Skip Nav Destination
Close Modal
/10.1215_0094033X-9305519/1/s_ngc9305519figure1.png?Expires=1698867036&Signature=xig3mEvYvuGkHS017VOxv5jztm2f35-~mF1E-yGZXNwBOPc8QAvUjxnD4mCNC1uLYBLVzOnvbdaL8BnmQJgPHto1YBaB5~RZC6m6nN-Q4-JBUgvcn77oel0pWXkPVlhyGH5J3QKkP2vlYkrTJJq8MMBVdt7YP3SQOIH~HGFGDmmXpboUTXYjp2YcbqsIEidE-1HSsAQY~Oa7VHUkEuEgZIsaSCEqseiV2CCGp7bSbMPCme0jM6iWENTolU7-S0gLBnQiTo2yLE8GZqSCxQuYDHuxRst3w-u6HIanGIFRjSonS1t7Vr-8xRkvysZ5ZjRG1Dh66PKAxbktVd7llrxHVA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-9305519/1/s_ngc9305519figure2.png?Expires=1698867036&Signature=fBTCxclf4bIaOOUbHf9mdSDL3baDw5LZRmuVgHKN~PgPutijnml6ybiuuf1oMEzJ80kI~GfAN9FnSHa9-LYJf65LhEU5L5PuRPSnJLscYZsNFkzEVxcm2A8Ad9HK5iwwZ5QNdSKmr5EqJOQEGzQKqp5eJO88Wfw5s1IrJ4h7Uy~iuH9OQ3R-r6ybwP3Y3hTgMUdET3zHPNzDbg1ww8PrpInRb8gIEuFWNimxHzZDE5S1u1W~~zRZdY2GSpzY6FidowRUedKXVj0w6Skj7m4B8MHERuoOuAE0hgDifw6hsX9Hr9Qmz4W1PkIhcA514KVIQd5SXRLnsSKa3IefQCEHdw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-9305519/1/s_ngc9305519figure3.png?Expires=1698867036&Signature=jaNhkwgMfirGdS9bG9agv9WDvP6AB1m~YKhf3zIwg8uuFfekEHPSxo8jiVOryoOmZJlmpUD3vCrUadF2OzM2kgHj8erNEnz3P0My8YylppxgMP6FipKdcs-TNHM7lXUtYaL-vwkOMreTa7p94qZx9VZ3yAsnl1fegswYTlGzCttSq0Nyzy-Jt76uONXyGGZllUItPMtbZ1CxLEos2Bttw5bc30sog7J-gLFQsCjx9~VPswV~e60WvpMuN1ckonKGLIPKiBp3wfxfGqXYKP9~UGZJ2LdFi6DNREhJV9a~EEeAGjAWIDrNdPQ01bwpUKkOEtaRHKh-L6uj-pWP~22nZA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
1-20 of 21 Search Results for
Paul Celan
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
New German Critique (2018) 45 (2 (134)): 133–153.
Published: 01 August 2018
...Jens Klenner Abstract “Gespräch im Gebirg” (“Conversation in the Mountains”), Paul Celan’s only prose piece published during his lifetime, is often described as failed conversation, paradoxical or undecided in language and structure. Points of reference are frequently a dialogic structure of “I...
Journal Article
New German Critique (2011) 38 (1 (112)): 9–38.
Published: 01 February 2011
... Ens
slin, Gudrun’s sister) refuses to recite Rainer Maria Rilke’s poem “Herbsttag”
(“Autumn Day”) at school. Calling the poem “kitschig” (tacky), she suggests
replacing it with “Schwarze Milch” (“Black Milk a reference to Paul Celan’s
“Todesfuge” (“Death Fugue or with Brecht’s “Ballad...
Journal Article
New German Critique (2018) 45 (2 (134)): 179–200.
Published: 01 August 2018
... linguistic experiences is notable in an essay that otherwise calls for security, inclusion, and positive emotional associations with a foreign language. It resonates strongly with the essay’s opening quotation from Paul Celan: “Ins Offene, dorthin, wo Sprache auch zur Begegnung führen kann...
Journal Article
New German Critique (2006) 33 (1 (97)): 73–118.
Published: 01 February 2006
... to have
captured, the place of Auschwitz and the Holocaust in Adorno’s thought.3
Meanwhile, if a very different reception history evolves in Germany (for obvi-
ous sociohistorical reasons, but also and not least because of Paul Celan’s
incomparable poetry), it cannot be gainsaid that even...
Journal Article
New German Critique (2022) 49 (3 (147)): 215–229.
Published: 01 November 2022
... of Paul Celan’s 1960 speech “Der Meridian,” in which Celan defined his authorship as grounded in “meinem 20. Jänner.” Where Weiss and Enzensberger outline a global topography, Celan’s “Toposforschung” circles around the “Ort meiner eigenen Herkunft,” which he traces with his “ungenauen, weil unruhigen...
Journal Article
New German Critique (2021) 48 (3 (144)): 99–139.
Published: 01 November 2021
..., narrator, writer, and, as I hope to clarify, us, the readers. Copyright © 2021 by New German Critique, Inc. 2021 The eye, dark: as a hut window. It gathers . . . the constellation which they humankind, need for dwelling, here, among humankind —Paul Celan, “Hut Window” We love shacks...
FIGURES
| View All (4)
Journal Article
New German Critique (2021) 48 (2 (143)): 125–146.
Published: 01 August 2021
... Wahr spricht wer Schatten spricht. —Paul Celan, “Sprich auch du,” in Von Schwelle zu Schwelle “Art is autonomous and it is not.” 1 Compressed into a single sentence, this seemingly paradoxical claim from Theodor W. Adorno’s Aesthetic Theory (1970) encapsulates in nuce the argument...
Journal Article
New German Critique (2020) 47 (2 (140)): 217–246.
Published: 01 August 2020
... ): 73 – 95 . Celan Paul . Mohn und Gedächtnis . Stuttgart : Deutsche Verlags-Anstalt , 1960 . Clark T. J. Farewell to an Idea: Episodes from a History of Modernism . New Haven, CT : Yale University Press , 1999 . Foster Hal . “ The ‘Primitive’ Unconscious of Modern...
Journal Article
New German Critique (2013) 40 (1 (118)): 119–148.
Published: 01 February 2013
... of art. The
paralyzing effect of mimesis is transformed into the frozen form of the work.
One expression of this tendency is the poetry of Paul Celan:
Celan’s poems want to speak out the most extreme horror through silence.
Their truth content is itself negative. They imitate a language...
Journal Article
New German Critique (2017) 44 (3 (132)): 225–240.
Published: 01 November 2017
... stud-
ies colleagues—complained about the displacement of the traditional canon
of Goethe and Friedrich Schiller in favor of the works by Theodor W.
Adorno, Walter Benjamin, and Paul Celan, who, as he alleged, persisted in
the curriculum only because of politically correct solidarity...
Journal Article
New German Critique (2017) 44 (3 (132)): 189–203.
Published: 01 November 2017
.... In the poetry of Friedrich
Hölderlin, Stéphane Mallarmé, or Paul Celan, and the theory of Walter Benja-
min, one sought at best the roots of communicability (or its impossibility),
certainly not communication or, God forbid, information. And in the analyses
of modernity—now called postmodernity—one found...
Journal Article
New German Critique (2018) 45 (3 (135)): 97–128.
Published: 01 November 2018
... of Heidegger’s “official position” on the topic, a self-justifying document that lacks remorse or readiness to take responsibility for his support of Adolf Hitler. Indeed, we are presented here with another case—along with those of Herbert Marcuse, Hannah Arendt, Hans Jonas, Paul Celan, and, in a certain respect...
Journal Article
New German Critique (2006) 33 (2 (98)): 49–64.
Published: 01 August 2006
... and long terms.
There is a tradition of hand-wringing among some recondite postwar
German writers over the question of relevance and responsibility for identi-
fying their target audiences. Paul Celan and Theodor Adorno, for instance,
described their works as “messages in a bottle,” deferring...
Journal Article
New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
..., Margarete,
1981), a powerful translation of Paul Celan’s poetic lines from “Death Fugue”
(1948) into image. In turn, the trauma of exile, with its loneliness and economic
deprivations, may have found stronger expression in literature than in the visual
arts. For many years, the West German cultural...
Journal Article
New German Critique (2006) 33 (1 (97)): 53–72.
Published: 01 February 2006
....
17. Paul Celan, “Promise of Distance,” in Selected Poems and Prose, ed. and trans. John Fel-
stiner (New York: Norton, 2001), 24.
62 Reflections on Suffering
victims from the survivors. Wounded shame, the shame that wounds itself and
becomes shameless as it enters the artistic image, banishes...
Journal Article
New German Critique (2018) 45 (3 (135)): 73–95.
Published: 01 November 2018
... sensibility to characterize the modern.” 26 Burke and Kant were, in that sense, visionaries. Their thought anticipated the practice of modern artists such as Paul Cézanne, Pablo Picasso, Marcel Duchamp, Barnett Newman, Arnold Schoenberg, John Cage, Pierre Boulez, Beckett, or Paul Celan...
Journal Article
New German Critique (2010) 37 (1 (109)): 75–98.
Published: 01 February 2010
... until the last
gathering, in 1967), such as Ingeborg Bachman, Böll, Paul Celan, Hans Magnus Enzensberger, Grass,
Peter Handke, Alexander Kluge, and Roehler. For a discussion of the group’s role in post–World
War II culture, see Stuart Parks and John J. White, eds., The Gruppe 47 Fifty Years...
Journal Article
New German Critique (2013) 40 (1 (118)): 65–92.
Published: 01 February 2013
... for “materialist pedagogy,” Adorno is
best known as a proponent of advanced art who defends the radically negative
modernisms of Samuel Beckett and Paul Celan, Arnold Schoenberg and Alban
Berg, Adolf Loos and Franz Kafka.7 As Robert Kaufman has pointed out, such
modernisms represent to Adorno a “key [stage...
Journal Article
New German Critique (2010) 37 (1 (109)): 53–74.
Published: 01 February 2010
... and Hitler’s seductive demagoguery, the Russian invasion and the libera-
tion about eighteen times, not just in history class but also in religion and literature when we dis-
cussed Paul Celan’s ‘Death Fugue’” (Generation Golf, 174). Though Illies appears to have learned
the historical facts, he ends...
Journal Article
New German Critique (2016) 43 (1 (127)): 171–194.
Published: 01 February 2016
... of transience that separates two
worlds from each other by pretending to bring them together. Referring to Paul
Celan, Adelson proposes the notion of the threshold (Schwelle) as a more pro-
ductive image for characterizing Tawada’s take on translation, since this image
implies a potentiality...
1
