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Paul Klee
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Image
Published: 01 February 2020
Image
Published: 01 February 2020
Image
in Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims
> New German Critique
Published: 01 February 2024
Figure 8. Paul Klee, Fugue in Red (1921). Watercolor, 9.6 × 12.4 in (24.4 × 31.5 cm). Zentrum Paul Klee, Bern.
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Journal Article
New German Critique (2020) 47 (2 (140)): 217–246.
Published: 01 August 2020
...Matthew Noble-Olson Abstract This essay reads Walter Benjamin’s description of Paul Klee’s Angelus Novus through Theodor Adorno’s theorization of art’s contradictory sociality. In this analysis, the object that is illustrative of Benjamin’s imagined angel of history takes on the characteristics...
Journal Article
New German Critique (2024) 51 (1 (151)): 33–76.
Published: 01 February 2024
...Figure 8. Paul Klee, Fugue in Red (1921). Watercolor, 9.6 × 12.4 in (24.4 × 31.5 cm). Zentrum Paul Klee, Bern. ...
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Journal Article
New German Critique (2020) 47 (1 (139)): 9–24.
Published: 01 February 2020
...Figures 1–2. Angelus Novus and Stachel der Clown ( Prickle, the Clown ), by Paul Klee. ...
FIGURES
Journal Article
New German Critique (2022) 49 (1 (145)): 1–9.
Published: 01 February 2022
... while Blumenberg cites a surprisingly wide spectrum of topics in art, including pop art and abstraction, Barnett Newman and Paul Klee, little has been said about Blumenberg’s own conception of art history. In “A Well-Tempered Modernist,” Colin Lang shows that Blumenberg’s use of art to gain insight...
Journal Article
New German Critique (2017) 44 (1 (130)): 125–142.
Published: 01 February 2017
... bought the art that sent foreign currency back to the Reich
Propaganda Ministry, but he continued to buy this art—and send Germany
dollars—after the start of war on September 1, 1939. We have numerous
examples: works by Paul Klee, Max Beckmann, and others, with Barr’s pur-
chases continuing...
Journal Article
New German Critique (2022) 49 (1 (145)): 41–66.
Published: 01 February 2022
... ). 21. The anecdotal evidence suggests a more sustained interest in art, exhibitions, and so on. See the reflections of Blumenberg’s daughter about having made a few treks in the summer of 1962 to a Paul Klee exhibition in Baden-Baden, and a Francis Bacon retrospective at the Kunsthalle Mannheim...
Journal Article
New German Critique (2013) 40 (2 (119)): 137–165.
Published: 01 August 2013
... crisis, while also
pointing to further, related artistic responses to National Socialism. Paul Klee
apparently sought to feminize fascism in 1933 by caricaturing Hitler as a deca-
dent, incestuous femme fatale in Other Salome (Andere Salome), a drawing
rooted in his old interests in Oscar Wilde...
Journal Article
New German Critique (2017) 44 (1 (130)): 9–33.
Published: 01 February 2017
... in connection with the phenomena
of primitivism, children’s drawings, and the art of the “mentally ill” as sources
for the modern (Paul Klee) were presented in adjoining rooms in a compara-
tively conventional way in a crowded, two-row hanging. Evaluative comments...
Journal Article
New German Critique (2017) 44 (1 (130)): 57–73.
Published: 01 February 2017
..., the
heirs of Alfred Flechtheim (1878–1937), one of the most influential art dealers of
the avant-garde in Germany, have claimed eleven paintings and six works on
paper from German museums, including paintings by Picasso, Max Beckmann,
and Paul Klee. Flechtheim, of Jewish origin, left Germany in 1933...
Journal Article
New German Critique (2017) 44 (1 (130)): 35–55.
Published: 01 February 2017
... a collection of works by Henri
Matisse, Pablo Picasso, Paul Cézanne, Gustave Courbet, Albrecht Dürer,
Giovanni Battista Tiepolo, Otto Dix, George Grosz, Paul Klee, and many
New German Critique 130, Vol. 44, No. 1, February 2017
DOI 10.1215/0094033X-3705685 © 2017 by New German Critique, Inc...
Journal Article
New German Critique (2010) 37 (1 (109)): 99–118.
Published: 01 February 2010
...-image, his interpretation in On the Concept of
History of Paul Klee’s Angelus Novus, epitomizes the difference to Kracauer quite drastically.
Benjamin aims through this image to achieve a better grasp of the materialist notion of historiog-
raphy; that is, he, unlike Kracauer, uses the generic form...
Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... the radio by the way it
sits on the windowsill, playing for a mass assembly. Technology as organizer
of mass activity such as listening was understood through this photograph’s
various reinterpretations, by such Bauhaus artists as Paul Klee and Wassily
Kandinsky, as a symptom of the fragmentation...
Journal Article
New German Critique (2019) 46 (1 (136)): 103–126.
Published: 01 February 2019
...” show notable parallels with Benjamin’s “Theses on the Philosophy of History” and his notion of history as catastrophe, as outlined in the famous aphorism expounding on Paul Klee’s Angelus Novus . This, of course, is a central underlying theme of Dialectic of Enlightenment , jointly written...
Journal Article
New German Critique (2020) 47 (1 (139)): 197–215.
Published: 01 February 2020
... in his essay. Alluding to Paul Klee’s painting Angelus Novus , Benjamin describes the angel of history as an angel whose face is turned toward the past, where he sees one single catastrophe. However, a storm blows him toward a future to which his back is turned. 13 In Asch’s novel, the angel...
Journal Article
New German Critique (2022) 49 (1 (145)): 67–96.
Published: 01 February 2022
..., 53 as well as with the pictorial abstractions of Paul Klee, 54 Henri Matisse, 55 and others. In the wake of such a process, the principle of an imitation of nature is being pushed back constantly, following a tendency that Leonardo prepares for but is not yet a part of himself: Without...
Journal Article
New German Critique (2013) 40 (1 (118)): 149–174.
Published: 01 February 2013
..., like Anton Webern and Walter Benja-
min,57 Paul Klee and Franz Kafka, even Gustave Flaubert, all share behavior
similar to fanaticism (SF, 104).58 Perhaps a particular pathology is supported
by Adorno, one that comprises uncompromising love and art?
This is the first, marginally positive...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
... revisited past collaborations within new constellations: it featured works from the Museum Folkwang’s permanent collection by Paul Klee, Thomas Demand, and others in conjunction with many of the images from Kluge and Oskar Negt’s collaborative work History and Obstinacy . Thus the complex social...
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