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Julian Radlmaier
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Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
...Volker Pantenburg Abstract This article examines the work of Max Linz and Julian Radlmaier, two German directors born in the mid-1980s. It traces their academic and practical training in film studies and film directing and highlights their aesthetic and political approach as an attempt to counter...
FIGURES
Image
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in Class Relations: Diagnoses of the Present in the Films of Julian Radlmaier and Max Linz
> New German Critique
Published: 01 November 2019
Figure 1. The two filmmakers, Julian Radlmaier (left) and Max Linz, as Frédéric Moreau and Deslauriers in A Specter Is Haunting Europe (2013), directed by Julian Radlmaier.
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Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... from those of Berlin School filmmakers. Volker Pantenburg discusses films by Julian Radlmaier and Max Linz, who are also products of the Deutsche Film- und Fernsehakademie Berlin (dffb). Their self-reflexive stylization as well as their anarchic humor might well be understood as a break...
Journal Article
New German Critique (2019) 46 (3 (138)): 79–101.
Published: 01 November 2019
... accept a capitalist commodity as an image of reality and the self-understood way things are. In this way, the film resembles other recent German films that have employed similar experimental breaks to see through advanced capitalist reality and probe its “constructed” quality. Julian Radlmaier’s...
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