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Miriam Bratu Hansen

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Journal Article

Secret Signals from Another World: Walter Benjamin’s Theory of Innervation

Matthew Charles
New German Critique (2018) 45 (3 (135)): 39–72.
DOI: https://doi.org/10.1215/0094033X-6977791
Published: 01 November 2018
...Matthew Charles Abstract Walter Benjamin refers to the “idea of revolution as an innervation of the technical organs of the collective” as one article of his politics. Drawing on some of the debates and tensions generated by the work of Miriam Bratu Hansen, the article analyzes lesser-known...
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Journal Article

As If It Were for the Last Time: Wim Wenders—Film and Photography

George Kouvaros
New German Critique (2015) 42 (2 (125)): 81–95.
DOI: https://doi.org/10.1215/0094033X-2889272
Published: 01 August 2015
... at Work (New York: Harper and Row, 1982), 151. 88  Wim Wenders—Film and Photography Figure 3. Barbershop interior, Atlanta, Georgia, 1936 © The Metropolitan Museum of Art, Walker Evans Archive, 1994 (1994.258.353) affirm the medium’s capacity to induce what Miriam Bratu Hansen eloquently...
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Journal Article

Adorno’s Magic Lantern: On Film, Semblance, and Aesthetic Heteronomy

Ricardo Samaniego de la Fuente
New German Critique (2021) 48 (2 (143)): 147–175.
DOI: https://doi.org/10.1215/0094033X-8989302
Published: 01 August 2021
... . Vol. 1 of The Theory of Communicative Action , translated by McCarthy Thomas . Boston : Beacon , 1984 . Hansen Miriam Bratu . “ Alexander Kluge: Crossings between Film, Literature, Critical Theory .” In Film und Literatur: Literarische Texte und der neue deutsche Film , edited...
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Journal Article

Berlin in Pictures: Weimar City and the Loss of Landscape

An Paenhuysen
New German Critique (2010) 37 (1 (109)): 1–25.
DOI: https://doi.org/10.1215/0094033X-2009-015
Published: 01 February 2010
.... (Barcelona: Libres de recerca, 2000), 22. 29. Miriam Bratu Hansen, introduction to Siegfried Kracauer, Theory of Film: The Redemption of Physical Reality (Princeton, NJ: Princeton University Press, 1997), vii–liv. An Paenhuysen 15 Stone’s Berlin...
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Journal Article

Cutting through the Archive: Querschnitt Montage and Images of the World in Weimar Visual Culture

Michael Cowan
New German Critique (2013) 40 (3 (120)): 1–40.
DOI: https://doi.org/10.1215/0094033X-2325410
Published: 01 November 2013
... the sheer accumulation of details in illus- trated magazines) and as a medium that could reveal the contingency and arbitrariness of the social order (particularly in the case of aged photographs), see Miriam Bratu Hansen, Cinema and Expe- rience: Siegfried Kracauer, Walter Benjamin, and Theodor W...
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Journal Article

Kafka’s Animations: Trick Films, Narrative, Reification

Brook Henkel
New German Critique (2018) 45 (2 (134)): 67–98.
DOI: https://doi.org/10.1215/0094033X-6684153
Published: 01 August 2018
... : British Film Institute . Gunning Tom . 1995 . “ An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator .” In Viewing Positions: Ways of Seeing Film , edited by Williams Linda , 114 – 33 . New Brunswick, NJ : Rutgers University Press . Hansen Miriam Bratu...
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