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Neue Frau

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Journal Article

Schatten: Eine nächtliche Halluzination : Staging the Punishment for Women's Emancipation

Anjeana K. Hans
New German Critique (2013) 40 (3 (120)): 41–64.
DOI: https://doi.org/10.1215/0094033X-2325419
Published: 01 November 2013
... by some. As Elsa Herrmann wrote in So ist die Neue Frau, “It should never be forgotten that today’s woman, such as she still is, must be seen as the direct product of the war and its aftermath, which pushed her into active life.”14 Modern woman as the “direct product” of the conflict that had killed...
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“The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors

Kaia L. Magnusen
New German Critique (2018) 45 (2 (134)): 33–66.
DOI: https://doi.org/10.1215/0094033X-6684135
Published: 01 August 2018
... moral decline and fascinated Dix, who was intrigued by the dangerous nexus of sexuality, disease, and death. Copyright © 2018 by New German Critique, Inc. 2018 widows syphilis prostitute veil Neue Sachlichkeit Neue Frau During the Weimar Republic debates about new manifestations...
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The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany

Hans-Georg von Arburg
New German Critique (2020) 47 (3 (141)): 99–140.
DOI: https://doi.org/10.1215/0094033X-8607633
Published: 01 November 2020
...” ( Neues Bauen ) and “New Dwelling” ( Neues Wohnen ) in the Weimar Republic. 8 However, the passage above also presents a warning against such seemingly affirmative appropriation, since in the background of Kracauer’s housing inventory are clearly people, with their unconcealed and suppressed fears...
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From “Degenerate Art” To “Looted Art”: Developments and Consequences of National Socialist Cultural Policy

Olaf Peters
New German Critique (2017) 44 (1 (130)): 9–33.
DOI: https://doi.org/10.1215/0094033X-3705676
Published: 01 February 2017
...?” In Überbrückt: Ästhetische Moderne und Nationalsozialismus; Kunsthistoriker und Künstler, 1925–1937 , edited by Blume Eugen Scholz Dieter , 275 – 89 . Cologne : König . Frietsch Elke . 2006 . “Kulturproblem Frau”: Weiblichkeitsbilder in der Kunst des Nationalsozialismus . Cologne...
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Toward a Cosmopolitan Ethics in Architecture: Bruno Taut's Translations out of Germany

Esra Akcan
New German Critique (2006) 33 (3 (99)): 7–39.
DOI: https://doi.org/10.1215/0094033X-2006-009
Published: 01 November 2006
... was exiled from Ger- many, as exemplifi ed in his book Die neue Wohnung: Die Frau als Schöpferin (The New House: Woman as Creator, 1924).9 The bookʼs historical examples of Japanese and Ottoman vernacular houses held a specifi c place in Tautʼs for- mulation of the characteristics of modern dwellings...
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Journal Article

Selected Film Criticism, 1923–1931

Johannes von Moltke
New German Critique (2020) 47 (3 (141)): 73–91.
DOI: https://doi.org/10.1215/0094033X-8607605
Published: 01 November 2020
... largely been forgotten. We thus hope that this modest selection will provide the opportunity for new research and discovery. 5 This week the Neue Lichtbühne theater has arranged for an excellent program. They are showing Die närrische Wette des Lord Aldini [ The Foolish Bet of Lord Aldini...
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Intellectual Promiscuity: Cultural History in the Age of the Cinema, the Network, and the Database

Sabine Haenni
New German Critique (2014) 41 (2 (122)): 189–202.
DOI: https://doi.org/10.1215/0094033X-2680846
Published: 01 August 2014
..., germs, and tartar.18 And Kracauer’s “Two Planes” (1926), which would become part of The Mass Ornament, was inspired by Marseille spaces, as was “Die Frau vor dem Café” (1926).19 His 16. Hansen, Cinema and Experience, 254. 17. Klaus Michael, “Vor dem Café: Walter Benjamin and Siegfried...
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Journal Article

Self-Injuring Body Art: Strategies of De/Subjectivation

Rosemarie Brucher
New German Critique (2019) 46 (2 (137)): 151–170.
DOI: https://doi.org/10.1215/0094033X-7546220
Published: 01 August 2019
... took place in Germany in Frankfurt am Main. Roughly 450 women from forty women’s groups took part. 21. EXPORT, “Repräsentation,” 211 (ekstatisch als Körper gefeiert). 22. EXPORT, “Feministischer Aktionismus,” 166 (In freier Verfügung über ihren Körper versucht die Frau, ihre Identität...
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Billy Wilder's Work as Eintänzer in Weimar Berlin

Mihaela Petrescu
New German Critique (2013) 40 (3 (120)): 65–84.
DOI: https://doi.org/10.1215/0094033X-2325428
Published: 01 November 2013
... during the Weimar Republic. The contemporary discourse on Weimar masculinity is closely con- nected to the Neue Sachlichkeit and illuminates various strategies of asserting a strong-again masculinity against the identity crisis of men and women that dominated the time. Helmut Lethen...
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Sunlit Dancers: The Body Culture Photography of UHU Magazine

Tim Satterthwaite
New German Critique (2019) 46 (1 (136)): 197–228.
DOI: https://doi.org/10.1215/0094033X-7214737
Published: 01 February 2019
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Televising Tainted History: Recent TV Docudrama ( Dresden, March of Millions, Die Gustloff ) and the Charge of Revisionism

Elke Heckner
New German Critique (2011) 38 (1 (112)): 65–84.
DOI: https://doi.org/10.1215/0094033X-2010-023
Published: 01 February 2011
...? Die neue Debatte um den Bombenkrieg 1940–45, ed. Lothar Kettenacker (Berlin: Rowohlt, 2003), 163. Elke Heckner 69 revisionism illustrates the ideological blind spots of some members of the 68 generation. Acknowledging the politically convenient uses...
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Journal Article

An Elegy for German Cinema: Dominik Graf’s Doomed Loves and Open Wounds

Eric Rentschler
New German Critique (2019) 46 (3 (138)): 207–233.
DOI: https://doi.org/10.1215/0094033X-7727497
Published: 01 November 2019
... hit Zur Sache Schätzchen ( Go for It, Baby , 1968). The bomb was found underneath a bar he knew well, Die Säge, right across the street from the Schwabing offices of the film production company Neue Constantin. “It’s crazy,” Enke chuckles, he and his filmmaker buddies hung out there for years...
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Journal Article

The Spirit of Technology: Early German Thinking about Film

Katharina Loew
New German Critique (2014) 41 (2 (122)): 125–144.
DOI: https://doi.org/10.1215/0094033X-2680810
Published: 01 August 2014
...,” Der Kinematograph, March 30, 1910; and Willi Warstat, “Zwischen Theater und Kino,” Die Grenzboten, 1912, 483–88. Several others are reprinted in Prolog vor dem Film: Nach- denken über ein neues Medium, 1909–1914, ed. Jörg Schweinitz (Leipzig: Reclam, 1992), 230–52...
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The Politics of Longevity: Hans-Jürgen Syberberg's Essayism and the Art of Outliving Oneself

Adrian Daub
New German Critique (2013) 40 (3 (120)): 137–170.
DOI: https://doi.org/10.1215/0094033X-2325455
Published: 01 November 2013
... as Winifred’s gestures (aided by Syberberg’s editing), even when trying to cleanse themselves of Nazism, his efforts solicited only more suspicion and rejection. In short, it seems he had learned obsolescence from Frau Wagner herself. In this regard Winifred Wagner was as good a teacher as any: what...
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Journal Article

Architectures of Images, Avalanches of Memory: Dominik Graf’s Urban Essay Films

Laura A. Frahm
New German Critique (2019) 46 (3 (138)): 181–205.
DOI: https://doi.org/10.1215/0094033X-7727483
Published: 01 November 2019
... work since the 1990s. 4 Some seminal examples are his twenty-fifth-anniversary episode for Tatort , “Frau Bu lacht” (“Mrs. Bu Is Laughing,” 1995), his pathbreaking criminal miniseries Im Angesicht des Verbrechens ( In the Face of Crime , 2010), and his contribution to the highly acclaimed three...
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Journal Article

“The Merely Illusory Paradise of Habits”: Salomo Friedländer, Walter Benjamin, and the Grotesque

Thomas O. Haakenson
New German Critique (2009) 36 (1 (106)): 119–147.
DOI: https://doi.org/10.1215/0094033X-2008-024
Published: 01 February 2009
...) and an accompany- ing neue Gemeinschaft (new community).2 Perhaps even more provocative and less discussed than Friedländer’s various contributions to European avant- garde movements are his efforts to engage empirical science in his philosophy and his own literary endeavors. No other body of writing...
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