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New German Cinema

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Journal Article
New German Critique (2020) 47 (3 (141)): 93–98.
Published: 01 November 2020
... of adult and alternative education in Berlin West. The introduction to Farocki’s text connects with the New German Cinema and themes that remained central throughout his own work: collaboration and quotation, Bertolt Brecht’s concept of “learning plays,” using nonfiction to explore both social relations...
Journal Article
New German Critique (2020) 47 (3 (141)): 33–44.
Published: 01 November 2020
...Eric Rentschler Abstract The often bemoaned crisis of West German cinema in the 1980s coincided with a dramatic changing of the nation’s film critical guard. The symptomatic impetus that had figured so strongly during the postwar era gave way to the so-called new subjectivism of young critics like...
Journal Article
New German Critique (2013) 40 (3 (120)): 85–110.
Published: 01 November 2013
... film criticism and a way for domestic writers to conceive of and position developments in their own national cinema. © 2013 by New German Critique, Inc. 2013 Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism...
Journal Article
New German Critique (2022) 49 (2 (146)): 161–186.
Published: 01 August 2022
...Brook Henkel Fritz Lang’s film The Thousand Eyes of Dr. Mabuse (1960) stands out among West German cinema of the Adenauer years for its attention to urban space and the afterlife of Nazism in the postwar era. This article rereads the film as an incisive representation of the new mobilities...
FIGURES
Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
..., and violence. Copyright © 2019 by New German Critique, Inc. 2019 German film Oberhausen Manifesto New German Cinema Dominik Graf Berlin School Because a genre is not one thing serving one purpose, but multiple things serving multiple purposes for multiple groups, it remains a permanently...
Journal Article
New German Critique (2020) 47 (3 (141)): 59–71.
Published: 01 November 2020
... with a painful awareness of the decline of repertory cinema (which had once been so important for the development of New German Cinema). A position paper for the Verband der deutschen Filmkritik (German Film Critics Association) written by young advocates of “activist film criticism,” 2 discussed in-depth...
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... thought, literature, politics, and culture, film has played an integral role. 1 At crucial points in its history, the journal has taken stock of contemporary German cinema, first doing so in a special issue devoted to New German Cinema (Fall–Winter 1981–82). That issue probed the impact...
Journal Article
New German Critique (2010) 37 (2 (110)): 107–124.
Published: 01 August 2010
... zweite Heimat as only the aesthetic variant of the “nostalgic,” territorial concept of Heimat from the first film series, a cinematic “requiem” on the death of the New German Cinema, whose end was brought about by the stu- dent movement and its demand for the politicization of art.19 Already...
Journal Article
New German Critique (2024) 51 (3 (153)): 159–191.
Published: 01 November 2024
... Copyright © 2024 by New German Critique, Inc. 2024 neoliberalism affect absolute refusal Gilles Deleuze Enno Patalas Having spent the last twenty years researching German postunification cinema, especially the filmmakers of the so-called Berlin School, I am increasingly interested in how...
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Journal Article
New German Critique (2010) 37 (1 (109)): 53–74.
Published: 01 February 2010
... Tykwer’s fi lmic practice somewhere between “the repetition compulsion of historical critique endemic to the New German Cinema and the ahistorical apathy and traditional aes- thetic of the most popular postwar German fi lm comedies” (MO, 115). If the comedies point back to Heimat fi lms, Tykwer’s...
Journal Article
New German Critique (2014) 41 (2 (122)): 159–169.
Published: 01 August 2014
... and Oskar Negt. Kluge, a protégé of Adorno and a leading participant in the new German cinema that produced the Oberhausen Manifesto in 1962, had taught a series of seminars on film and media in 1975–76 in Frankfurt, which Hansen attended (CE, x).4 He and Negt, who had studied with Adorno...
Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
... for the early postwar years. © 2015 by New German Critique, Inc. 2015 motion pictures Weimar Germany 1950s Germany genre Nazism In the Horror Mode? Weimar Flashbacks and Generic Hybridity in 1950s West German Cinema Jaimey Fisher In her...
Journal Article
New German Critique (2011) 38 (1 (112)): 1–7.
Published: 01 February 2011
...,” Kligerman critiques the complex and literally explosive relationships that figures of the 1970s radical German Left entertained with the victims of the Nazi genocide of the Jews in their own statements and self- representations and, in particular, in works of the New German Cinema. If Antigone served...
Journal Article
New German Critique (2023) 50 (3 (150)): 133–148.
Published: 01 November 2023
... not push it. It started out so well: “We imported the Frankfurt School.” 1 Fifty years of New German Critique later, we again take stock. And we begin to dig out old photos, films, and texts, and we remember. We’ve made our peace with Frankfurt and other imports. We can go to the cinema to see...
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Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
... films combine a playful eclecticism with an acute sense of contemporary political issues like precarious working conditions, gentrification, and the commodification of art and culture. Copyright © 2019 by New German Critique, Inc. 2019 Max Linz Julian Radlmaier dffb comedy political cinema...
FIGURES
Journal Article
New German Critique (2020) 47 (1 (139)): 81–103.
Published: 01 February 2020
... connection to the Bauhaus in general and Moholy-Nagy in particular is well established. In 1962, after signing the Oberhausen Manifesto that commended the experimentation of short films and called for a new German cinema, Kluge cofounded the Institut für Filmgestaltung (Institute for Film Design) at the Ulm...
FIGURES
Journal Article
New German Critique (2011) 38 (1 (112)): 9–38.
Published: 01 February 2011
... interpretation of Antigone as it relates to his reflections on mourning the dead and the dialectic structure of history. The New German Cinema’s engagement with the German Autumn frequently uses the polis-individual-family triad and a Hegelian conceptual lens to represent the belated historical...
Journal Article
New German Critique (2021) 48 (2 (143)): 147–175.
Published: 01 August 2021
... Adorno this way ( Liebman and Kluge, “On New German Cinema,” 42 ). Even more, at least Adorno’s early cinematic projects operated under the assumption of a break between the “articulated expression” of modernism and art that responds to the taste of the masses. Art—autonomous art, that is—can no longer...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
... box of the cinema, the late-night television screen, or the internet. Copyright © 2020 by New German Critique, Inc. 2020 Alexander Kluge installation art media aesthetics montage transmediality Although Alexander Kluge is best known in Germany as a filmmaker, author, and public...
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Journal Article
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
... endured by Jewish prisoners in the Warsaw ghetto, was met with irritation. It seemed to me that the students resented the film to a greater degree than they would have resented a particu- larly dull exemplar of New German Cinema or the French New Wave. Why were they, they wondered aloud, required...