interestingly, the West...