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Journal Article
New German Critique (2018) 45 (3 (135)): 175–203.
Published: 01 November 2018
... into these accounts of subjectivity: what Riegl finds in the Kunstwollen of different works of art, Lukács finds in the formal structures of social reality. The article thus reinterprets reification as the formal definition of the subject as an isolated individual playing no active part in the structure of social...
Journal Article
New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
...—Kunstwollen (the will-to-art) and Raum­ scheu (agoraphobia)—are borrowed from the preeminent art historian Alois Riegl, Worringer gives absolute credit to Simmel, the famously eclectic soci- ologist, for the sudden conception of his dissertation. With this gesture Wor- ringer seeks to place himself...