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Neue Sachlichkeit

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Journal Article
New German Critique (2018) 45 (2 (134)): 33–66.
Published: 01 August 2018
... unfairly associated with prostitutes. Otto Dix, a Neue Sachlichkeit artist, was aware of the postwar ambiguity between “respectable” and “fallen” women. In a watercolor of a veiled widow, Dix engaged the elision of prostitutes and widows by visually implying she has syphilis, a disease that caused...
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Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
...: Rizzoli, 1990), hereafter cited as FA; Alan Colquhoun, “Kritik und Selbstkritik in der deutschen Moderne,” in Moderne Architektur in Deutschland, 1900 bis 1950: Expressionismus und Neue Sachlichkeit, ed. Vittorio Lampugnani and Romana Schneider (Stuttgart: Hatje, 1994), 251–73; and Harry Francis...
Journal Article
New German Critique (2015) 42 (1 (124)): 163–188.
Published: 01 February 2015
... of leftist critics. In the preface to the second edition of his influential monograph New Objec- tivity (Neue Sachlichkeit, 1970), Helmut Lethen, for example, contends that I wish to thank Andreas Huyssen, Florian Kappeler, Jana Tschurenev, and an anonymous reader for New German Critique...
Journal Article
New German Critique (2017) 44 (1 (130)): 9–33.
Published: 01 February 2017
... hopes. Even a moderate version of Neue Sachlichkeit (New Objectivity) was offered, under the label “New German Romanticism,”19 as a possible artis- tic option for the Nazi state and was supported by Nazi leaders like Rudolf Heß. 13. See Baumann, Wortgefechte; and Clinefelter, Artists...
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
... that technological progress predetermined Social Democracy.”27 Neue Sachlichkeit represented an optimistic modernity, preceding a more critical reading of pho- tography that could question its “reputation as truthful witness.” She continues: “The critique of rationality during the Weimar Republic expressed...
Journal Article
New German Critique (2019) 46 (2 (137)): 35–63.
Published: 01 August 2019
... as an important influence on the Neue Sachlichkeit photography of the 1920s. 50 The selection of photographs from a narrower range of sources than Pictures from Italy was also a factor in the German volume’s greater uniformity. Following Meydenbauer’s direction, photographers for the Prussian Institute...
Journal Article
New German Critique (2020) 47 (3 (141)): 99–140.
Published: 01 November 2020
...” ( Neues Bauen ) and “New Dwelling” ( Neues Wohnen ) in the Weimar Republic. 8 However, the passage above also presents a warning against such seemingly affirmative appropriation, since in the background of Kracauer’s housing inventory are clearly people, with their unconcealed and suppressed fears...
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Journal Article
New German Critique (2010) 37 (1 (109)): 99–118.
Published: 01 February 2010
... as the German original suggests, which literally speaks of “utterances of the surface” (Oberfl ächenäußerungen)?16 To answer these questions, it is helpful to consider Kracauer’s opposition to the photographic paradigm of Neue Sachlichkeit—a realism often criticized for its naive epistemology—as well...
Journal Article
New German Critique (2012) 39 (3 (117)): 207–230.
Published: 01 November 2012
... and art history have shown clearly that the National Socialist period did not witness the complete erasure of the neue Sachlichkeit of the 1920s, despite a renewed prominence for more restorative and inward-looking styles and discourses in the 1930s.20 More broadly, and as a wealth of recent...
Journal Article
New German Critique (2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
... and the Neue Sachlichkeit Move- ment,” in Germany: The New Photography, 1927–1933, ed. David Mellor (London: Arts Council of Great Britain, 1978), 101–12; and Jan Brüning, “Kurzer Überblick zur Technik der Pressefoto- grafi e in Deutschland von 1920 bis 1940,” in Fotografi e und Bildpublizistik in der...
Journal Article
New German Critique (2012) 39 (2 (116)): 25–45.
Published: 01 August 2012
... is a kind of anti-Profitlich. 11. Eberhard Diepgen, “Gestern Schinkel, heute Kinkel? Wie die neue Berliner Mitte aussehen wird, wenn die Demokratie als Bauherr auftritt,” Frankfurter Allgemeine Zeitung, April 16, 1993. J. J. Long 29...
Journal Article
New German Critique (2013) 40 (3 (120)): 65–84.
Published: 01 November 2013
... during the Weimar Republic. The contemporary discourse on Weimar masculinity is closely con- nected to the Neue Sachlichkeit and illuminates various strategies of asserting a strong-again masculinity against the identity crisis of men and women that dominated the time. Helmut Lethen...
Journal Article
New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
.... Neither expressionism, nor dada, nor Weimar’s Neue Sachlichkeit (New Objectivity) played a significant role in Alfred Barr’s powerful and influential coding of the twentieth century’s visual arts in New York’s Museum of Modern Art. The German special path (Sonderweg) in the arts was explained...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
Journal Article
New German Critique (2015) 42 (3 (126)): 69–90.
Published: 01 November 2015
..., and Matthew Philpotts call this turning away from radical modernism “the mod- ern restoration,” and they argue that it occurred around 1930; however, the turn toward a more conservative, restorative cultural climate and away from expressionism had already begun by the mid-1920s, with the move to Neue...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
..., Neue Sachlichkeit, nickelodeons, Kodak cameras, toys, and play (the problematic of play: the questions animated by the concept of play). Those conversations shaped my book into a patently Benjaminian exercise of imag- resuscitate (if not to rescue) his theory of film: “The sole purpose...
Journal Article
New German Critique (2006) 33 (3 (99)): 7–39.
Published: 01 November 2006
.... London: Crosby Lockwood Staples, 1975), 81–82. See also Simone Hain, “Ex Oriente Lux,” in Moderne Architek- tur in Deutschland 1900 bis 1950: Expressionismus und neue Sachlichkeit, ed. Vittorio Magnano Lampugnani and Romana Schneider (Stuttgart: Hatje, 1994), 133–60. 5. Rosemarie Bletter...
Journal Article
New German Critique (2007) 34 (1 (100)): 111–139.
Published: 01 February 2007
Journal Article
New German Critique (2009) 36 (3 (108)): 1–38.
Published: 01 November 2009
.... See Barbara Freihalter, “Das Verwaltungsgebäude des Stumm-Konzerns in Düsseldorf von Paul Bonatz (1922–25)” (Magister thesis, Universität Augsburg, 2001). 9. Dietrich Worbs, “Der Zeppelinbau: Paul Bonatz und die Neue Sachlichkeit,” in Zeppelin Carré Stuttgart: Die Verwandlung eines...
Journal Article
New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
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