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Journal Article
New German Critique (2020) 47 (3 (141)): 21–31.
Published: 01 November 2020
... that is capable of rescuing a piece of art from oblivion. Nonetheless, critics may be as misunderstood as the artist whose work they penetrate. 18. Grafe, “Douchet.” 19. Die Zeit , “‘Meteor’ geht auf.” 20. See, respectively, Reicher, “Und überhaupt,” 38 ; Martin, “Über Jugofilm...
Journal Article
New German Critique (2020) 47 (3 (141)): 1–5.
Published: 01 November 2020
... film criticism since the 1990s. It was in that decade that Meteor burst onto the scene, a film journal modeled on the legendary journal Filmkritik (1957–84), to which Grafe was a key contributor, and succeeded by kolik.film , published once a year in the first decade of the 2000s. Naqvi’s argument...
Journal Article
New German Critique (2020) 47 (3 (141)): 33–44.
Published: 01 November 2020
... Film ( Doomed Love: A Journey through German Genre Films , 2016); and Offene Wunde deutscher Film ( Open Wounds: A Journey through German Genre Films , 2017). 30. Also important in this temporal context are the Austrian journals Blimp , Filmlogbuch , and especially Meteor as well...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
... art is of course nowhere more evident than in the
meteoric rise of video games,” the digital genre whose popularity had far out-
stripped the popularity of motion pictures (CE, 202). She then concludes with
a double wager that accompanies her interest in future game theorists putting...
Journal Article
New German Critique (2014) 41 (3 (123)): 75–93.
Published: 01 November 2014
... in NS-Prozessen nach 1945, ed. Ulrike Weckel and Edgar Wolfrum (Göttingen: Vanden-
hoeck und Ruprecht, 2003), 25–37, 38–65, 66–91.
16. Arendt, Eichmann in Jerusalem, 4, 5.
17. Ruth Beckermann, “Haus der Gerechtigkeit: Eyal Sivans Eichmann Film Ein Spezialist,”
Meteor 5 (1999): 94. Hurwitz’s...
Journal Article
New German Critique (2010) 37 (3 (111)): 149–171.
Published: 01 November 2010
... to Schmitt, Blumenberg described the meteoric rise of this concept
within the context of attempting to convey the utter contingency of the legiti-
mation argument as “strange and almost paradoxical.”10 More specifically, it
did not derive from an established conceptual system, according to Blumen-
berg...
Journal Article
New German Critique (2017) 44 (3 (132)): 61–82.
Published: 01 November 2017
... was also a missed encounter, less easy to define but no less
important to articulate.
Scholem’s meteoric rise in the literary world of America had the per-
verse effect that most of what he wrote was taken at face value. To make this
point, I chart his engagement with the United States through...
Journal Article
New German Critique (2011) 38 (1 (112)): 9–38.
Published: 01 February 2011
...
Königszäsur and KZ in “I Drink Wine.”
60. Jacques Derrida describes Celan’s lyric aptly: “The image that comes to my mind is a meteor,
an interrupted blaze of light, a sort of caesura, a very brief moment leaving behind a trail of sparks
that I try to recover through his texts” (Sovereignties...
Journal Article
New German Critique (2021) 48 (3 (144)): 99–139.
Published: 01 November 2021
... shacks because they pose impossible questions. —Lisa Robertson, “Playing House” As Theodor W. Adorno once said of Franz Kafka, so we may say of W. G. Sebald: what baffles and eludes us in his work may one day provide the key to the whole. 1 Sebald’s rise to international acclaim was meteoric...
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